Self-Portrait with Cigarette (1909) je slika, po kateri je najbolj znan Hans Sutter; pripada muzeju Staatliche Kunsthalle Karlsruhe, Karlsruhe. Self-Portrait (1910) in Coast near St. Tropez (1911) dopolnjujeta trio najbolj priljubljenih platn. Naš katalog vsebuje 4 del avtorja Hans Sutter. Tukaj je 4 najbolj znanih delov, vključno z letom nastanka, muzejom in zgodbojo vsakega platna.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Hans Sutter | Slike iz tega seznama |
|---|---|---|---|
| Karlsruhe | 3 | Self-Portrait with Cigarette, Self-Portrait, Landscape near St.Tropez | |
| München | 1 | Coast near St. Tropez |
Tukaj se obdobje del Hans Sutter razprostira le v 3 letih, od 1909 do 1911: leto za letom.
Self-Portrait with Cigarette (1909), Staatliche Kunsthalle Karlsruhe, Karlsruhe. sledita Self-Portrait (1910) in Coast near St. Tropez (1911).
Hans Sutter, rojen leta 1887, je imel 22 let: Self-Portrait with Cigarette datira iz leta 1909.
V našem katalogu je 4 del umetnika Hans Sutter, datiranih od 1909 do 1911.
Večinoma v Staatliche Kunsthalle Karlsruhe (Karlsruhe) in Bavarske državne slikopisne zbirke (München); zgornji seznam navaja vsak muzej in njegova platna.
V obdobju 1911, ki je vključilo 2 od 4 del na tej strani, je med njimi tudi Coast near St. Tropez.
Najstarejše platno tukaj je Self-Portrait with Cigarette (1909); najstarejše je Coast near St. Tropez (1911).
Muzej Staatliche Kunsthalle Karlsruhe, Karlsruhe hrani 3 del z te strani, med katerimi so tudi Self-Portrait with Cigarette, Self-Portrait in Landscape near St.Tropez.
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
Hans Sutter arrived in the world in 1887 in Mainz, Germany. His early years in the Rhineland-Palatinate region laid the foundation for a life dedicated to the visual arts. By 1905, his talent led him to the Karlsruhe Academy, where he studied under the guidance of Wilhelm Trübner. This period of formal training shaped his ability to work across various mediums, from the delicate precision of draughtsmanship to the more fluid applications of painting and lithography.
His path was one of movement and discovery. In 1907, a study trip to Lake Garda offered him new perspectives on landscape and light. Later, in 1911, his travels took him to Paris and southern France. It was during these years that he encountered Pierre Bonnard, an encounter that surely left its mark on his approach to color and composition. By 1913, Sutter had moved to Frankfurt am Main, continuing his work as a painter, graphic artist, and commercial artist.
Sutter’s output was diverse, reflecting a man comfortable with both the fine arts and the practical demands of commercial design. He possessed a keen eye for the natural world, often turning his attention to the coastal beauty of France. His sketches and paintings from this era capture specific moments in time, such as:
In his self-portraits, one finds a more intimate side of the artist. These works, including his 1910 portrait held in the Staatliche Kunsthalle Karlsruhe, reveal a person deeply engaged with his own identity and the act of seeing. His ability to transition between the structured world of lithography and the expressive nature of painting allowed him to explore many different facets of the human experience.
The trajectory of Sutter's life was cut short far too soon. He passed away on 31 August 1916, in Maurepas, France. His death occurred during a period of immense global upheaval, leaving behind a body of work that remains a quiet record of his travels and his observations. Though his career was brief, the traces of his time in Germany and France live on through his drawings and paintings, capturing the light of the Mediterranean and the quiet reflections of a man at work.