Najbolj priljubljeno sliko avtorja Gessen je Peony with Bird (1765), ki se nahaja v muzeju Metropolitanski muzej umetnosti, New York. Naš katalog vsebuje 1 del avtorja Gessen: tukaj je 1 najbolj znanih del, od katerih vsako navaja leto nastanka, muzej in razlog za njihovo nepozabnost.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Gessen | Slike iz tega seznama |
|---|---|---|---|
| New York | 1 | Peony with Bird |
Vsako platno z letnico 1765, ki ga je naslikal Gessen, je na tej strani; tukaj so, najprej tista najbolj znana.
Peony with Bird (1765)
Gessen, rojen leta 1741, je imel 24 let: Peony with Bird datira iz leta 1765.
V našem katalogu je 1 del umetnika Gessen.
Večinoma v Metropolitanski muzej umetnosti (New York); zgornji seznam navaja vsak muzej in njegova platna.
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
Born in Nagoya, Japan, Gessen was a painter and a monk. He was born into a family involved in sake brewing and eventually became a priest of the Jōdo-shū sect of Buddhism. His spiritual journey led him to Edo, where he served as a priest at the Zōjō-ji temple. During his time in Edo, he studied the painting style of the monk-painter Sesshū under the teacher Sakurai Sekkan. Later, Gessen moved to Kyōto, living at Chion-in, where he became a student of Maruyama Ōkyo. In 1774, he assumed the role of head priest at the Jakushō-ji temple in Yamada, Ise Province. Through the significant income generated by his paintings, he was able to restore the wealth of the temple.
Gessen was highly skilled in landscape painting and the depiction of figures. His portrayals of human figures often conveyed such profound poverty and despair that he earned the name "Beggar Gessen." His artistic legacy includes notable works such as the sliding door paintings (Fusuma-e) located in the Myōhō-in in Kyōto. He also produced printed works, including three volumes titled Ressen zusan in 1784. One of his recognized works is Peony with Bird, which is held in the Metropolitan Museum of Art, New York.