Atelje — Brezplačna svetovna dostava — Dostava v 2–6 tednih
      Frederic Yates, 1854 – 1919

      16 najbolj znanih slik umetnika Frederic Yates, razvrščeno po popularnosti

      Najbolj priljubljeno sliko avtorja Frederic Yates je Charlotte Mason (1842–1923) (1902). Nato sledeta Path on Nab Scar (1900) in At Dent, August 1904 (1904) med platnami, ki jih bralci najbolje poznajo. Naš katalog vsebuje 16 del avtorja Frederic Yates: tukaj je 16 najbolj znanih del, od katerih vsako navaja leto nastanka, muzej in razlog za njihovo nepozabnost.

      Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.

      Portret Frederic Yates
      Frederic Yates · 1854 – 1919
      Rodil se · umrl
      1854 – 1919, Southampton
      Delo v našem katalogu
      16
      Najbolj znana
      Charlotte Mason (1842–1923) (1902)
      Največ del v
      Abbot Hall Art Gallery

      10 najboljjših slik umetnika Frederic Yates: platna, ki jih vsi poznajo

      Charlotte Mason (1842–1923) (1902) avtorja Frederic Yates
      1

      Charlotte Mason (1842–1923)

      1902 · Oil On Canvas

      The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a gesture of deep reflection. She wears a dark, somber dress and a scarf that wraps around her neck, grounding her presence against the warmth of the red table before her. Nearby, a book rests, its presence suggesting the source of her meditation…

      Ročno slikana oljna reprodukcija od $178 27 × 37 cm Velikost kot pri originalu $211 40 × 52 cm Naročite v originalni velikosti →

      Več platn, ki jih je ustvaril Frederic Yates, od 11 do 16

      Kje so razpostavljena platna umetnika Frederic Yates

      5 muzejev, ki vsebujo največ slik na tej strani.

      Muzej Mesto Sloga Frederic Yates Slike iz tega seznama
      Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 5 Path on Nab Scar, Rydal Valley, View near Rydal
      Kendal Town Hall, KendalKendal Town Hall Kendal 3 Frederick Punchard, John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905), William Dilworth Crewdson (c.1838–1908), High Sheriff of Westmorland (1888) and Chairman of Westmorland County Council (1906–1907)
      Cumbria Archive And Local Studies Centre, Barrow-in-FurnessCumbria Archive And Local Studies Centre Barrow-in-Furness 1 At Dent, August 1904
      University of Birmingham, BirminghamUniversity of Birmingham Birmingham 1 Ernest de Sélincourt (1870–1943), Professor of English
      Laing Art Gallery, Newcastle upon TyneLaing Art Gallery Newcastle upon Tyne 1 Japanese Shrine

      Najljubša platna umetnika Frederic Yates, leto za letom

      15 let ob platnu, od 1900 do 1914: najbolj priljubljena platna umetnika Frederic Yates, leta za letom.

      1. 1900
      2. 1901
        Girl with a Pigeon (1901) avtorja Frederic Yates
        16 od 16

        Girl with a Pigeon

        Starost 47 let · Abbot Hall Art Gallery

        The painting "Girl with a Pigeon" by Frederic Yates is a stunning example of early 20th-century art. Created in 1901, this oil on canvas piece measures 32 x…

      3. 1902
        Charlotte Mason (1842–1923) (1902) avtorja Frederic Yates
        Platno 1 od 16

        Charlotte Mason (1842–1923)

        Starost 48 let

        The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a…

      4. 1904
      5. 1904
      6. 1907
      7. 1914

      O platnah umetnika Frederic Yates: odgovori na vaša vprašanja

      Katero je najbolj znano sliko avtorja Frederic Yates?Preberite odgovor

      Charlotte Mason (1842–1923) (1902), ki mu sledijo Path on Nab Scar (1900) in At Dent, August 1904 (1904).

      Koliko je bil Frederic Yates let, ko je bilo naslikano delo Charlotte Mason (1842–1923)?Preberite odgovor

      Frederic Yates, rojen leta 1854, je imel 48 let: Charlotte Mason (1842–1923) datira iz leta 1902.

      Katera je 10 najbolj znanih slik umetnika Frederic Yates?Preberite odgovor

      Charlotte Mason (1842–1923), Path on Nab Scar, At Dent, August 1904, John Henry Bridges (1832–1906), Ernest de Sélincourt (1870–1943), Professor of English, Rydal Water, Rydal Valley, View near Rydal, Frederick Punchard in John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905). Vsako platno v zgornji uvrstitvi vključuje leto nastanka in muzej.

      Koliko je vsehih del, ki jih je naslikal Frederic Yates?Preberite odgovor

      V našem katalogu je 16 del umetnika Frederic Yates, datiranih od 1900 do 1914.

      Kje lahko vidim najslavnejša platna umetnika Frederic Yates?Preberite odgovor

      Večinoma v Abbot Hall Art Gallery (Kendal), Kendal Town Hall (Kendal) in Cumbria Archive And Local Studies Centre (Barrow-in-Furness); zgornji seznam navaja vsak muzej in njegova platna.

      Kdaj je Frederic Yates naslikal svoja najbolj priljubljena platna?Preberite odgovor

      V obdobju 1904, ki je vključilo 2 od 16 del na tej strani, je med njimi tudi At Dent, August 1904.

      Kateri so najstarejši in najmlajši znani platni sliki umetnika Frederic Yates?Preberite odgovor

      Najstarejše platno tukaj je Path on Nab Scar (1900); najstarejše je Rydal Water (1914).

      Katera platna umetnika Frederic Yates so razstavljena v muzeju Abbot Hall Art Gallery?Preberite odgovor

      Muzej Abbot Hall Art Gallery, Kendal hrani 5 del z te strani, med katerimi so tudi Path on Nab Scar, Rydal Valley in View near Rydal.

      Ali lahko kupim reprodukcijo platna avtorja Frederic Yates?Preberite odgovor

      Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.

      Frederic Yates: življenje v barvah

      A Life Painted in Light: The Story of Frederic Yates

      Frederic Yates, born Frederick Keeping in 1854 and passing in 1919, remains a compelling figure within the landscape tradition of Victorian Britain. Though perhaps not a household name today, his evocative paintings – often signed simply as “F. Yates” – capture a particular mood of romantic contemplation that resonates deeply with viewers even now. His life story is one woven into the fabric of artistic shifts and societal changes, a journey from early promise to a dedicated practice focused on capturing the beauty of the English countryside and the dignity of portraiture. While biographical details are somewhat scarce, piecing together his exhibition history and stylistic development reveals an artist deeply attuned to both the technical demands of his craft and the emotional power of light and atmosphere.

      Early Years and Artistic Training

      The early life of Frederick Keeping is shrouded in some mystery. Records suggest a formal artistic education, though the specifics remain elusive. It’s believed he studied at the prestigious South Kensington Art Schools – later to become the Royal College of Art – during a period when academic realism was dominant. This foundation undoubtedly instilled in him a mastery of technique and an understanding of composition. However, Yates quickly moved beyond strict imitation, developing a style that embraced a more subjective interpretation of nature. The adoption of “Frederic Yates” as his professional name suggests a deliberate forging of a new artistic identity, perhaps distancing himself from the constraints of earlier training or seeking to establish a unique presence in the crowded art market. His early works demonstrate a clear influence of the Barbizon school and artists like John Constable, evident in their naturalistic depictions of rural scenes and subtle handling of light.

      The Alluring Landscapes: A Romantic Vision

      Yates’s most celebrated work centers around his landscapes. These are not merely topographical representations; they are imbued with a sense of quiet drama and emotional depth. He favored idyllic settings – rolling hills, tranquil woodlands, shimmering rivers – often bathed in the soft glow of dawn or dusk. His paintings evoke a feeling of nostalgia for a vanishing rural England, a sentiment that resonated strongly with Victorian audiences undergoing rapid industrialization. Yates’s technique is characterized by delicate brushwork and a masterful use of color to create atmospheric effects. He wasn't interested in grand, sweeping vistas but rather in intimate scenes that invited contemplation. The influence of the Pre-Raphaelites can be seen in his attention to detail and his desire to capture the beauty of the natural world with almost photographic accuracy, yet he infused these details with a romantic sensibility. He skillfully balanced realism with an emotional response to the landscape, creating works that are both visually stunning and deeply moving.

      Portraiture: Capturing Character and Dignity

      Alongside his landscapes, Yates also produced a significant body of portrait work. These portraits, often depicting members of the middle class, reveal a sensitivity to character and an ability to capture the inner life of his sitters. Unlike the flamboyant poses and elaborate costumes favored by some Victorian portraitists, Yates’s portraits are characterized by their simplicity and directness. He focused on conveying the personality and dignity of his subjects through subtle nuances of expression and gesture.
      • His use of light is particularly effective in portraiture,
      • softening features and creating a sense of intimacy.
      • He often employed a muted color palette,
      • allowing the sitter’s character to take center stage.

      Legacy and Historical Significance

      While Frederic Yates may not be as widely recognized as some of his contemporaries, his work offers a valuable insight into the artistic sensibilities of Victorian Britain. His landscapes represent a continuation of the romantic tradition, while his portraits reflect a growing interest in psychological realism. He successfully navigated the demands of the art market, producing works that were both commercially viable and artistically satisfying. Today, his paintings are increasingly sought after by collectors who appreciate their quiet beauty and emotional depth. Yates’s legacy lies not in groundbreaking innovation but in his ability to capture a particular moment in time – a fleeting glimpse of rural England and the enduring dignity of the human spirit. His work serves as a reminder of the power of art to evoke emotion, preserve memory, and connect us to the past.