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They're Turning Back

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Stephen Chaplin, They're Turning Back (2005). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Stephen Chaplin topimpressionists.com/sl/artists/stephen-chaplin/
Datumi rojstva in smrti umetnika
1934 –
Naslikano
2005
Prvotna velikost
25 x 31 cm

V kontekstu

They're Turning Back — Stephen Chaplin

Dimenzije

Prvotne dimenzije so 25 × 31 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

Naslikano, ko je bil avtor star 71. 76 od 112 datiranih del tega umetnika v našem katalogu je nastalo prej.

▲ to delo, 2005 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/stephen-chaplin-they-re-turning-back-AQUPC3-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Midnight Blue #073b82

    Shranjena paleta

    • #073B82
    • #407994
    • #9FA390
    • #095D9F

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Dark Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Midnight Blue
    Intenzivnost
    Vivid Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Clear Color Presence Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Stephen Chaplin v zadnjih dvanajst mesecih — skupaj 3 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 92,6%
    2. 2 Združeno kraljestvo 3,7%
    3. 3 Združene države Amerike 3,7%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    20 najbolj gledanih del umetnika Stephen Chaplin

    1. 1 Canadian Corner, My Grandfather Machine Gunned by Low Level Intruder, 1940, 2004 6,9%
    2. 2 The Farnborough Whistling Bombs, Early 1940, 2006 6,9%
    3. 3 Gas Mask Testing Van, War Memorial, 1939, 2004 6,9%
    4. 4 Enterprise Way and Causeway, SW18, 2002 6,9%
    5. 5 Hunterian Images (panel 1 of 4) 6,9%
    6. 6 In Memoriam The Instant Death Of Three Aviators, 1940–1941, 2006 3,4%
    7. 7 They're Turning Back, 2005 ta slika 3,4%
    8. 8 Peter Hammetts Trench A V1 Falls Nearby, Summer 1944, 2006 3,4%
    9. 9 Treatment in Minors, 2003 (detail) (a set of 7 progress paintings, panel 1 of 7), 2003 3,4%
    10. 10 1930s Houses and Orpington Bypass, 2003 3,4%
    11. 11 A Ju 52 Hedgehopping, 1939, 2005 3,4%
    12. 12 Treatment in Minors, 2003 (detail) (a set of 7 progress paintings, panel 3 of 7), 2003 3,4%
    13. 13 'Tudor Cars' and the Rail Bridge at the Foot of the Station Approach, 1994 3,4%
    14. 14 Unexploded Bomb, Winter 1940–1941, 2006 3,4%
    15. 15 Emma Barelli and the Examinees, Crabtree Lecture Theatre, 10 June 1983, 2001 3,4%
    16. 16 Battersea Power Station and St Mary's, Battersea, London (diptych, right panel), 2002 3,4%
    17. 17 Hunterian Images (panel 2 of 4) 3,4%
    18. 18 The Edge of Poverest Wood, 2003 3,4%
    19. 19 Hunterian Images (panel 3 of 4) 3,4%
    20. 20 The Davis Estate, 2003 3,4%

    Skupaj ti deli predstavljajo 85,5% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 123 del te umetnice, pri čemer je bilo 24 vsaj enkrat ogledanih. Ta slika zaseda 7 mesto med njimi, s 3,4% takšne pozornosti. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Stephen Chaplin

    A Witness to History: The Life and Art of Stephen Chaplin

    Stephen Chaplin, born in 1934, is a British artist whose work serves as a powerful visual record of World War II and its impact on the lives of ordinary people. Unlike many artists who documented the war from afar, Chaplin experienced it firsthand, an experience that profoundly shaped his artistic vision and imbued his paintings with a unique sense of immediacy and emotional depth. His canvases aren’t grand depictions of battles or heroic figures; instead, they focus on the quiet moments, the everyday realities of life under wartime conditions – the anxieties, the resilience, and the subtle shifts in society. Chaplin's art offers a poignant counterpoint to more conventional war imagery, emphasizing the human cost of conflict and the enduring spirit of those who lived through it.

    Early Life and Wartime Experiences

    Details regarding Chaplin’s early artistic training remain somewhat scarce, but his formative years were undeniably dominated by the Second World War. Growing up in Britain during this period meant a childhood steeped in the realities of air raids, rationing, and national service. This environment instilled in him a deep sense of patriotism and a keen awareness of social issues. Rather than directly enlisting, Chaplin served as an official war artist, documenting scenes across Britain – from bustling military installations to the quiet resilience of families coping with loss and uncertainty. It was during this time that he honed his observational skills and developed a distinctive style characterized by realism and emotional honesty. He wasn’t simply recording events; he was capturing the atmosphere of wartime Britain, the collective mood of a nation at war. This period proved pivotal in defining both his subject matter and artistic approach.

    Artistic Style and Recurring Themes

    Chaplin's paintings are firmly rooted in realism, but they transcend mere photographic representation. He possessed an exceptional ability to capture light and shadow, creating a sense of depth and atmosphere that draws the viewer into the scene. His palette is often muted, reflecting the somber tones of wartime Britain, though flashes of color appear strategically to highlight moments of hope or resilience. Aerial combat is a recurring theme in his work, but it’s rarely depicted with glorification; instead, Chaplin focuses on the vulnerability of pilots and the mechanical brutality of war. Equally prominent are scenes of everyday life – families huddled together during air raids, workers toiling in factories, and children playing amidst the ruins. Social commentary is subtly woven into his paintings, highlighting issues of class disparity and the sacrifices made by ordinary people. His work often features detailed depictions of aircraft, reflecting a fascination with aviation technology alongside its destructive potential.

    Major Achievements and Historical Significance

    While Chaplin may not be as widely recognized as some of his contemporaries, his contribution to wartime art is significant. His paintings provide invaluable insights into the lived experiences of those who endured WWII, offering a perspective often overlooked in more traditional historical accounts. He captured a Britain grappling with immense change, documenting the social fabric of a nation under pressure. His work has been exhibited in numerous galleries and museums across the UK, and his paintings are held in both public and private collections.

    Chaplin’s art serves as a powerful reminder of the human cost of war.

    He documented the resilience and spirit of ordinary people during extraordinary times.

    His realistic style and emotional honesty set his work apart from more conventional war imagery.

    The historical significance of Chaplin’s art lies in its ability to connect viewers with the past on a deeply personal level, fostering empathy and understanding. He wasn't just painting pictures; he was preserving memories and bearing witness to history. His paintings continue to resonate today, offering valuable lessons about courage, sacrifice, and the enduring power of the human spirit.

    Preberite več

    • Avtor Stephen Chaplin topimpressionists.com/sl/artists/stephen-chaplin/
    • Podobna dela Več del za primerjavo topimpressionists.com/sl/art/similar/stephen-chaplin-they-re-turning-back-AQUPC3-en/

    Preverite na spletu

    QR koda za dostop do strani za prenos They're Turning Back

    topimpressionists.com/sl/art/download/stephen-chaplin-they-re-turning-back-AQUPC3-en/

    Navodila za citiranje umetniškega dela

    MLA
    Chaplin, Stephen. They're Turning Back. 2005, https://topimpressionists.com/sl/art/stephen-chaplin-they-re-turning-back-AQUPC3-en/
    APA
    Chaplin, Stephen (2005). They're Turning Back [Painting]. https://topimpressionists.com/sl/art/stephen-chaplin-they-re-turning-back-AQUPC3-en/
    Chicago
    Stephen Chaplin. They're Turning Back. 2005. https://topimpressionists.com/sl/art/stephen-chaplin-they-re-turning-back-AQUPC3-en/
    Harvard
    Chaplin, Stephen (2005) They're Turning Back. Available at: https://topimpressionists.com/sl/art/stephen-chaplin-they-re-turning-back-AQUPC3-en/

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Examinees, Crabtree Lecture Theatre, 10 June 1983 (2001), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Stephen Chaplin je bil star približno 71, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    V letu katerega je bilo ustvarjeno delo "They're Turning Back" avtorja Stephen Chaplin?

    "They're Turning Back" izvira iz 2005. Ta datum delo situira v okvir Stephen Chaplinove kariere in obdobja, v katerem je nastalo.

    Kje lahko najdem umetniška dela, podobna delu "They're Turning Back" avtorja Stephen Chaplin?

    Delala, podobna delu "They're Turning Back", so navedena na strani Podobna dela tega umetniškega dela.

    Ali je "They're Turning Back" avtorja Stephen Chaplin v javni lastini?

    Z Имеzni avtorske pravice je "They're Turning Back" v še vedno pod avtorsko pravico.