Najbolj priljubljeno sliko avtorja Henrik Plötz je Charles Bonnet, Swizz Naturalist and Philosopher (1785), ki se nahaja v muzeju Nationalmuseum, Stockholm. Nato sledeta Portrait of Prince Willem George Frederik (1795) in Portrait of a woman (1800) med platnami, ki jih bralci najbolje poznajo. Naš katalog vsebuje 4 del avtorja Henrik Plötz: tukaj je 4 najbolj znanih del, od katerih vsako navaja leto nastanka, muzej in razlog za njihovo nepozabnost.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Henrik Plötz | Slike iz tega seznama |
|---|---|---|---|
| Stockholm | 2 | Charles Bonnet, Swizz Naturalist and Philosopher, King Khristian VII of Denmark and Norway | |
| Amsterdam | 2 | Portrait of Prince Willem George Frederik, Portrait of a woman |
Charles Bonnet, Swizz Naturalist and Philosopher (1785), Nationalmuseum, Stockholm. sledita Portrait of Prince Willem George Frederik (1795) in Portrait of a woman (1800).
Henrik Plötz, rojen leta 1747, je imel 38 let: Charles Bonnet, Swizz Naturalist and Philosopher datira iz leta 1785.
V našem katalogu je 4 del umetnika Henrik Plötz, datiranih od 1785 do 1800.
Večinoma v Nationalmuseum (Stockholm) in Rijksmuseum (Amsterdam); zgornji seznam navaja vsak muzej in njegova platna.
Najstarejše platno tukaj je Charles Bonnet, Swizz Naturalist and Philosopher (1785); najstarejše je Portrait of a woman (1800).
Muzej Nationalmuseum, Stockholm hrani 2 del z te strani, med katerimi so tudi Charles Bonnet, Swizz Naturalist and Philosopher in King Khristian VII of Denmark and Norway.
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
Henrik Plötz was a multifaceted German artist and inventor born in Pinneberg. His diverse talents spanned several disciplines, as he was a painter, flautist, and miniaturist. His early life was marked by significant transitions; after losing his parents at a young age, he was raised by the Danish General Caesar Lüttichau, who ensured he received flute lessons in Fredericia. By 1768, he secured a position in the Royal Chapel in Copenhagen. However, his musical career was altered after a journey to Switzerland, where an illness prevented him from playing the flute further.
Following this, Plötz turned his focus toward visual arts and mechanics. He studied under an enamel painter and later with the mechanician P. J. Droz. His intellectual pursuits led him to Genthod, where he worked with the naturalist Charles Bonnet, creating plates of insects and plants and assisting with botanical and mechanical experiments.
Plötz was a man of profound technical curiosity, known for inventing precision instruments. He developed a physionotrace and a pantograph to create profile portraits with mechanical accuracy. His inventive spirit continued in Naples and later in Berlin, where he shared an atelier with Christian Hornemann. In 1799, he moved to Copenhagen to serve as a court mechanician under Christian Günther von Bernstorff. During his time in Copenhagen, he invented various devices, including a stamping machine designed to produce non-copyable banknotes.
His artistic output was notable for its dedication to the European tradition of miniature painting. His legacy also extended through his family, as his son, Carl Ludwig, followed in his footsteps as a miniature painter.