Still Life with Green Bowl (1935) je slika, po kateri je najbolj znan Hermann Euler; pripada muzeju Bavarske državne slikopisne zbirke, München. Naš katalog vsebuje 2 del avtorja Hermann Euler. Tukaj je 2 najbolj znanih delov, vključno z letom nastanka, muzejom in zgodbojo vsakega platna.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Hermann Euler | Slike iz tega seznama |
|---|---|---|---|
| München | 2 | Still Life with Green Bowl, Strauss |
Vsi platna z letom 1935, ki jih je naslikal Hermann Euler, so na tej strani predstavljena v kronološkem redu po njihovi slavi.
Still Life with Green Bowl (1935)
Hermann Euler, rojen leta 1900, je imel 35 let: Still Life with Green Bowl datira iz leta 1935.
V našem katalogu je 2 del umetnika Hermann Euler.
Večinoma v Bavarske državne slikopisne zbirke (München); zgornji seznam navaja vsak muzej in njegova platna.
V obdobju 1935, ki je vključilo 2 od 2 del na tej strani, je med njimi tudi Still Life with Green Bowl.
Muzej Bavarske državne slikopisne zbirke, München hrani 2 del z te strani, med katerimi so tudi Still Life with Green Bowl in Strauss.
Born in Aschaffenburg, Germany, Hermann Euler was the son of Konrad Euler and Meta Hein. His artistic path began in Munich, where he initially pursued painting without formal training before attending the Malschule of Moritz Heymann. He later studied at the Academy of Fine Arts Munich, first in the class of Heinrich von Zügel and subsequently under Angelo Jank, from whom he graduated as a master student in 1927. In 1925, he joined the Künstlervereinigung Münchner Secession. His travels to Norway and France, often accompanied by his wife, the painter Daisy Campi, were significant to his development. In 1934, Euler moved his family from Munich to a farm in Eichbichl am Rinssee. His later years included travels to Italy, Yugoslavia, France, and Spain, until his death in 1970.
Euler’s work evolved from impressionistic subject dissolution toward a cultivated expressive handwriting. His paintings are characterized by a certain rhythm and decisiveness in form, often appearing as if written onto the canvas with a vigorous gesture. He was a skilled draftsman, and in his later years, he frequently utilized a black brushstroke over a more glazing paint application. His technique involved applying oil paint alla prima onto a primed canvas, resulting in surfaces that varied from thick impasto to matte, glazing layers. His subject matter often drew from the immediate surroundings of his farm, including walled cottage gardens and still lifes placed within landscapes, which challenged traditional perceptions of scale and proportion.