Atelje — Brezplačna svetovna dostava — Dostava v 2–6 tednih
      Adèle Romany, 1769 – 1846

      37 najbolj znanih slik umetnika Adèle Romany

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) je slika, po kateri je najbolj znan Adèle Romany; pripada muzeju National Museum of Women in the Arts, Washington, D.C.. Madame Coury, Duhamel Widow (1811) in Portrait of a Young Woman (1804) dopolnjujeta trio najbolj priljubljenih platn. Naš katalog vsebuje 39 del avtorja Adèle Romany. Tukaj je 37 najbolj znanih delov, vključno z letom nastanka, muzejom in zgodbojo vsakega platna.

      Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.

      Portret Adèle Romany
      Adèle Romany · 1769 – 1846
      Rodil se · umrl
      1769 – 1846, Paris
      Gibanje
      Neoclassicism
      Delo v našem katalogu
      39
      Najbolj znana
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
      Največ del v
      Library-museum of the Comédie-Française

      Deset najbolj priljubljenih slik umetnika Adèle Romany

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) avtorja Adèle Romany
      1

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

      1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

      The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

      Ročno slikana oljna reprodukcija od $178 27 × 36 cm Velikost kot pri originalu $522 97 × 128 cm Naročite v originalni velikosti →
      Madame Coury, Duhamel Widow (1811) avtorja Adèle Romany
      2

      Madame Coury, Duhamel Widow

      1811 · Oil On Canvas · Nationalmuseum, Stockholm

      In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

      Ročno slikana oljna reprodukcija od $178 28 × 36 cm Velikost kot pri originalu $467 90 × 117 cm Naročite v originalni velikosti →
      Portrait of a Young Woman (1804) avtorja Adèle Romany
      3

      Portrait of a Young Woman

      1804 · Oil On Canvas · Musée Marmottan Monet, Pariz

      The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

      Ročno slikana oljna reprodukcija od $178 29 × 35 cm Velikost kot pri originalu $242 51 × 61 cm Naročite v originalni velikosti →
      Portrait of Julie Candeille (1791) avtorja Adèle Romany
      4

      Portrait of Julie Candeille

      1791 · Oil On Canvas

      In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

      Ročno slikana oljna reprodukcija od $178 29 × 34 cm
      Portrait of a Young Harpist (1795) avtorja Adèle Romany
      5

      Portrait of a Young Harpist

      1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

      The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

      Ročno slikana oljna reprodukcija od $178 28 × 35 cm Velikost kot pri originalu $351 73 × 92 cm Naročite v originalni velikosti →
      Portrait of a woman (1795) avtorja Adèle Romany
      6

      Portrait of a woman

      1795 · Oil On Canvas · Musée Jacquemart-André, Pariž

      The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

      Ročno slikana oljna reprodukcija od $178 29 × 35 cm Velikost kot pri originalu $291 62 × 76 cm Naročite v originalni velikosti →
      Portrait of Amélie-Justine Pontois (1795) avtorja Adèle Romany
      7

      Portrait of Amélie-Justine Pontois

      1795 · Oil

      In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

      Ročno slikana oljna reprodukcija od $178 28 × 36 cm Velikost kot pri originalu $240 49 × 61 cm Naročite v originalni velikosti →
      Charles-Antoine d'Artenay (1792) avtorja Adèle Romany
      8

      Charles-Antoine d'Artenay

      1792 · Oil On Canvas · Château de Versailles, Versailles

      The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

      Ročno slikana oljna reprodukcija od $178 29 × 35 cm Velikost kot pri originalu $253 53 × 65 cm Naročite v originalni velikosti →
      Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) avtorja Adèle Romany
      9

      Portrait of Amélie-Justine and Charles-Édouard Pontois

      1800 · Oil

      The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

      Ročno slikana oljna reprodukcija od $203 28 × 35 cm Velikost kot pri originalu $377 73 × 92 cm Naročite v originalni velikosti →
      A young person hesitating to play the piano in front of her family (1804) avtorja Adèle Romany
      10

      A young person hesitating to play the piano in front of her family

      1804 · Oil On Canvas · Frances Lehman Loeb Art Center

      The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

      Ročno slikana oljna reprodukcija od $278 36 × 28 cm Velikost kot pri originalu $746 146 × 113 cm Naročite v originalni velikosti →

      Adèle Romany: platna od 11 do 37 na lestici

      Mlle Raucourt as Agrippine (1812) avtorja Adèle Romany
      #22

      Mlle Raucourt as Agrippine

      1812 · Library-museum of the Comédie-Française

      In this portrait, titled Mlle Raucourt as Agrippine, the artist Adèle Romany presents a striking study of the celebrated French actress Françoise Marie Antoinette Saucerotte. Known professionally as…

      Prinesite to svetlobo dom od $178 →
      Portrait of Voltaire (1836) avtorja Adèle Romany
      #35

      Portrait of Voltaire

      1836 · Library-museum of the Comédie-Française

      In the Portrait of Voltaire by Adèle Romany, the subject is captured in a bust-length study. The man is positioned slightly off-center, his body turned toward the viewer's…

      Prinesite to svetlobo dom od $178 →
      Baptiste cadet (1832) avtorja Adèle Romany
      #36

      Baptiste cadet

      1832 · Library-museum of the Comédie-Française

      The artwork titled Baptiste cadet is a portrait executed by the artist Adèle Romany. This specific piece was created in 1832. The subject of the painting is a…

      Prinesite to svetlobo dom od $178 →

      Plotna dela umetnika Adèle Romany, razdeljena po obdobjih

      Kaj je Adèle Romany naslikal največ

      Četiri teme, ki se najpogosteje pojavljajo na teh platnah, vsaka z svojim najbolj priljubljenim primerom.

      Kje so razpostavljena platna umetnika Adèle Romany

      8 muzejev, ki vsebujo največ slik na tej strani.

      Muzej Mesto Sloga Adèle Romany Slike iz tega seznama
      Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
      Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
      Muzej fine arts, BostonMuzej fine arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
      National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
      Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
      Musée Marmottan Monet, ParizMusée Marmottan Monet Pariz 1 Portrait of a Young Woman
      Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
      Musée Jacquemart-André, ParižMusée Jacquemart-André Pariž 1 Portrait of a woman

      Najbolj znano platno umetnika Adèle Romany, desetletje za desetletjem

      1. 1790s
      2. 1800s
        Portrait of a Young Woman (1804) avtorja Adèle Romany
        3 od 37

        Portrait of a Young Woman

        Starost 31 – 40 · Musée Marmottan Monet

        The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

      3. 1810s
        Madame Coury, Duhamel Widow (1811) avtorja Adèle Romany
        Platno 2 od 37

        Madame Coury, Duhamel Widow

        Starost 41 – 50 · Nationalmuseum

        In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

      4. 1830s
        Portrait de Zoé Prévost, de l'Opéra-Comique (1830) avtorja Adèle Romany
        Rangirano 32 od 37

        Portrait de Zoé Prévost, de l'Opéra-Comique

        Starost 61 – 70 · Musée Magnin

        The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…

      Plotna dela umetnika Adèle Romany, odgovor po odgovoru

      Za katero platno je Adèle Romany najbolj znan?Preberite odgovor

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. sledita Madame Coury, Duhamel Widow (1811) in Portrait of a Young Woman (1804).

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou: koliko je bil Adèle Romany star, ko je bilo to naslikano?Preberite odgovor

      Adèle Romany, rojen leta 1769, je imel 26 let: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou datira iz leta 1795.

      Katera je deset najbolj znanih platn na delu umetnika Adèle Romany?Preberite odgovor

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois in A young person hesitating to play the piano in front of her family. Vsako platno v zgornji uvrstitvi vključuje leto nastanka in muzej.

      Koliko slik je ustvaril Adèle Romany?Preberite odgovor

      V našem katalogu je 39 del umetnika Adèle Romany, datiranih od 1791 do 1836.

      Kje se danes nahajajo najbolj znana platna umetnika Adèle Romany?Preberite odgovor

      Večinoma v Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) in Muzej fine arts (Boston); zgornji seznam navaja vsak muzej in njegova platna.

      Kdaj je Adèle Romany naslikal svoja najbolj znana platna?Preberite odgovor

      V obdobju 1800s, ki je vključilo 13 od 37 del na tej strani, je med njimi tudi Portrait of a Young Woman.

      Kateri slikovodni platno znate izpostaviti izmed del Adèle Romany – katero je prišlo prvič in katero zadnje?Preberite odgovor

      Najstarejše platno tukaj je Portrait of Julie Candeille (1791); najstarejše je Portrait of Voltaire (1836).

      Katere teme je Adèle Romany najpogosteje slika?Preberite odgovor

      Woman (24), Man (14) in White dress (6), na 37 delih na tej strani.

      Katera tehnika se najpogosteje pojavlja v slikah umetnika Adèle Romany?Preberite odgovor

      Oil On Canvas, uporano v 29 od 37 del na tej strani.

      S katerim umetnostnim slogom je povezan Adèle Romany?Preberite odgovor

      Neoclassicism, kot to pokažejo platna na tej strani.

      Katera dela umetnika Adèle Romany so v muzeju Library-museum of the Comédie-Française?Preberite odgovor

      Muzej Library-museum of the Comédie-Française, Paris hrani 5 del z te strani, med katerimi so tudi Portrait of Emilie Leverd, Mlle Raucourt as Agrippine in Portrait of Fleury.

      Kje lahko kupim reprodukcijo slike avtorja Adèle Romany?Preberite odgovor

      Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.

      Spoznajte slikarja: Adèle Romany

      Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

      Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

      Early Life and Artistic Training

      • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
      • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
      • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

      Artistic Style and Notable Works

      • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
      • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
      • Notable Works:
        • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
        • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
        • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
      • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

      Recognition and Historical Significance

      • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
      • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
      • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
      • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

      Legacy and Rediscovery

      Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.