Med vsemi slikami umetnika Jacob Maris je najbolj znana View of the Mill and Bridge on the Noordwest Buitensingel in The Hague (1873); razpolaga v muzeju National Gallery of Art, Washington. Takoj za njima sta The little marquise (1870) in The Fishmonger (1856). Med 202 dela umetnika Jacob Maris v našem katalogu so ta 100 najbolj znamenita, od katerih je vsaka prikazana z letom nastanka, muzejem in zgodbojo.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague is a work by Jacob Maris, executed in 1873. The artist, born in The Hague, Netherlands, in 1837, remained a central figure in the Dutch landscape tradition until his death in Karlsbad in 1899.
The little marquise emerges from the shadows of history as a quiet genre painting by Jacob Maris. This work captures a fleeting moment of stillness, inviting the viewer into a private, introspective space. The artist, Jacob Maris, brings a sense of lived presence to the figure, grounding the scene in a specific, unhurried atmosphere. Born in The Hague, Netherlands, the painter carries the sensibilities of his Dutch origins into this…
The air in the room feels heavy, thick with the scent of salt and the dampness of a morning tide. A single, directional light spills from a background doorway, cutting through the gloom to strike the center of the scene. In this pool of warmth, a man and a woman meet amidst the quiet commerce of a stall. He is the fishmonger, a figure defined by the interplay of light…
A woman lays sheets or laundry on the ground of a fence-closed bleach field. In the middle is a woman at a water pump. In the background the houses of a city and a church.
Portrait of a girl sitting in a chair with a peacock feather in her hands.
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The scene unfolds in "Outside a Café," a work painted by Jacob Maris around 1868. This piece captures a specific, lived moment, pulling the viewer into a quiet…
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A girl standing by the window, leaning against the wall, arms over each other, on the head a white hat.
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The Violist (Son of the Painter) is an oil on canvas painting by the artist Jacob Maris. Created in 1887, this work is classified as genre art. The…
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The Dry-Nurse is an oil painting on canvas created by the artist Jacob Maris. This work was executed in 1877. The physical dimensions of the piece measure 86.0…
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The Butcher is a painting by the Dutch artist Jacob Maris. Created circa 1871, this work is classified as a two-dimensional art object. It represents a significant entry…
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A heavy, overcast sky dominates the upper quadrant of this 1889 landscape, casting a diffused light across a tranquil water scene. The composition relies on a vertical tension…
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Canal Side is a painting by the Dutch artist Jacob Maris. Born in The Hague, Netherlands, in 1837, Maris lived until his death in Karlsbad in 1899. This…
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In De Schreierstoren te Amsterdam, Jacob Maris presents a horizontally oriented landscape depicting a waterfront scene in Amsterdam. The composition places the shoreline and various architectural structures on…
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Portrait of Willem, presumably Willem Matthijs Maris Jbzn, son of Jacob Maris. Boy's portrait, bust, staring, on the head a beret with a feather.
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Backyard. A girl is in the doorway at the back of a house. On the left a tin can and plate with a pile of vegetables for a…
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Show titled "Moe Watched." A mother fell asleep next to a crib in which a sleeping child lies in a chair. Left by the cradle a cat, right…
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Show titled "The Cut Mill." View of the Noord-West-Buitensingel in The Hague with the partly visible mill on the other side. A woman on the right by the…
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Cityscape with a dome church that stands out above the houses on a quay, perhaps in Amsterdam. At the quay are numerous ships.
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Shellfish. On the beach some figures with shovel nets fish for shells. On the right two carts pulled by two horses, at sea some fishing ships.
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A bomber on the beach of Scheveningen, next to the ship are two horses. Over the water, gulls fly.
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Harbor face. Face a water plain with right scaffolding and in the distance a large ship.
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The hunting path or the trail. Two hunters on horses on the right bank of a canal. A flat barge sails on the water. A mill is visible…
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Četiri teme, ki se najpogosteje pojavljajo na teh platnah, vsaka z svojim najbolj priljubljenim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Jacob Maris | Slike iz tega seznama |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 44 | A Bleaching Field, Jacob Maris, 1870, Girl with a Peacock Feather, Jacob Maris, c. 1877, Gray day with ships |
 Dordrechts Museum |
Dordrecht | 7 | Siesta, The Annoying Guest, City in Landscape with Windmill |
 Amsterdam Museum |
Amsterdam | 6 | The Fishmonger, The Prayer, Return of the Fishing Boat |
 Museum Boijmans Van Beuningen |
Rotterdam | 7 | The Dry-Nurse, The Butcher, A boat on a beach |
 The Mesdag Collection |
Haag | 5 | Servant girl, On the lookout, View of a city |
 Kunstmuseum Den Haag |
Haag | 9 | The little marquise, Schilder aan het werk, Bomschuit on the Beach |
 Museum Gouda |
Gouda | 3 | Lady in the Forest, Lady on a Bench in the Park, The Dawn |
 Groninger Museum |
Groningen | 2 | The Violist (Son of the Painter), Landscape with windmills |
The air in the room feels heavy, thick with the scent of salt and the dampness of a morning tide. A single, directional light spills from a background…
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague is a work by Jacob Maris, executed in 1873. The artist, born in The Hague,…
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague (1873), National Gallery of Art, Washington. sledita The little marquise (1870) in The Fishmonger (1856).
Jacob Maris, rojen leta 1837, je imel 36 let: View of the Mill and Bridge on the Noordwest Buitensingel in The Hague datira iz leta 1873.
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague, The little marquise, The Fishmonger, Servant girl, Schilder aan het werk, Siesta, A Bleaching Field, Jacob Maris, 1870, The Annoying Guest, Boy and girl drinking in the open air in On the lookout. Vsako platno v zgornji uvrstitvi vključuje leto nastanka in muzej.
V našem katalogu je 202 del umetnika Jacob Maris, datiranih od 1856 do 1899.
Večinoma v Rijksmuseum (Amsterdam), Dordrechts Museum (Dordrecht) in Amsterdam Museum (Amsterdam); zgornji seznam navaja vsak muzej in njegova platna.
V obdobju 1870s, ki je vključilo 38 od 100 del na tej strani, je med njimi tudi View of the Mill and Bridge on the Noordwest Buitensingel in The Hague.
Najstarejše platno tukaj je The Fishmonger (1856); najstarejše je Een molen in de winter (1899).
Dutch landscape (5), Girls (5) in Landscape (4), na 100 delih na tej strani.
Oil On Canvas, uporano v 8 od 100 del na tej strani.
Hague school in Impressionism, kot to pokažejo platna na tej strani.
Muzej Rijksmuseum, Amsterdam hrani 35 del z te strani, med katerimi so tudi A Bleaching Field, Jacob Maris, 1870, Girl with a Peacock Feather, Jacob Maris, c. 1877 in Gray day with ships.
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
Maris je svojo umetniško pot začel z učmiotvami pri J.A.B. Stroebelu (1849–1852), kar je postavilo temelje njegovi prihodnji karieri.
Med letoma 1850 in 1853 je formalno študiral na Akademiji za umetnost v Haagu, kjer je izpiloval svoje veščine in razvijal svoj začetni umetnični slog.
Ključni trenutek se je zgodil, ko je eden umetniški posrednik prepoznal Marisov talent in mu omogočil delo v studiu Hubertusa van Hoveja, kar je imelo velik vpliv na njegov zgodnji razvoj.
Ko je njegov brat, Matthijs Maris, prejel kraljevo subvencijo, sta začela sodelovati, kar je ustvarilo kolaborativno okolje, ki je še dodatno oblikovalo njuni umetniški pot.
Marisova kariera je bila zaznamovana s komercialnim uspehom, saj so prodaje zbirateljem v ZDA in Škotski dokazovale njegovo vse večjo uglednost.
Potovanja skozi Nemijo, Švico in Francijo (1861) so ga izpostavila različnim umetniškim slogom, s čimer so se proširili njegovi vplivi in prispevali k stilski evoluciji.
Postal je znan po slikanju pejzažev z rekami, mlini, bregoma in obalnih prizorov z ribolovnimi čolni, s čimer je vzpostavil svojo značilno tematik。
Med Marisovim delom so vzpostavljene primerjave z delami zgodnejših nizozemskih mojstrov, kot so Jan van Goyen, Jacob van Ruisdael in Johannes Vermeer, kar izpostavlja njegovo povezanost z bogato tradicijo nizozemskega slikanja pejzažev.
Maris je slavljen zaradi serije portretov kraljeve hiše Orange, ki so nastali v sodelovanju z njegovim bratom Matthijsom, s čimer je pokazal svoje portretne veščine skupaj z njegovi pejzažnimi slikami.
Del "Schip on the Scheveningen Beach" (Ladja na plaži v Scheveningenju) ponazarja njegovo sposobnost zajema obalnih prizorov z atmosferično globino in podrobnostjo.
Leta 1871 je postal član društva Pulchri Studio, kar je označevalo njegovo sprejetje v uveljavljeno umetniško skupnost.
Od leta 1885 naprej je Maris dosegel široko priznanje v Nizozemski in utrdil svoj položaj vodilne figure Haagske šole.
Marisov prispevek k Haagski šoli je izjemno pomemben; pomagal je definirati njeno estetiko, ki jo odlikujejo realistični prikazi nizozemskih pejzažev in poudarek na atmosferičnih učinkih.
Njegov vpliv se je razširil tudi čez njegovo življenje, saj je z svojim edinstvenim slogom in pristopom k slikanju pejzažev navdihoval naslednje generacije umetnikov.
Njegova dela lahko najdemo v prestižnih zbirkah, kot je Rijksmuseum, kar je dokaz njihove trajne umetniške vrednosti in zgodovinske pomembnosti.
Marisova dediščina leži v njegovi sposobnosti, da skozi edinstveno mešanjo opazovanja, tehnike in umetniške vizije zajame bistvo nizozemske podeželja.
