Atelje — Brezplačna svetovna dostava — Dostava v 2–6 tednih
      Daniel Saint, 1778 – 1847

      6 najbolj znanih slik umetnika Daniel Saint

      Portrait de Mme Savary, duchesse de Rovigo (1840) je slika, po kateri je najbolj znan Daniel Saint. Portrait of Lodewijk Napoleon Bonaparte (1810) in Portrait of the duchess of berry dopolnjujeta trio najbolj priljubljenih platn. Naš katalog vsebuje 7 del avtorja Daniel Saint. Tukaj je 6 najbolj znanih delov, vključno z letom nastanka, muzejom in zgodbojo vsakega platna.

      Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.

      Portret Daniel Saint
      Daniel Saint · 1778 – 1847
      Rodil se · umrl
      1778 – 1847, Saint-Lô
      Delo v našem katalogu
      7
      Najbolj znana
      Portrait de Mme Savary, duchesse de Rovigo (1840)
      Največ del v
      Nationalmuseum

      Deset najbolj priljubljenih slik umetnika Daniel Saint

      Portrait of Lodewijk Napoleon Bonaparte (1810) avtorja Daniel Saint
      2

      Portrait of Lodewijk Napoleon Bonaparte

      1810 · Wallace Collection, London

      Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the likeness of the King of Holland, rendered with the precision required for such a small scale. The figure is presented with a sense of quiet dignity, emerging from a dark, atmospheric background that focuses all attention on the sitter. Every detail of…

      Ročno slikana oljna reprodukcija od $178 32 × 32 cm
      Lady with a Greyhound (1842) avtorja Daniel Saint
      6

      Lady with a Greyhound

      1842

      Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

      Ročno slikana oljna reprodukcija od $178 24 × 41 cm

      Kje so razpostavljena platna umetnika Daniel Saint

      3 muzejev, ki vsebujo največ slik na tej strani.

      Muzej Mesto Sloga Daniel Saint Slike iz tega seznama
      Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
      Wallace Collection, LondonWallace Collection London 1 Portrait of Lodewijk Napoleon Bonaparte
      Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

      Najbolj znana platna umetnika Daniel Saint, leta za letom

      33 let svetlobe in barv umetnika Daniel Saint, od 1810 do 1842: najbolj znana platna vsakega leta, jedno za drugim.

      1. 1810
        Portrait of Lodewijk Napoleon Bonaparte (1810) avtorja Daniel Saint
        2 od 6

        Portrait of Lodewijk Napoleon Bonaparte

        Starost 32 let · Wallace Collection

        Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the…

      2. 1840
      3. 1842
        Lady with a Greyhound (1842) avtorja Daniel Saint
        Platno 6 od 6

        Lady with a Greyhound

        Starost 64 let

        Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

      Plotna dela umetnika Daniel Saint, odgovor po odgovoru

      Za katero platno je Daniel Saint najbolj znan?Preberite odgovor

      Portrait de Mme Savary, duchesse de Rovigo (1840), ki mu sledijo Portrait of Lodewijk Napoleon Bonaparte (1810) in Portrait of the duchess of berry.

      Portrait de Mme Savary, duchesse de Rovigo: koliko je bil Daniel Saint star, ko je bilo to naslikano?Preberite odgovor

      Daniel Saint, rojen leta 1778, je imel 62 let: Portrait de Mme Savary, duchesse de Rovigo datira iz leta 1840.

      Koliko slik je ustvaril Daniel Saint?Preberite odgovor

      V našem katalogu je 7 del umetnika Daniel Saint, datiranih od 1810 do 1842.

      Kje se danes nahajajo najbolj znana platna umetnika Daniel Saint?Preberite odgovor

      Večinoma v Nationalmuseum (Stockholm), Wallace Collection (London) in Château de Chambord (Chambord); zgornji seznam navaja vsak muzej in njegova platna.

      Kateri slikovodni platno znate izpostaviti izmed del Daniel Saint – katero je prišlo prvič in katero zadnje?Preberite odgovor

      Najstarejše platno tukaj je Portrait of Lodewijk Napoleon Bonaparte (1810); najstarejše je Lady with a Greyhound (1842).

      Katera dela umetnika Daniel Saint so v muzeju Nationalmuseum?Preberite odgovor

      Muzej Nationalmuseum, Stockholm hrani 2 del z te strani, med katerimi so tudi Unknown Man in Charles X, King of France and Navarre.

      Kje lahko kupim reprodukcijo slike avtorja Daniel Saint?Preberite odgovor

      Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.

      Spoznajte slikarja: Daniel Saint

      The Delicate Touch of Parisian Miniature Painting

      Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

      Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

      A Revolution of Light and Texture

      What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

      As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

      Legacy and Imperial Recognition

      The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

      Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

      • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
      • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
      • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
      • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
      Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.