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A Spanish Soldier of the 16th Century
Ročno slikana oljna reprodukcija od $178 30 × 34 cm
Velikost kot pri originalu $441 92 × 105 cm Naročite v originalni velikosti →
Robert Atkinson, 1863 – 1896
5 najbolj znanih slik umetnika Robert Atkinson
A Spanish Soldier of the 16th Century (1885) je slika, po kateri je najbolj znan Robert Atkinson; pripada muzeju Auckland Art Gallery Toi o Tāmaki, Auckland. Portrait of Albin Martin (1886) in A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886) dopolnjujeta trio najbolj priljubljenih platn. Naš katalog vsebuje 5 del avtorja Robert Atkinson. Tukaj je 5 najbolj znanih delov, vključno z letom nastanka, muzejom in zgodbojo vsakega platna.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
- Rodil se · umrl
- 1863 – 1896, Leeds
- Delo v našem katalogu
- 5
- Najbolj znana
- A Spanish Soldier of the 16th Century (1885)
- Največ del v
- Auckland Art Gallery Toi o Tāmaki
Deset najbolj priljubljenih slik umetnika Robert Atkinson
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Portrait of Albin Martin
Ročno slikana oljna reprodukcija od $178 28 × 36 cm
Velikost kot pri originalu $444 87 × 112 cm Naročite v originalni velikosti →
3
A Settler’s Kitchen, Opua Whanga, New Zealand 1886
Ročno slikana oljna reprodukcija od $178 40 × 25 cm
Velikost kot pri originalu $186 40 × 31 cm Naročite v originalni velikosti →
5
Life Study
Ročno slikana oljna reprodukcija od $178 30 × 34 cm
Velikost kot pri originalu $196 37 × 43 cm Naročite v originalni velikosti →
Kje so razpostavljena platna umetnika Robert Atkinson
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Robert Atkinson | Slike iz tega seznama |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 5 | A Spanish Soldier of the 16th Century, Portrait of Albin Martin, A Settler’s Kitchen, Opua Whanga, New Zealand 1886 |
Najbolj znana platna umetnika Robert Atkinson, leta za letom
Tukaj se obdobje del Robert Atkinson razprostira le v 2 letih, od 1885 do 1886: leto za letom.
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1885
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1886
Platno 2 od 5
Portrait of Albin Martin
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1886
Rangirano 3 od 5A Settler’s Kitchen, Opua Whanga, New Zealand 1886
Plotna dela umetnika Robert Atkinson, odgovor po odgovoru
Za katero platno je Robert Atkinson najbolj znan?Preberite odgovor
A Spanish Soldier of the 16th Century (1885), Auckland Art Gallery Toi o Tāmaki, Auckland. sledita Portrait of Albin Martin (1886) in A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886).
A Spanish Soldier of the 16th Century: koliko je bil Robert Atkinson star, ko je bilo to naslikano?Preberite odgovor
Robert Atkinson, rojen leta 1863, je imel 22 let: A Spanish Soldier of the 16th Century datira iz leta 1885.
Koliko slik je ustvaril Robert Atkinson?Preberite odgovor
V našem katalogu je 5 del umetnika Robert Atkinson, datiranih od 1885 do 1886.
Kje se danes nahajajo najbolj znana platna umetnika Robert Atkinson?Preberite odgovor
Večinoma v Auckland Art Gallery Toi o Tāmaki (Auckland); zgornji seznam navaja vsak muzej in njegova platna.
Kdaj je Robert Atkinson naslikal svoja najbolj znana platna?Preberite odgovor
V obdobju 1886, ki je vključilo 2 od 5 del na tej strani, je med njimi tudi Portrait of Albin Martin.
Kateri slikovodni platno znate izpostaviti izmed del Robert Atkinson – katero je prišlo prvič in katero zadnje?Preberite odgovor
Najstarejše platno tukaj je A Spanish Soldier of the 16th Century (1885); najstarejše je Portrait of Albin Martin (1886).
Katera dela umetnika Robert Atkinson so v muzeju Auckland Art Gallery Toi o Tāmaki?Preberite odgovor
Muzej Auckland Art Gallery Toi o Tāmaki, Auckland hrani 5 del z te strani, med katerimi so tudi A Spanish Soldier of the 16th Century, Portrait of Albin Martin in A Settler’s Kitchen, Opua Whanga, New Zealand 1886.
Kje lahko kupim reprodukcijo slike avtorja Robert Atkinson?Preberite odgovor
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
Spoznajte slikarja: Robert Atkinson
A Life Between Hemispheres
Born in the industrial heart of Leeds, Robert Atkinson sought a different air, eventually finding himself in the studios of Antwerp. It was under the guidance of Verlat that his hand first learned the discipline of form and light. By 1885, driven by a need for better health, he turned his gaze toward the southern reaches of the globe, arriving in New Zealand. He established a studio in the Victoria Arcade in Auckland, a space where the quiet intensity of his studies began to take shape. His presence in the colonies was marked by a steady hand and a desire to capture the essence of his surroundings, from the intimate details of a settler's kitchen in Opua Whanga to the formal dignity of a portrait of Albin Martin.
His time in the colonies was a period of constant movement and connection. He moved between the art circles of Melbourne, Sydney, and Auckland, building friendships with fellow painters like Kate McCosh Clark. These years were defined by a search for subject matter that could bridge the gap between his European training and the raw reality of his new environment. Even when he returned to England in 1889 to work as an illustrator, the pull of the southern lands remained, drawing him back to New Zealand in 1895.
The Quiet Observer
The works he left behind reveal a man deeply interested in the structure of life, whether through the study of the human form or the depiction of social scenes. His paintings often focused on the immediate and the tangible:
- Life School Studies, which captured the raw, unadorned movement of the human figure.
- A Settler’s Kitchen, Opua Whanga, New Zealand 1886, a rare glimpse into the domestic realities of colonial life.
- Portrait of Albin Martin, a work that speaks to the personal connections he maintained within the artistic community.
- A Spanish Soldier of the 16th Century, showing a reach toward historical and dramatic themes.
His death in Dunedin in 1896 cut short a career that was still finding its footing in the colonial landscape. Though his life was brief, the rarity of his New Zealand genre subjects ensures that his vision remains a distinct part of the historical record. He was a painter of specific moments, capturing the light of a new world through the lens of an old-world education.