Cornelia Scheffer, 1769 – 1839
Cornelia Scheffer: 4 najbolj znanih slik
Med vsemi slikami umetnika Cornelia Scheffer je najbolj znana Self-portrait (1795); razpolaga v muzeju Dordrechts Museum, Dordrecht. Takoj za njima sta Woman with Two Children on a Country Road (1811) in The Women of Souli (1833). Med 4 dela umetnika Cornelia Scheffer v našem katalogu so ta 4 najbolj znamenita, od katerih je vsaka prikazana z letom nastanka, muzejem in zgodbojo.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
- Rodil se · umrl
- 1769 – 1839, Dordrecht
- Delo v našem katalogu
- 4
- Najbolj znana
- Self-portrait (1795)
- Največ del v
- Dordrechts Museum
10 najbolj znamenitih slik umetnika Cornelia Scheffer
2
Woman with Two Children on a Country Road
Ročno slikana oljna reprodukcija od $203 29 × 34 cm
Velikost kot pri originalu $306 60 × 73 cm Naročite v originalni velikosti →
3
The Women of Souli
Ročno slikana oljna reprodukcija od $453 37 × 27 cm
Velikost kot pri originalu $745 112 × 95 cm Naročite v originalni velikosti →
4
Portrait of a small child presumably Karel Arnoldus Scheffer at 3 years of age
Ročno slikana oljna reprodukcija od $178 30 × 33 cm
Kje so razpostavljena platna umetnika Cornelia Scheffer
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Cornelia Scheffer | Slike iz tega seznama |
|---|---|---|---|
 Dordrechts Museum |
Dordrecht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Dekada za dekado: najboljja platna umetnika Cornelia Scheffer
-
1790s
1 od 4Self-portrait
-
1810s
-
1830s
Platno 3 od 4The Women of Souli
Vaša vprašanja o slikah umetnika Cornelia Scheffer, answered
Katero je najbolj znano sliko avtorja Cornelia Scheffer?Preberite odgovor
Self-portrait (1795), Dordrechts Museum, Dordrecht. sledita Woman with Two Children on a Country Road (1811) in The Women of Souli (1833).
Koliko je bil Cornelia Scheffer star ob nastanku dela Self-portrait?Preberite odgovor
Cornelia Scheffer, rojen leta 1769, je imel 26 let: Self-portrait datira iz leta 1795.
Koliko je znanih slik avtorja Cornelia Scheffer?Preberite odgovor
V našem katalogu je 4 del umetnika Cornelia Scheffer, datiranih od 1795 do 1833.
V katerih muzejih so shranjena najbolj znana platna umetnika Cornelia Scheffer?Preberite odgovor
Večinoma v Dordrechts Museum (Dordrecht); zgornji seznam navaja vsak muzej in njegova platna.
Kateri sta prva in zadnja znana platna umetnika Cornelia Scheffer?Preberite odgovor
Najstarejše platno tukaj je Self-portrait (1795); najstarejše je The Women of Souli (1833).
Kaj lahko vidim od Cornelia Scheffer v muzeju Dordrechts Museum?Preberite odgovor
Muzej Dordrechts Museum, Dordrecht hrani 4 del z te strani, med katerimi so tudi Self-portrait, Woman with Two Children on a Country Road in The Women of Souli.
Ali lahko naročim ročno naslikano kopijo slike avtorja Cornelia Scheffer?Preberite odgovor
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
Cornelia Scheffer: zgodba slikarja
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.