Med vsemi slikami umetnika Stephen Wickham je najbolj znana Homage to Ralph Balson # 105 Diptych (2012); razpolaga v muzeju Penrith Regional Gallery - Dom Lewersove zapuščine, Emu Plains. Takoj za njima sta Homage to Ivan Kljun. # 39 (1989) in Homage to Ivan Kljun (1989). Med 10 dela umetnika Stephen Wickham v našem katalogu so ta 10 najbolj znamenita, od katerih je vsaka prikazana z letom nastanka, muzejem in zgodbojo.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026.
The presence of Homage to Ralph Balson # 105 Diptych commands the space, a work that exists as a dual entity. Created in 2012 by the Australian artist Stephen Wickham, this piece unfolds across two separate panels. This diptych format invites a specific kind of looking, where the eye moves between the two connected surfaces to find a singular, unified vision. It is a deliberate arrangement that breaks the traditional…
In the vast landscape of contemporary abstraction, few works manage to capture the silent tension between form and void as effectively as Stephen Wickham’s Homage to Ivan Kljun. # 39. Created in 1989, this piece serves as a profound meditation on the legacy of geometric modernism, stripping away the unnecessary to reveal the raw, rhythmic power of shape. The composition is anchored by a striking triad of primary and deep…
Stephen Wickham's "Po-Mo-Madra e figlio.CRUX ANSATA.#3," created in 2016, is a powerfully unsettling work that immediately confronts the viewer with a fractured representation of human experience. This piece, rendered through a meticulous collage technique utilizing precisely arranged colored squares, speaks to a core theme prevalent throughout Wickham’s oeuvre: the isolation and psychological distress inherent within modern existence. The artwork's genesis lies in a deep engagement with the legacy of Francis…
Četiri teme, ki se najpogosteje pojavljajo na teh platnah, vsaka z svojim najbolj priljubljenim primerom.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Stephen Wickham | Slike iz tega seznama |
|---|---|---|---|
 Penrith Regional Gallery - Dom Lewersove zapuščine |
Emu Plains | 10 | Homage to Ralph Balson # 105 Diptych, Homage to Ivan Kljun. # 39, Homage to Ivan Kljun |
Dolga kariera v barvah: 28 let, od 1989 do 2016, in najboljja platna umetnika Stephen Wickham vsako leto.
In the vast landscape of contemporary abstraction, few works manage to capture the silent tension between form and void as effectively as Stephen Wickham’s Homage to Ivan Kljun.…
The presence of Homage to Ralph Balson # 105 Diptych commands the space, a work that exists as a dual entity. Created in 2012 by the Australian artist…
Stephen Wickham's "Po-Mo-Madra e figlio.CRUX ANSATA.#3," created in 2016, is a powerfully unsettling work that immediately confronts the viewer with a fractured representation of human experience. This piece,…
Homage to Ralph Balson # 105 Diptych (2012), Penrith Regional Gallery - Dom Lewersove zapuščine, Emu Plains. sledita Homage to Ivan Kljun. # 39 (1989) in Homage to Ivan Kljun (1989).
Stephen Wickham, rojen leta 1950, je imel 62 let: Homage to Ralph Balson # 105 Diptych datira iz leta 2012.
Homage to Ralph Balson # 105 Diptych, Homage to Ivan Kljun. # 39, Homage to Ivan Kljun, Homage to Ivan Kljun, Homage to Ivan Kljun, Homage to Ivan Kljun, Homage to Ivan Kljun. #17, For the love of Mr Balson. #1, Love + Fear + Death Triptych in Po-Mo-Madra e figlio.CRUX ANSATA.#3. Vsako platno v zgornji uvrstitvi vključuje leto nastanka in muzej.
V našem katalogu je 10 del umetnika Stephen Wickham, datiranih od 1989 do 2016.
Večinoma v Penrith Regional Gallery - Dom Lewersove zapuščine (Emu Plains); zgornji seznam navaja vsak muzej in njegova platna.
V obdobju 1989, ki je vključilo 6 od 10 del na tej strani, je med njimi tudi Homage to Ivan Kljun. # 39.
Najstarejše platno tukaj je Homage to Ivan Kljun. # 39 (1989); najstarejše je Po-Mo-Madra e figlio.CRUX ANSATA.#3 (2016).
Muzej Penrith Regional Gallery - Dom Lewersove zapuščine, Emu Plains hrani 10 del z te strani, med katerimi so tudi Homage to Ralph Balson # 105 Diptych, Homage to Ivan Kljun. # 39 in Homage to Ivan Kljun.
Born in Melbourne, Australia, Stephen Wickham has established himself as a versatile force within the Australian contemporary art scene. As a photographer, painter, and printmaker, his practice is characterized by a profound engagement with both the structural precision of geometric abstraction and the raw, emotional depths of human experience. His academic journey began at the Prahran College of Advanced Education in 1972, followed by a Diploma of Art from the National Gallery Art School of Victoria in 1974. This rigorous foundation was furthered through a Graduate Diploma of Education at Melbourne University and eventually culminated in a Masters of Arts (Visual Arts) from Monash University (Gippsland) in 1986.
Wickham’s artistic evolution is marked by a remarkable ability to traverse different modes of expression, moving between the silent tension of geometric forms and the unsettling fragments of psychological portraiture. In his more abstract works, such as his homages to figures like Ivan Kljun, he explores the rhythmic power of shape and the interplay between color and void. These pieces often function as meditations on modernism, utilizing a controlled palette to reveal the structural clarity of the composition. Conversely, his more recent explorations, such as Po-Mo-Madra e figlio.CRUX ANSATA.#3, demonstrate a much darker, more visceral side of his talent. In these works, he employs a meticulous collage technique of colored squares to evoke themes of existential angst and the fragmentation of modern existence.
The technical mastery of Wickham lies in his capacity to use formal elements as emotional ciphers. Whether through the precise arrangement of pigment or the deliberate disjunction of color, his work seeks to translate internal landscapes into visual realities. His approach often draws inspiration from the legacies of great masters; for instance, his deconstruction of form and exploration of human vulnerability echo the unsettling methods of Francis Bacon. By utilizing intense hues and jarring juxtapositions, he creates a sense of psychological tension that confronts the viewer directly.
His contributions to the Australian art landscape are evidenced by both his solo exhibitions and significant public commissions. His career highlights include:
Through this blend of academic rigor, technical precision, and deep emotional inquiry, Wickham continues to contribute a significant voice to the dialogue of contemporary Australian abstraction and figurative exploration.
