Atelje — Brezplačna svetovna dostava — Dostava v 2–6 tednih
      Robert Feke, 1705 – 1750

      22 najbolj znanih slik umetnika Robert Feke, razvrščeno po popularnosti

      Najbolj priljubljeno sliko avtorja Robert Feke je Pamela Andrews (1741), ki se nahaja v muzeju Rhode Island School of Design Museum of Art, Providence. Nato sledeta Self Portrait (1743) in Anne Shippen Willing (Mrs. Charles Willing) (1746) med platnami, ki jih bralci najbolje poznajo. Naš katalog vsebuje 22 del avtorja Robert Feke: tukaj je 22 najbolj znanih del, od katerih vsako navaja leto nastanka, muzej in razlog za njihovo nepozabnost.

      Uvrščeno na podlagi naše ocene priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.

      Portret Robert Feke
      Robert Feke · 1705 – 1750
      Rodil se · umrl
      1705 – 1750, Oyster Bay
      Delo v našem katalogu
      22
      Najbolj znana
      Pamela Andrews (1741)
      Največ del v
      Muzej fine arts

      10 najboljjših slik umetnika Robert Feke: platna, ki jih vsi poznajo

      Več platn, ki jih je ustvaril Robert Feke, od 11 do 22

      Kaj je Robert Feke naslikal največ

      Četiri teme, ki se najpogosteje pojavljajo na teh platnah, vsaka z svojim najbolj priljubljenim primerom.

      Kje so razpostavljena platna umetnika Robert Feke

      8 muzejev, ki vsebujo največ slik na tej strani.

      Muzeji Mesto Sloga Robert Feke Slike iz tega seznama
      Muzej fine arts, BostonMuzej fine arts Boston 4 Self Portrait, Mary Channing (Mrs. John Channing), John Channing
      Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 3 Pamela Andrews, Portrait of Mrs. Tweedy, Portrait of Joseph Whipple Jr.
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 3 Susannah Speakman Inman (Mrs. Ralph Inman) (1727-1761), Benjamin Franklin (1706-1790), Ralph Inman (1713-1788)
      National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Captain Alexander Graydon, Simon Pease
      Peabody Essex Museum, SalemPeabody Essex Museum Salem 1 Judge Richard Saltonstall by Robert Feke
      Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Charles Apthorp
      Brooklyn Museum, BrooklynBrooklyn Museum Brooklyn 1 Portrait of a Woman
      Museum of Fine Arts, HoustonMuseum of Fine Arts Houston 1 Portrait of Mrs. Samuel McCall, Sr. (Anne McCall, 1720–1785)

      Najljubša platna umetnika Robert Feke, leto za letom

      Na tej strani so predstavljena platna Robert Feke iz obdobja desetih let slikanja, od 1741 do 1750: raziskujte jih letnik po letniku.

      1. 1741
        Pamela Andrews (1741) avtorja Robert Feke
        1 od 22

        Pamela Andrews

        Starost: 36 let · Rhode Island School of Design Museum of Art
      2. 1743
        Self Portrait (1743) avtorja Robert Feke
        Rangirano 2 od 22

        Self Portrait

        Starost: 38 let · Muzej fine arts
      3. 1745
      4. 1746
      5. 1746
      6. 1746
      7. 1746
      8. 1746
      9. 1746
      10. 1746
        Tench Francis (1746) avtorja Robert Feke
        20 od 22

        Tench Francis

        Starost: 41 let · Metropolitanski muzej umetnosti
      11. 1747
      12. 1748
        Charles Apthorp (1748) avtorja Robert Feke
        Rangirano 7 od 22

        Charles Apthorp

        Starost: 43 let · Cleveland Museum of Art
      13. 1748
      14. 1748
      15. 1748
        John Channing (1748) avtorja Robert Feke
        Rangirano 12 od 22

        John Channing

        Starost: 43 let · Muzej fine arts
      16. 1748
        Isaac Winslow (1748) avtorja Robert Feke
        Platno 13 od 22

        Isaac Winslow

        Starost: 43 let · Muzej fine arts
      17. 1748
      18. 1748
      19. 1748
      20. 1749
        Simon Pease (1749) avtorja Robert Feke
        Platno 19 od 22

        Simon Pease

        Starost: 44 let · National Gallery of Art
      21. 1750

      O platnah umetnika Robert Feke: odgovori na vaša vprašanja

      Katero je najbolj znano sliko avtorja Robert Feke?Preberite odgovor

      Pamela Andrews (1741), Rhode Island School of Design Museum of Art, Providence. sledita Self Portrait (1743) in Anne Shippen Willing (Mrs. Charles Willing) (1746).

      Koliko je bil Robert Feke let, ko je bilo naslikano delo Pamela Andrews?Preberite odgovor

      Robert Feke, rojen leta 1705, je imel 36 let: Pamela Andrews datira iz leta 1741.

      Katera je 10 najbolj znanih slik umetnika Robert Feke?Preberite odgovor

      Pamela Andrews, Self Portrait, Anne Shippen Willing (Mrs. Charles Willing), Judge Richard Saltonstall by Robert Feke, Portrait of Mrs. Tweedy, Portrait of Joseph Whipple Jr., Charles Apthorp, Portrait of a Woman, Portrait of Mrs. Samuel McCall, Sr. (Anne McCall, 1720–1785) in Portrait of Dr. Phineas Bond (1717-1773). Vsako platno v zgornji uvrstitvi vključuje leto nastanka in muzej.

      Koliko je vsehih del, ki jih je naslikal Robert Feke?Preberite odgovor

      V našem katalogu je 22 del umetnika Robert Feke, datiranih od 1741 do 1750.

      Kje lahko vidim najslavnejša platna umetnika Robert Feke?Preberite odgovor

      Večinoma v Muzej fine arts (Boston), Rhode Island School of Design Museum of Art (Providence) in Harvard Art Museums (Cambridge); zgornji seznam navaja vsak muzej in njegova platna.

      Kdaj je Robert Feke naslikal svoja najbolj priljubljena platna?Preberite odgovor

      V obdobju 1748, ki je vključilo 8 od 22 del na tej strani, je med njimi tudi Charles Apthorp.

      Kateri so najstarejši in najmlajši znani platni sliki umetnika Robert Feke?Preberite odgovor

      Najstarejše platno tukaj je Pamela Andrews (1741); najstarejše je Judge Richard Saltonstall by Robert Feke (1750).

      Katera platna umetnika Robert Feke so razstavljena v muzeju Muzej fine arts?Preberite odgovor

      Muzej Muzej fine arts, Boston hrani 4 del z te strani, med katerimi so tudi Self Portrait, Mary Channing (Mrs. John Channing) in John Channing.

      Ali lahko kupim reprodukcijo platna avtorja Robert Feke?Preberite odgovor

      Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.

      Robert Feke: življenje v barvah

      The Enigmatic Brush of a Colonial Master

      In the tapestry of early American art, few threads are as intriguing yet elusive as those woven by Robert Feke. A painter whose life remains shrouded in the mists of the eighteenth century, Feke emerged as a vital force in the colonial landscape, capturing the burgeoning identity of a new world through the faces of its rising aristocracy. Born around 1705 in Oyster Bay, New York, his early years are largely lost to history, leaving behind only fragments of a journey that would eventually lead him to the heart of Boston’s social elite. While much of his personal biography remains speculative, his artistic presence is undeniable; he was a man who translated the quiet dignity and material wealth of the American colonies into enduring visual legacies.

      Feke’s arrival in Boston around 1741 marked a transformative moment for regional portraiture. Before his ascent, the colonial aesthetic often lacked a cohesive, sophisticated standard, but Feke brought with him a refined sensibility that bridged the gap between rugged frontier life and European elegance. His work was not merely about recording a likeness; it was an exercise in psychological realism and social positioning. By observing the subtle textures of silk, the luster of pearls, and the stern resolve in a merchant's gaze, Feke provided his patrons with more than just a portrait—he provided them with a sense of permanence and prestige.

      Influences and the Evolution of Style

      The artistic DNA of Robert Feke was deeply shaped by the masters who traversed the Atlantic. Scholars often point to the profound influence of John Wollaston, a British painter whose arrival in the colonies introduced a more flamboyant, Rococo-inspired grace. From Wollaston, Feke learned to navigate the complexities of light and shadow, yet he chose to temper this exuberance with a uniquely restrained elegance. Where others might have leaned into excessive ornamentation, Feke favored meticulous observation and subtle tonal gradations, creating a style that felt both grounded and aristocratic.

      This stylistic evolution is perhaps most evident in his ability to blend various European traditions into a distinctively American vernacular. He drew inspiration from the compositions of John Smibert, notably seen in his group portrait of the Isaac Royall family, which echoed the structured grandeur of earlier masters. Through this synthesis, Feke developed a technique that emphasized:

      • Meticulous Detail: An almost scientific devotion to the textures of clothing and the fine details of lace and jewelry.
      • Tonal Sophistication: A mastery of soft transitions in skin tones that breathed life into his subjects.
      • Character Depth: Moving beyond mere vanity to capture the inner character and social standing of the colonial elite.

      A Legacy Carved in Canvas

      Though his active years were relatively brief—with his documented activities tapering off around 1751—the impact of Feke’s oeuvre was monumental. He worked across a significant geographic corridor, leaving his mark on the vibrant communities of Boston, Newport, and Philadelphia. His subjects were the architects of the colonial economy: shipping magnates, lawyers, and wealthy landowners who sought to immortalize their lineage. In doing so, Feke became a chronicler of an era, documenting the faces of a society on the precipice of profound historical change.

      Today, the surviving works of Robert Feke—roughly sixty paintings in total—serve as precious windows into the eighteenth century. His ability to set a new standard for his contemporaries was recognized by art historians like Richard Saunders, who noted that Feke’s pictures established the benchmark by which the next generation of colonial artists would be judged. Whether through the commanding presence of Portrait of Ralph Inman or the delicate grace of his depictions of women, Feke remains a quiet master whose brushstrokes continue to resonate with the dignity of a lost age.