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Priročnik za študentska dela

Philip Meyer

Ime in priimek Razred Datum

William Yellowlees, Philip Meyer (1824), Enfield Museum Service. Dostopno v javni lastnini. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
William Yellowlees topimpressionists.com/sl/artists/william-yellowlees/
Datumi rojstva in smrti umetnika
1796 – 1855
Naslikano
1824
Prvotna velikost
29 x 24 cm
Na lokaciji
Enfield Museum Service topimpressionists.com/sl/museums/enfield-museum-service-london/

V kontekstu

Philip Meyer — William Yellowlees

Dimenzije

Prvotne dimenzije so 29 × 24 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 59 ob smrti.

Naslikano, ko je bil avtor star 28. Umetnik je živel 59. 1 od 3 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje William Yellowlees (1796–1855) ▲ to delo, 1824 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: topimpressionists.com/sl/art/similar/william-yellowlees-philip-meyer-AS7VVZ-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #2b291d

    Shranjena paleta

    • #2B291D
    • #CBA37D
    • #4F3F27
    • #816842

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Phthalo Green
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja William Yellowlees v zadnjih dvanajst mesecih — skupaj 1 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Kitajska 100,0%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    1 najbolj gledanih del umetnika William Yellowlees

    1. 1 Philip Meyer, 1824 ta slika 100,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 7 del te umetnice, pri čemer je bilo 1 vsaj enkrat ogledanih. Ta slika zaseda 1 mesto med njimi, s 100,0% takšne pozornosti. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    William Yellowlees

    William Yellowlees: The Little Raeburn and the Dawn of Victorian Portraiture

    William Yellowlees, a name perhaps less familiar than those of his contemporaries, nevertheless holds a significant place in the history of 19th-century British art. Born in Mellerstain, Berwickshire, in 1796, Yellowlees’s career unfolded against the backdrop of rapid social and artistic change, ultimately establishing him as a prominent portrait painter known for his intimate depictions of individuals and his subtle yet powerful engagement with Victorian society. His journey from a small Scottish village to London's art scene is a testament to his talent and dedication, marked by both quiet success and enduring influence.

    Yellowlees’s artistic training began under the tutelage of William Shiels, a celebrated animal painter who had gained renown for his dramatic depictions of wildlife. This early exposure to Shiels's style—characterized by bold brushwork and a focus on capturing the essence of his subjects— undoubtedly shaped Yellowlees’s approach to portraiture. However, it was Yellowlees’s own distinctive sensibility that would ultimately define his artistic legacy. He quickly developed a reputation for producing remarkably small-scale portraits, earning him the affectionate sobriquet “the Little Raeburn,” a comparison referencing the renowned Scottish painter Henry Raeburn and acknowledging the miniature size of Yellowlees's works alongside their exceptional quality.

    Early Years and Edinburgh’s Artistic Circle

    Following his training with Shiels, Yellowlees established himself as a portrait painter in Edinburgh during the 1820s. This period coincided with a flourishing artistic community in the city, attracting artists from across Britain and Europe. Yellowlees quickly integrated into this vibrant scene, establishing connections with other prominent figures such as Sir Walter Scott and Prince Albert. His ability to capture not only physical likeness but also subtle nuances of personality made him a sought-after artist among the wealthy elite of Edinburgh.

    Yellowlees’s style during his time in Edinburgh was characterized by a refined elegance and a meticulous attention to detail. He favored a muted palette, employing delicate washes of color to create a sense of atmosphere and depth. His portraits often featured subjects posed in comfortable domestic settings, reflecting the prevailing trends of Victorian portraiture. Notably, he contributed twenty portraits to the Royal Academy between 1829 and 1845, demonstrating his growing recognition within the established art world.

    London and a Patron’s Favor

    In the late 1830s, Yellowlees moved to London, seeking new opportunities and a wider audience. His relocation proved fortuitous, as he quickly gained the patronage of Prince Albert, who recognized his talent and commissioned numerous portraits of members of the royal family and other prominent figures. This association significantly elevated Yellowlees’s status within the art world and provided him with access to influential circles.

    During his time in London, Yellowlees continued to refine his artistic style, experimenting with new techniques and approaches. He developed a particular skill for capturing the fleeting expressions of his subjects, imbuing his portraits with a sense of immediacy and intimacy. His work during this period is often characterized by a subtle psychological depth, revealing not only the outward appearance but also the inner thoughts and emotions of those he depicted.

    A Legacy of Intimacy and Observation

    William Yellowlees’s artistic legacy extends beyond his individual portraits. He was a keen observer of human nature, capturing the essence of Victorian society through his intimate depictions of individuals. His small-scale works, often executed with remarkable delicacy and precision, offer a unique window into the lives and personalities of those who inhabited Britain during the 19th century.

    Yellowlees’s influence on subsequent generations of portrait painters is also noteworthy. His emphasis on capturing psychological depth and his innovative use of color and light paved the way for new approaches to portraiture, contributing to the development of a more nuanced and expressive art form. Though he may not be as widely celebrated as some of his contemporaries, William Yellowlees remains a significant figure in British art history—a testament to the power of observation, skill, and quiet artistic vision.

    Muzej

    Enfield Museum Service

    Na razstavi v London, United Kingdom

    A Tapestry of Time: The Quiet Grandeur of Enfield Museum Service

    Nestled within the vibrant pulse of North London, the Enfield Museum Service offers an experience that transcends the typical museum visit. It is not a place of overwhelming spectacle or monumental masterpieces designed to intimidate, but rather a sanctuary for contemplation and discovery. The architecture itself, part of the Dugdale Arts Centre, invites visitors into a serene environment where the unassuming façade belies the profound depth of the stories held within. Here, history is not presented as a distant, unreachable concept, but as an intimate narrative woven from the very fabric of local life.

    Echoes of Antiquity and Industrial Ingenuity

    To wander through the museum's galleries is to embark on a journey across millennia. The collection serves as a poignant bridge between the primordial past and the technological present. One cannot help but feel a sense of awe when encountering the

    colossal mammoth bones

    unearthed from Tatem Park, relics that evoke a landscape dominated by magnificent, prehistoric giants. This sense of ancient wonder continues with the museum’s Roman treasures, most notably an

    extraordinary lead coffin

    that serves as a silent, tangible link to the individuals who once inhabited this region, prompting deep reflections on mortality and the enduring legacy of ancient civilizations.

    Yet, the narrative does not rest in antiquity. The museum masterfully transitions into the era of human progress, showcasing the transformative power of the Industrial Revolution. Through a curated selection of artifacts—ranging from early firearms to the nostalgic glow of early televisions and vintage household appliances—the collection celebrates the relentless pursuit of innovation. These objects are more than mere relics; they are symbols of evolving domestic routines and the technological heartbeat that shaped Enfield’s manufacturing identity.

    A Living Connection to Community and Nature

    What truly distinguishes the Enfield Museum Service is its role as a vital cultural hub, where the boundaries between the past and the present are perpetually blurred. The museum’s vast collection of over 20,000 objects is thoughtfully organized into themes that resonate with the human experience:

    Nature:

    Exploring the biological heritage and prehistoric wonders of the region.

    Home:

    Delving into the evolution of domestic life and personal belongings.

    Production:

    Honoring the industrial spirit and technological milestones.

    People:

    Celebrating the stories of notable residents and the community's shared history.

    Through interactive elements like QR codes and rotating exhibitions that often feature local contributions, the museum fosters an active sense of participation. It is a place where every visitor, whether an art lover, a historian, or a designer seeking inspiration in texture and form, can find a personal connection to the enduring spirit of Enfield.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Philip Meyer

    topimpressionists.com/sl/art/download/william-yellowlees-philip-meyer-AS7VVZ-en/

    Navodila za citiranje umetniškega dela

    MLA
    Yellowlees, William. Philip Meyer. 1824, Enfield Museum Service. https://topimpressionists.com/sl/art/william-yellowlees-philip-meyer-AS7VVZ-en/
    APA
    Yellowlees, William (1824). Philip Meyer [Painting]. Enfield Museum Service. https://topimpressionists.com/sl/art/william-yellowlees-philip-meyer-AS7VVZ-en/
    Chicago
    William Yellowlees. Philip Meyer. 1824. Enfield Museum Service. https://topimpressionists.com/sl/art/william-yellowlees-philip-meyer-AS7VVZ-en/
    Harvard
    Yellowlees, William (1824) Philip Meyer. Enfield Museum Service. Available at: https://topimpressionists.com/sl/art/william-yellowlees-philip-meyer-AS7VVZ-en/

    Poglejte bližje

    Philip Meyer — William Yellowlees

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Sir William Wightman (1784–1863), Honorary Fellow (1859) (1841), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. William Yellowlees je bil star približno 28, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kakšno barvno harmonijo prikazuje "Philip Meyer" avtorja William Yellowlees?

    "Philip Meyer" avtorja William Yellowlees prikazuje Strong Color Unity barvno harmonijo.

    Katera paleta in katera prevladujoča barva definirata "Philip Meyer"?

    Barvna identiteta dela "Philip Meyer" avtorja William Yellowlees: paleta Earthy, ki prevladuje z barvo Phthalo Green (#2b291d).

    Kako si lahko ogledam predogled reprodukcije dela "Philip Meyer" avtorja William Yellowlees?

    Predogled dela "Philip Meyer" avtorja William Yellowlees je na strani Predogled za to umetniško delo.