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simon callery, Archive (1996). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
simon callery topimpressionists.com/sl/artists/simon-callery/
Datumi rojstva in smrti umetnika
1960 – ?
Naslikano
1996
Prvotna velikost
254 x 360 cm

V kontekstu

Archive — simon callery

Dimenzije

Prvotne dimenzije so 254 × 360 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine. Preveliko je za prikaz v ustreznem razmerju na tej strani.

Kdaj je bilo to naslikano?

  1. 1960
  2. 1970
  3. 1980
  4. 1990

Osenčeno: življenjsko obdobje simon callery (1960–?) ▲ to delo, 1996

Primerjajte z

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Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/simon-callery-archive-ARD6U9-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Rosy Brown #b6aea5

    Shranjena paleta

    • #B6AEA5
    • #A19D97
    • #919190
    • #ABA59F
    Paleta barv
    Monochrome Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Rosy Brown
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Serene V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    simon callery

    Simon Callery: Mapping the Urban Landscape Through Abstract Vision

    Simon Callery (born 1960) is an English artist whose distinctive approach to painting—characterized by fragmented, layered textures and evocative depictions of urban environments—has cemented his place as a pivotal figure within the Young British Artists movement and established him as one of Britain’s most respected contemporary painters. His work transcends mere representation; instead, it delves into psychological landscapes, exploring themes of memory, perception, and the elusive nature of experience.

    Born in London, Callery pursued formal artistic training at Cardiff College of Art, where he honed his skills in oil painting and developed a fascination with architectural forms and textures—influences that would profoundly shape his subsequent artistic endeavors. Early exhibitions showcased his burgeoning talent, establishing him within the vibrant milieu of British art during the nineties, alongside contemporaries like Liam Gilliland and Rachel Harrison. This period marked an initial foray into abstraction, where Callery began to dismantle recognizable imagery, prioritizing surface qualities and tonal harmonies over narrative content.

    Callery’s artistic trajectory gained considerable momentum with his inclusion in “Young British Artists III” at Saatchi Gallery (1994), a landmark exhibition that propelled him onto the international stage. This collective showcased a bold rejection of traditional art conventions, embracing experimentation and challenging viewers to reconsider established aesthetic boundaries. Subsequent projects—including collaborations with architects on the Segsbury Project—further solidified his commitment to exploring spatial relationships and materiality. The Segsbury project involved creating sculptural installations alongside archeologists at two significant sites in Wiltshire and Oxfordshire, reflecting Callery’s interest in engaging with history and uncovering hidden narratives within familiar landscapes.

    His work has been exhibited extensively across Europe and North America, garnering critical acclaim for its conceptual depth and visual impact. Notably, his paintings reside in the Tate Collection, a testament to their enduring artistic merit and contribution to British art history. Callery’s distinctive style—characterized by meticulous layering of pigment and textured surfaces—employs techniques reminiscent of Venetian Renaissance masters like Titian and Tintoretto, subtly referencing traditions of illusionistic painting while simultaneously forging an entirely original visual language. Through his exploration of urban spaces and psychological states, Simon Callery continues to provoke contemplation and inspire dialogue about the complexities of human perception and experience.

    Notable Exhibitions: Young British Artists III (1994), Art Now at Tate Britain (2002), Galerie Philippe Casini, Paris (2002)

    Collection Holdings: Tate Collection

    Influences: Venetian Renaissance Masters (Titian & Tintoretto); Architectural Forms and Textures

    Preberite več

    • Avtor simon callery topimpressionists.com/sl/artists/simon-callery/
    • Podobna dela Več del za primerjavo topimpressionists.com/sl/art/similar/simon-callery-archive-ARD6U9-en/

    Preverite na spletu

    QR koda za dostop do strani za prenos Archive

    topimpressionists.com/sl/art/download/simon-callery-archive-ARD6U9-en/

    Navodila za citiranje umetniškega dela

    MLA
    callery, simon. Archive. 1996, https://topimpressionists.com/sl/art/simon-callery-archive-ARD6U9-en/
    APA
    callery, simon (1996). Archive [Painting]. https://topimpressionists.com/sl/art/simon-callery-archive-ARD6U9-en/
    Chicago
    simon callery. Archive. 1996. https://topimpressionists.com/sl/art/simon-callery-archive-ARD6U9-en/
    Harvard
    callery, simon (1996) Archive. Available at: https://topimpressionists.com/sl/art/simon-callery-archive-ARD6U9-en/

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    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Borough and Trinity (1993), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. simon callery je bil star približno 36, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

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