Najbolj priljubljeno sliko avtorja Ramah je Sitting Nude (1921), ki se nahaja v muzeju Kraljevski muzej lepih umetnosti v Antwerpu, Antverp. Nato sledeta Paul-Gustave van Hecke (1920) in The Painter, Ramah, 1922 (1922) med platnami, ki jih bralci najbolje poznajo. Naš katalog vsebuje 5 del avtorja Ramah: tukaj je 5 najbolj znanih del, od katerih vsako navaja leto nastanka, muzej in razlog za njihovo nepozabnost.
Uvrščeno na podlagi naše ocene priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzeji | Mesto | Sloga Ramah | Slike iz tega seznama |
|---|---|---|---|
| Antverp | 3 | Sitting Nude, Paul-Gustave van Hecke, Bowlers | |
| Gent | 2 | The Painter, Ramah, 1922, Harvest in Flanders |
Platna Ramah na tej strani pokrivajo le 4 let, od 1920 do 1923: sledite njihovemu delu leto za letom, v njihovi lastni svetlobi.
Sitting Nude (1921), Kraljevski muzej lepih umetnosti v Antwerpu, Antverp. sledita Paul-Gustave van Hecke (1920) in The Painter, Ramah, 1922 (1922).
Ramah, rojen leta 1887, je imel 34 let: Sitting Nude datira iz leta 1921.
V našem katalogu je 5 del umetnika Ramah, datiranih od 1920 do 1923.
Večinoma v Kraljevski muzej lepih umetnosti v Antwerpu (Antverp) in Museum of Fine Arts Ghent (MSK) (Gent); zgornji seznam navaja vsak muzej in njegova platna.
V obdobju 1921, ki je vključilo 2 od 5 del na tej strani, je med njimi tudi Sitting Nude.
Najstarejše platno tukaj je Paul-Gustave van Hecke (1920); najstarejše je Harvest in Flanders (1923).
Muzej Kraljevski muzej lepih umetnosti v Antwerpu, Antverp hrani 3 del z te strani, med katerimi so tudi Sitting Nude, Paul-Gustave van Hecke in Bowlers.
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
Born in Saint-Josse-ten-Noode, Belgium, the artist known by the pseudonym Ramah was a self-taught painter and author. Originally named Henri-François Raemaeker, he began his artistic journey as an aquafortist at the circle Le Sillon in 1909. His early career included significant illustrative work, such as creating fifteen etchings for a bibliophilic edition of Emile Verhaeren's Villages illusoires in 1913, and illustrating Charles De Coster's Ulenspiegel the following year.
Throughout his career, Ramah focused primarily on painting landscapes and portraits. He was a member of the Cercle des IX, joining the group in 1926 alongside several other notable artists. His artistic development was shaped by various figures, including François Beauck, Rik Wouters, Fernand Schirren, Pierre Bonnard, Valerius De Saedeleer, Paul Maas, and Guillaume Charlier. In his later years, he served as a teacher to the painter Roger De Coninck.
Ramah's work is preserved within several significant institutions, including:
His artistic output included lithographs, such as Les Marins. He passed away in Brussels.