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View of Banff with the Bridge over the River Deveron
Ročno slikana oljna reprodukcija od $178 36 × 28 cm
Velikost kot pri originalu $238 63 × 47 cm Naročite v originalni velikosti →
John Fleming, 1792 – 1845
1 najbolj znanih slik umetnika John Fleming
View of Banff with the Bridge over the River Deveron (1825) je slika, po kateri je najbolj znan John Fleming; pripada muzeju Scottish National Gallery, Edinburgh. Naš katalog vsebuje 1 del avtorja John Fleming. Tukaj je 1 najbolj znanih delov, vključno z letom nastanka, muzejom in zgodbojo vsakega platna.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
- Rodil se · umrl
- 1792 – 1845
- Delo v našem katalogu
- 1
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- View of Banff with the Bridge over the River Deveron (1825)
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- Scottish National Gallery
Deset najbolj priljubljenih slik umetnika John Fleming
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1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga John Fleming | Slike iz tega seznama |
|---|---|---|---|
 Scottish National Gallery |
Edinburgh | 1 | View of Banff with the Bridge over the River Deveron |
Najbolj znana platna umetnika John Fleming, leta za letom
Vsi platna z letom 1825, ki jih je naslikal John Fleming, so na tej strani predstavljena v kronološkem redu po njihovi slavi.
Plotna dela umetnika John Fleming, odgovor po odgovoru
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View of Banff with the Bridge over the River Deveron (1825)
View of Banff with the Bridge over the River Deveron: koliko je bil John Fleming star, ko je bilo to naslikano?Preberite odgovor
John Fleming, rojen leta 1792, je imel 33 let: View of Banff with the Bridge over the River Deveron datira iz leta 1825.
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V našem katalogu je 1 del umetnika John Fleming.
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Večinoma v Scottish National Gallery (Edinburgh); zgornji seznam navaja vsak muzej in njegova platna.
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Spoznajte slikarja: John Fleming
A Life Painted in Scenery and Service
John Fleming began his path in the world of color not as a scholar, but through the practical labor of a house painter. At fourteen, he entered an apprenticeship that grounded him in the physical reality of pigments and surfaces. This early training likely shaped his eye for the subtle textures found in the Scottish landscape. After spending time in London, where he worked as a housepainter and studied the works held in various galleries, he eventually settled in Greenock. His life was deeply tied to this community, moving between premises on William Street and Hamilton Street.
While his hands were often busy with the practicalities of trade, his mind was focused on the quiet beauty of his homeland. He became a man who recorded the changing face of his surroundings, capturing the development of Greenock through his brush. His work was not merely about grand vistas; it was about the specific, lived reality of the places he knew.
The Art of the View
Fleming found a particular rhythm in creating small-scale paintings of Scottish scenery. He did not seek to overwhelm the viewer with scale, but rather to offer intimate glimpses of the land. Much of his most recognized work came from a close professional bond with the engraver and publisher Joseph Swan. Together, they brought detailed views of the local landscape to a wider audience through several published series:
- Select Views of Glasgow and its environs (1828)
- Select Views on the Clyde (1830)
- Select Views of the Lakes of Scotland (1834)
The publication regarding the lakes of Scotland was especially well-received, appearing in multiple editions throughout the 1830s. These prints allowed his observations of the natural world to reach beyond the borders of Greenock. Alongside these landscapes, he also worked as a portrait painter, often capturing the likenesses of local merchants who lived and traded in the same streets where he worked.
A Presence in the Scottish Arts
Fleming was an active participant in the growing artistic community of his time. He was an original member of the Institution for Promoting and Encouraging the Fine Arts in the West of Scotland, formed in 1821. His dedication to the local arts scene was further evidenced by his membership in the Watt Club and his election to the West of Scotland Academy in 1841. He also shared his work with the Royal Scottish Academy, exhibiting landscapes there in 1828, 1830, and 1837.
His death in February 1845 left a void in the local community, a sentiment reflected in the gravestone erected by friends and admirers. Today, the traces of his life's work remain held in several important collections, including the McLean Museum and Art Gallery in Greenock, the National Galleries of Scotland, and the University of Edinburgh. Through these pieces, the landscapes he once walked continue to be seen.