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Vodnik po študentskem umetniškem delu

Hunter in a Landscape

Ime Razred Datum

Sr John E Ferneley, Hunter in a Landscape (1839), New Walk Museum - Art Gallery. Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Sr John E Ferneley topimpressionists.com/sl/artists/sr-john-e-ferneley/
Datumi rojstva in smrti umetnika
1782 – 1860
Naslikano
1839
Gibanje
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
V mestu/lokaciji
New Walk Museum - Art Gallery topimpressionists.com/sl/museums/new-walk-museum-art-gallery-leicester_sl/

V kontekstu

Hunter in a Landscape — Sr John E Ferneley

Kdaj je bilo to naslikano?

  1. 1780
  2. 1790
  3. 1800
  4. 1810
  5. 1820
  6. 1830
  7. 1840
  8. 1850
  9. 1860

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 78 ob smrti.

Naslikano, ko je bil avtor star 57. Umetnik je doživel 78 let. 50 od 72 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Sr John E Ferneley (1782–1860) ▲ to delo, 1839 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1823 Glavni delovni leti: 1823–1840 Pozna dela: od 1840

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

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Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: topimpressionists.com/sl/art/similar/sr-john-e-ferneley-hunter-in-a-landscape-AQQBME-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Putty #d2c9ca

    Katalogirana paleta

    • #D2C9CA
    • #24170F
    • #664F32
    • #9C9B99

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Neutrals Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Putty
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Bright Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Sr John E Ferneley v zadnjih dvanajst mesecih — skupaj 3 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 78,6%1.100 visits
    2. 2 Združene države Amerike 14,3%200 visits
    3. 3 Sirija 7,1%100 visits

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    15 najbolj gledanih del umetnika Sr John E Ferneley

    1. 1 A Strawberry Roan Mule and Two Lurchers in a Stable, and a Stable Lad, 1850 11,8%200 visits
    2. 2 Mr Powell and his Son, with Norton, a Grey Hunter, 1816 11,8%200 visits
    3. 3 The Quorn at Quenby (sketch), 1823 11,8%200 visits
    4. 4 Chestnut Hunter before a Stable, 1825 5,9%100 visits
    5. 5 Two Greyhounds and a Dead Hare, 1824 5,9%100 visits
    6. 6 Major Healey, Wearing Raby Hunt Uniform, Riding with the Sedgefield Hunt, 1833 5,9%100 visits
    7. 7 'Orion', a Chestnut Hunter Outside a Stable, 1831 5,9%100 visits
    8. 8 Longford Lass and the Jew, 1853 5,9%100 visits
    9. 9 Major Healey, Wearing Raby Hunt Uniform, Riding with the Sedgefield Hunt, 1833 5,9%100 visits
    10. 10 Melton Mowbray Horse Fair 5,9%100 visits
    11. 11 A Man in Hunt Uniform 5,9%100 visits
    12. 12 A Gentleman Holding Dangerous, the Winner of the 1833 Derby 5,9%100 visits
    13. 13 A Jockey On A Chestnut Hunter 5,9%100 visits
    14. 14 firebird and policy 5,9%100 visits
    15. — Hunter in a Landscape, 1839 ta slika 0,0%0 visits

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 90 del te umetnice, pri čemer je bilo 14 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Sr John E Ferneley

    The Master of the English Hunt

    In the golden age of British sporting art, few names evoke the thundering hooves and spirited pursuits of the Regency era quite like John Ferneley I. Born in 1782 in the quiet village of Thrussington, Leicestershire, Ferneley would grow to become a definitive chronicler of the English countryside. His life’s work serves as a vibrant window into a vanished world of aristocratic leisure, where the rhythm of rural life was dictated by the seasons and the exhilarating chase of the fox hunt. To study a Ferneley canvas is to step into the mist of an English morning, feeling the dampness of the dew and the palpable tension of the hounds in pursuit.

    Ferneley’s artistic identity was forged through a profound connection to the landscape and the animals that inhabited it. His early training under the esteemed Benjamin Marshall provided him with more than just technical proficiency; it bestowed upon him a specialized vocabulary of movement. Under Marshall's mentorship, Ferneley learned to translate the raw energy of a galloping horse and the subtle shifts in a rider's posture onto canvas. This foundation allowed him to transition from a student of sporting art to a master of its most complex nuances, eventually leading him to the prestigious Royal Academy School where his talent was refined for the grandest stages of British society.

    A Legacy of Motion and Detail

    The true brilliance of Ferneley’s oeuvre lies in his ability to balance meticulous realism with an almost breathless sense of motion. His compositions are rarely static; instead, they pulse with the vitality of the hunt. He possessed a rare, anatomical understanding of equine musculature, allowing him to depict the strain of a horse in full stride or the sudden halt of a startled beast with startling accuracy. This dedication to detail extended to the human element as well, capturing the varied expressions of hunters—from the focused intensity of the seasoned rider to the breathless excitement of the spectator.

    Throughout his prolific career, Ferneley secured the patronage of the highest echelons of British nobility. His studio in Melton Mowbray became a sanctuary for those seeking to immortalize their sporting triumphs. His catalog of work is vast, yet it maintains a consistent emotional resonance. Some of his most enduring contributions to the art world include:

    The Melton Mowbray Hunt: A sweeping tribute to the very heart of Leicestershire’s hunting traditions.

    Lord Henry Bentinck’s Chestnut Hunter ‘Firebird’: A masterful study in equine portraiture and individual character.

    St John’s Co-Cathedral: Demonstrating his ability to pivot from the kinetic energy of the hunt to more serene, architectural subjects.

    Historical Significance and Enduring Influence

    Beyond the mere documentation of social customs, Ferneley’s work holds a significant place in the evolution of British painting. While often categorized strictly within the genre of sporting art, his approach to light and atmosphere hinted at the burgeoning shifts in artistic thought that would later define the Impressionist movement. He did not merely paint horses; he painted the atmosphere in which they moved, capturing the fleeting qualities of light filtering through autumn leaves or the heavy gloom of a winter afternoon.

    As we look back upon his life, which concluded in 1860, we see an artist who successfully bridged the gap between traditional sporting portraiture and a more expressive, atmospheric style. His legacy remains etched in the annals of art history, serving as a vital link to the traditions of the English landed gentry and providing a timeless celebration of the bond between man, horse, and the natural world. Today, his works continue to captivate collectors and historians alike, standing as enduring monuments to the elegance and vigor of a bygone era.

    Muzej

    New Walk Museum - Art Gallery

    Na razstavi v Leicester, United Kingdom

    A Tapestry of Time: The Soul of Leicester Museum & Art Gallery

    Nestled along the historic promenade of New Walk, the

    Leicester Museum & Art Gallery

    stands as a profound testament to the enduring human impulse to collect, preserve, and celebrate. This venerable institution has evolved from a modest showcase of British art into a sprawling, multidisciplinary sanctuary where the boundaries between science, history, and fine art dissolve. To walk through its halls is to embark on a curated journey through the epochs, moving seamlessly from the primordial whispers of the Mesozoic Era to the avant-garde provocations of the twentieth century. The museum does not merely display objects; it orchestrates an encounter with the very essence of our shared heritage.

    The architectural grandeur of the museum serves as a stately prelude to the treasures within. Designed by the ingenious

    Joseph Hansom

    —the mastermind behind the iconic hansom cab—the building itself is a masterpiece of Victorian ambition, reflecting an era defined by progress and aesthetic rigor. Its structure provides a dignified stage for a collection that is as diverse as it and deep, offering a sense of stability and permanence amidst the ever-changing currents of history.

    A Confluence of Artistic Mastery and Scientific Wonder

    For the art lover, the gallery offers a breathtaking panorama of styles, most notably within its celebrated

    German Expressionist

    section. Here, the canvas erupts with bold, emotive colors and distorted forms that capture the raw psychological intensity of a transformative period in European history. This visceral energy is balanced by the exquisite

    Attenborough Collection of Picasso Ceramics

    , a world-renowned assemblage meticulously curated by Sir David Attenborough. This collection serves as a poignant intersection of scientific curiosity and artistic passion, showcasing how form and medium can transcend their physical boundaries.

    Beyond the realm of the canvas, the museum invites a deeper exploration into the mysteries of life and death. The halls are haunted by the magnificent silhouettes of prehistoric giants, including the formidable

    Tyrannosaurus Rex

    and the intricately detailed skeletons of the

    Cetiosaurus

    and

    Plesiosaur

    . These fossils, such as the beloved "George," offer a humbling perspective on the vast scales of geological time. This sense of wonder extends into the Ancient Egypt exhibit, where the quiet majesty of sarcophagi and intricately decorated mummies transports visitors to the banks of the Nile.

    For the interior designer or the discerning aesthete, the Leicester Museum & Art Gallery offers more than just educational value; it provides a profound source of inspiration. The museum’s unique ability to harmonize the rugged textures of paleontological finds with the delicate elegance of fine ceramics and the dramatic shadows of Expressionist works makes it a cornerstone of cultural enrichment. It remains a beacon for those who seek to find beauty in the intersection of the ancient and the modern, the scientific and the sublime.

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    QR koda za dostop do strani za prenos Hunter in a Landscape

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    Citiranje umetniškega dela

    MLA
    Ferneley, Sr John E. Hunter in a Landscape. 1839, New Walk Museum - Art Gallery. https://topimpressionists.com/sl/art/sr-john-e-ferneley-hunter-in-a-landscape-AQQBME-en/
    APA
    Ferneley, Sr John E (1839). Hunter in a Landscape [Painting]. New Walk Museum - Art Gallery. https://topimpressionists.com/sl/art/sr-john-e-ferneley-hunter-in-a-landscape-AQQBME-en/
    Chicago
    Sr John E Ferneley. Hunter in a Landscape. 1839. New Walk Museum - Art Gallery. https://topimpressionists.com/sl/art/sr-john-e-ferneley-hunter-in-a-landscape-AQQBME-en/
    Harvard
    Ferneley, Sr John E (1839) Hunter in a Landscape. New Walk Museum - Art Gallery. Available at: https://topimpressionists.com/sl/art/sr-john-e-ferneley-hunter-in-a-landscape-AQQBME-en/

    Oglejte si bližje

    Hunter in a Landscape — Sr John E Ferneley

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: horse painting, landscape art, rural scene. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si A Saddled Grey Hunter in a Loose Box (1854), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Kje lahko to opazite v tem delu?

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    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Ali so barve dela "Hunter in a Landscape" živahne ali utemeljene?

    Barvna zasičenost dela "Hunter in a Landscape" znaša Subtle Color, njegova intenzivnost pa je Balanced.

    Kdo je ustvaril "Hunter in a Landscape" in v letu katerega?

    Avtor dela "Hunter in a Landscape" je Sr John E Ferneley, delo pa je datirano v 1839.

    Kako nasičena je barvna paleta dela "Hunter in a Landscape"?

    Barve dela "Hunter in a Landscape" avtorja Sr John E Ferneley imajo Subtle Color zasičenost. Zasičenost opisuje, kako živahne ali utišane so barve.