Peter Taylor, 1756 – 1788
1 najbolj znanih slik umetnika Peter Taylor
Robert Burns, 1759 - 1796. Poet (1786) je slika, po kateri je najbolj znan Peter Taylor; pripada muzeju Scottish National Portrait Gallery, Edinburgh. Naš katalog vsebuje 1 del avtorja Peter Taylor. Tukaj je 1 najbolj znanih delov, vključno z letom nastanka, muzejom in zgodbojo vsakega platna.
Uvrščeno na podlagi naše ocene priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
- Rodil se · umrl
- 1756 – 1788, Edinburgh
- Delo v našem katalogu
- 1
- Najbolj znana
- Robert Burns, 1759 - 1796. Poet (1786)
- Največ del v
- Scottish National Portrait Gallery
Deset najbolj priljubljenih slik umetnika Peter Taylor
Kje so razpostavljena platna umetnika Peter Taylor
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzeji | Mesto | Sloga Peter Taylor | Slike iz tega seznama |
|---|---|---|---|
 Scottish National Portrait Gallery |
Edinburgh | 1 | Robert Burns, 1759 - 1796. Poet |
Najbolj znana platna umetnika Peter Taylor, leta za letom
Vsi platna z letom 1786, ki jih je naslikal Peter Taylor, so na tej strani predstavljena v kronološkem redu po njihovi slavi.
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1786
Platno 1 od 1
Robert Burns, 1759 - 1796. Poet
Plotna dela umetnika Peter Taylor, odgovor po odgovoru
Za katero platno je Peter Taylor najbolj znan?Preberite odgovor
Robert Burns, 1759 - 1796. Poet (1786)
Robert Burns, 1759 - 1796. Poet: koliko je bil Peter Taylor star, ko je bilo to naslikano?Preberite odgovor
Peter Taylor, rojen leta 1756, je imel 30 let: Robert Burns, 1759 - 1796. Poet datira iz leta 1786.
Koliko slik je ustvaril Peter Taylor?Preberite odgovor
V našem katalogu je 1 del umetnika Peter Taylor.
Kje se danes nahajajo najbolj znana platna umetnika Peter Taylor?Preberite odgovor
Večinoma v Scottish National Portrait Gallery (Edinburgh); zgornji seznam navaja vsak muzej in njegova platna.
Kje lahko kupim reprodukcijo slike avtorja Peter Taylor?Preberite odgovor
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
Spoznajte slikarja: Peter Taylor
The Painter of Details
Born in Edinburgh in 1756, Peter Taylor lived a life shaped by the practicalities of color and surface. He was a man of many trades, working as an interior decorator, a carriage painter, and a house painter. His hands were accustomed to the textures of walls and the smooth curves of transport, yet he found his way into the quiet intimacy of portraiture. He did not seek the grand scale of the academy, focusing instead on the small, the immediate, and the personal.
In the winter of 1786, a meeting at a dinner party changed the course of his small legacy. He met the poet Robert Burns, and the two shared breakfast together at Taylor's home in West Register Street. This proximity allowed for a rare kind of observation. Over three sittings, Taylor captured the poet's likeness in oil on a small panel. While other portraits of the time sought a polished ideal, Taylor’s work was noted for its resemblance to the man himself, capturing a specific air that others felt was true to the subject's character.
Industrial Ambitions and Quiet Ends
Beyond the canvas, Taylor looked toward the mechanics of industry. He sought to bring new methods of production to Scotland, specifically the manufacture of painted wax cloth. This was a practical endeavor, a way to create linen floor coverings that could withstand the wear of daily life. The Board of Manufactures recognized the utility of his work, granting him £100 toward the costs of his machinery and buildings in 1788.
The physical toll of his work and his health eventually led him away from the familiar streets of Edinburgh. He suffered from tuberculosis, a condition that forced a retreat to the south. He moved to Marseille, where he died in 1788, leaving behind a widow and an infant daughter. His life was a collection of small, industrious movements—from the decorative flourishes on a carriage to the careful application of oil on a small wooden panel.