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Moses in the Bulrushes
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John Ames Mitchell, 1845 – 1918
1 najbolj znanih slik umetnika John Ames Mitchell
Moses in the Bulrushes (1880) je slika, po kateri je najbolj znan John Ames Mitchell; pripada muzeju Muzej fine arts, Boston. Naš katalog vsebuje 1 del avtorja John Ames Mitchell. Tukaj je 1 najbolj znanih delov, vključno z letom nastanka, muzejom in zgodbojo vsakega platna.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
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- 1845 – 1918, New York City
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Deset najbolj priljubljenih slik umetnika John Ames Mitchell
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1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga John Ames Mitchell | Slike iz tega seznama |
|---|---|---|---|
 Muzej fine arts |
Boston | 1 | Moses in the Bulrushes |
Najbolj znana platna umetnika John Ames Mitchell, leta za letom
Vsi platna z letom 1880, ki jih je naslikal John Ames Mitchell, so na tej strani predstavljena v kronološkem redu po njihovi slavi.
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1880
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Plotna dela umetnika John Ames Mitchell, odgovor po odgovoru
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Moses in the Bulrushes (1880)
Moses in the Bulrushes: koliko je bil John Ames Mitchell star, ko je bilo to naslikano?Preberite odgovor
John Ames Mitchell, rojen leta 1845, je imel 35 let: Moses in the Bulrushes datira iz leta 1880.
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V našem katalogu je 1 del umetnika John Ames Mitchell.
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Večinoma v Muzej fine arts (Boston); zgornji seznam navaja vsak muzej in njegova platna.
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Spoznajte slikarja: John Ames Mitchell
A Life of Many Forms
John Ames Mitchell was a man of many different pursuits, moving between the worlds of architecture, literature, and publishing with a quiet, steady purpose. Born in New York City on January 17, 1845, he was shaped by a diverse education, attending Harvard University before traveling to Paris to study at the École nationale supérieure des Beaux-Arts. This training in the classical traditions of France informed his eye for design, whether he was sketching a building or a magazine masthead. In 1875, he applied his architectural training to the design of the Unity Church of North Easton, a project commissioned by his uncle, Oliver Ames Jr.
His interests were never confined to a single discipline. He was a novelist who explored speculative themes, such as in his 1889 book The Last American, which imagined a Persian admiral rediscovering America in the distant year 2951. He also wrote Amos Judd in 1895, a story that later became the basis for a silent film. This ability to build worlds through both ink and structure defined his character, making him a man who could inhabit the mind of a storyteller and the precision of a designer simultaneously.
The Birth of Life
In 1883, Mitchell took a significant risk by co-founding Life magazine alongside Andrew Miller. He used a $10,000 inheritance to launch the publication, driven by a desire to see his own drawings reproduced through the then-new zinc-coated plate printing process. He was not merely the financier; he was a contributing artist who helped shape the magazine's visual identity. He drew the very first nameplate for the magazine, featuring cupids, and later designed a masthead depicting a knight leveling a lance at a fleeing devil.
Under his leadership, the magazine became a platform for a new generation of talent. He had a keen eye for potential, encouraging many illustrators and writers who would go on to define the era. His magazine was different from its competitors, often taking on social and political issues with a warm-hearted, if sometimes impulsive, approach. He was a man of conviction, using his platform to advocate for causes he believed in, such as sanitation and the protection of animals from vivisection.
A Legacy of Service and Change
Beyond the printed page, Mitchell sought to make a tangible difference in the lives of others. He co-founded the Fresh Air Fund alongside Horace Greeley, an initiative that allowed city children to escape the crowded streets for the fresh air of camps in Ridgefield, Connecticut. This connection to the land remained a constant in his life, as he eventually made Ridgefield his home.
The magazine he helped build eventually changed hands, but its origins remained tied to his vision. The headquarters of his Life was located in a building that now serves as the Herald Square Hotel in New York, a gift from Charles Dana Gibson. Mitchell passed away in Ridgefield, Connecticut, on June 29, 1918. He left behind a body of work that spanned the structural, the literary, and the visual, reflecting a life spent constantly reshaping the world around him.