Med vsemi slikami umetnika Bertel Thorvaldsen je najbolj znana The three Graces; razpolaga v muzeju Accademia di San Luca, Rim. Takoj za njima sta Adonis (1808) in Christ. Med 35 dela umetnika Bertel Thorvaldsen v našem katalogu so ta 35 najbolj znamenita, od katerih je vsaka prikazana z letom nastanka, muzejem in zgodbojo.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
In the quiet, hallowed halls of Neoclassical mastery, few works resonate with the same ethereal tenderness as Bertel Thorvaldsen’s The Three Graces. Sculpted in 1817 during the artist's most prolific years in Rome, this marble masterpiece is far more than a mere depiction of mythological figures; it is a profound meditation on harmony, intimacy, and the timeless ideals of beauty. As one gazes upon the smooth, luminous surfaces of the…
This marble sculpture, created by Bertel Thorvaldsen, depicts the mythological figure of Adonis. The work is a full-length portrait of a young male figure presented in a contrapposto pose. The figure stands with his body slightly angled towards the viewer, holding a staff or spear in one hand, while drapery is loosely gathered around his other arm and leg. The sculpture is set upon a simple, rectangular base.
To stand before this depiction of Christ is to encounter an immediate hush, a profound stillness captured in pale stone. The sculpture presents the upper torso and head of Jesus, rendered with the idealized perfection characteristic of Neoclassicism. Its surface, smooth and luminous—suggesting either fine marble or expertly finished plaster—seems to absorb and diffuse light, giving the figure an ethereal quality. The composition centers entirely on this divine presence; Christ’s…
To stand before this magnificent representation of Ganymede and the Eagle is to step directly into the luminous halls of classical mythology. The sculpture, a masterful testament to Neoclassical ideals, captures a moment suspended between divine favor and earthly devotion. It portrays Ganymede, the eternally youthful cupbearer to the gods, in an act of tender offering—presenting sustenance to the majestic eagle that perches nearby. The sheer physicality of the piece,…
The sculpture Christ is a work by the Danish-Icelandic artist Bertel Thorvaldsen. Created about 1821, this piece depicts Jesus Christ in a moment of quiet contemplation. It is a religious subject, rendered as a marble or plaster sculpture. The figure is presented with a sense of serene presence, capturing a specific devotional mood through its form.
The Lion of Lucerne, also known as the Lion Monument, emerges from the stone as a profound presence in Switzerland. Designed by the Danish sculptor Bertel Thorvaldsen, this rock relief captures a moment of heavy stillness. The work was hewn between 1820 and 1821 by Lukas Ahorn, carving a permanent memory into the cliff face. It remains one of the most famous monuments in Switzerland, drawing eyes to its silent,…
In the hallowed, quietude of a Roman church interior, where light dances softly against ancient stone, stands a masterpiece that transcends the boundaries of time. The Monument of Pius VIII, sculpted by the legendary Danish master Albert Bertel Thorvaldsen in 1853, is far more than a mere commemorative marker; it is a profound dialogue between the mortal and the divine. Through the medium of exquisite Carrara marble, Thorvaldsen captures not…
In the delicate yet powerful details of the Triumph of Alexander the Great, we encounter a moment frozen in time, captured through the masterful hands of the Danish…
The sculpture Hebe by Bertel Thorvaldsen represents the goddess of youth from Greek mythology. In this work, the figure is identified as the daughter of Zeus and Hera.…
In the quiet, luminous presence of Bertel Thorvaldsen’s Ganymede and the Eagle, one does not merely observe a sculpture; one witnesses a moment suspended in eternity. This Neoclassical…
Četiri teme, ki se najpogosteje pojavljajo na teh platnah, vsaka z svojim najbolj priljubljenim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Bertel Thorvaldsen | Slike iz tega seznama |
|---|---|---|---|
 Muzej Thorvaldsen |
Kopenhagen | 9 | Christ, Shepherd Boy, Mercury Preparing to Kill Argus |
 Accademia di San Luca |
Rim | 3 | The three Graces, Christ, Ganimede and the eagle |
 Neue Pinakothek |
München | 1 | Adonis |
 Sveto Peterovo bazilika |
Vatikan | 1 | Monument of Pius VIII |
 Statens Museum For Kunst |
Kopenhagen | 1 | Døgnets tider. Symboliseret ved fire vingede skikkelser |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | Hebe |
 Palača Quirinale |
Rim | 1 | Triumph of Alexander the Great - Detail of the frieze |
 Manchester Art Gallery |
Manchester | 1 | Shepherd |
This marble sculpture, created by Bertel Thorvaldsen, depicts the mythological figure of Adonis. The work is a full-length portrait of a young male figure presented in a contrapposto…
The Lion of Lucerne, also known as the Lion Monument, emerges from the stone as a profound presence in Switzerland. Designed by the Danish sculptor Bertel Thorvaldsen, this…
The sculpture Christ is a work by the Danish-Icelandic artist Bertel Thorvaldsen. Created about 1821, this piece depicts Jesus Christ in a moment of quiet contemplation. It is…
The three Graces, Accademia di San Luca, Rim. sledita Adonis (1808) in Christ.
The three Graces, Adonis, Christ, Ganimede and the eagle, Christ, The Lion of Lucerne, Monument of Pius VIII, Døgnets tider. Symboliseret ved fire vingede skikkelser, Shepherd Boy in Mercury Preparing to Kill Argus. Vsako platno v zgornji uvrstitvi vključuje leto nastanka in muzej.
V našem katalogu je 35 del umetnika Bertel Thorvaldsen, datiranih od 1794 do 1831.
Večinoma v Muzej Thorvaldsen (Kopenhagen), Accademia di San Luca (Rim) in Neue Pinakothek (München); zgornji seznam navaja vsak muzej in njegova platna.
V obdobju 1810s, ki je vključilo 8 od 35 del na tej strani, je med njimi tudi The Lion of Lucerne.
Najstarejše platno tukaj je Døgnets tider. Symboliseret ved fire vingede skikkelser (1794); najstarejše je Statue of Byron (1831).
Sculpture (8), Classical art (5) in Greek mythology (4), na 35 delih na tej strani.
Marble, uporano v 7 od 35 del na tej strani.
Neoclassicism, kot to pokažejo platna na tej strani.
Muzej Muzej Thorvaldsen, Kopenhagen hrani 9 del z te strani, med katerimi so tudi Christ, Shepherd Boy in Mercury Preparing to Kill Argus.
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
Albert Bertel Thorvaldsen (1770–1844) je bil danski in islandski kipar med svetovnim imenem, katerega dela utripajo s ideali neoklasične umetnosti. Njegova življenjska zgodba je pripoved o izjemnem talentu, neustavljivi študiji in širokem priznanju, ki je preseglo njegove domoljubne meje.
Rodjen v Kopenhagenu, v delavski družini z islandskimi koreninami, je Thorvaldsen že od mladosti izžareval umetniško obet. Šele z enoto letošnjo starost je bil sprejet v Kraljično dansko akademijo umetnosti. Njegova izstopajoča veščina mu je prinesla štip za potovanje v Rim leta 1avt – ključen korak, ki bo za vedno določil usodo njegove umetniške poti.
Rim se je izkazal za popolno okolje za Thorvaldsenov umetniški razvoj. Popolno se je potopil v študijo klasične antike, z neustavljivo natančnostjo kopiral starodavne skulpture in v sebe sprejemal njihove principe forme in proporcij. Ta predanost mu je omogočila razvoj edinstvenega neoklasičnega sloga, ki ga odlikuje čistost linije, idealizirane oblike in občutek spokojne veličastnosti.
Thorvaldsen je bil globoko vpliviven pod delom starogriških in rimskih kiparjev, pa tudi sodobnih umetnikov, kot je bil Antonio Canova. Vendar se je sčasoma odmaknil od Canovino bolj čarobno in pretirpano slogovno izražanje ter se usmeril v večji poudarek na preprostosti in zdržljivosti. Svoje figure ni želel prikazati le kot fizično popolne, temveč je v njih iskal tudi moralno pobožnost.
Leta 1838 se je Thorvaldsen vrnil v Dansko kot narodni heroj. Danska vlada je v Kopenhagenu zgradila Thorvaldsenov muzej, da bi v njega smestila njegova dela, kar je nepozorno spomenik njegovi ogromni popularnosti in umetniškemu pomenu. Umrl je leta 1844 in je pokopan v dvorišču muzeja.
Bertel Thorvaldsen je igral ključno vlogo pri oblikovanju neoklasične gibanja. Njegove skulpture so bile široko občudovane in imitirane, s čimer so vplivale na generacije umetnikov. Z uspešno obujo klasičnih idealov v kiparstvu je ustvaril dela, ki še danes vzburjajo čustva spoštovanja in občudovanja. Njegova sposobnost združevanja tehnične dovršenosti z umetniško vizijo je utrdila njegovo mesto med najpomembnejšimi kiparji 19. stoletja.
