Atelje — Brezplačna svetovna dostava — Dostava v 2–6 tednih
      Edward Lear, 1812 – 1888

      100 najbolj znanih slik umetnika Edward Lear

      Cogoleto, Italy je slika, po kateri je najbolj znan Edward Lear. Crescenza in Blue And Yellow Macaw dopolnjujeta trio najbolj priljubljenih platn. Naš katalog vsebuje 419 del avtorja Edward Lear. Tukaj je 100 najbolj znanih delov, vključno z letom nastanka, muzejom in zgodbojo vsakega platna.

      Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.

      Portret Edward Lear
      Edward Lear · 1812 – 1888
      Rodil se · umrl
      1812 – 1888, Highgate
      Gibanje
      Romanticism
      Delo v našem katalogu
      419
      Najbolj znana
      Cogoleto, Italy
      Največ del v
      Yale Center for British Art

      Deset najbolj priljubljenih slik umetnika Edward Lear

      Cogoleto, Italy avtorja Edward Lear
      1

      Cogoleto, Italy

      Watercolor

      The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

      The Temple of Apollo at Bassae (1855) avtorja Edward Lear
      7

      The Temple of Apollo at Bassae

      1855 · Oil On Canvas · Fitzwilliam College, Cambridge

      The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

      Edward Lear: platna od 11 do 100 na lestici

      Philae, Egypt (1863) avtorja Edward Lear
      #14

      Philae, Egypt

      1863 · Yale Center for British Art

      Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

      Naročite ročno izdelovano sliko →
      Between Olavano and Civitella (1842) avtorja Edward Lear
      #16

      Between Olavano and Civitella

      1842 · Yale Center for British Art

      Between Olavano and Civitella by Edward Lear presents a serene and atmospheric landscape. In the right foreground, a large, detailed tree dominates the composition, its heavy branches extending…

      Prinesite to svetlobo dom →
      The Mountains of Thermopylae (1852) avtorja Edward Lear
      #18

      The Mountains of Thermopylae

      1852 · Bristol Museum - Art Gallery

      Edward Lear’s Thermopylae: A Landscape of Quiet Resolve Edward Lear (1812–1888), a figure largely remembered for his delightfully absurd verse and whimsical illustrations—particularly “The Owl and the Pussy…

      Naročite to platno →
      Thermopylae (1872) avtorja Edward Lear
      #45

      Thermopylae

      1872 · Muzej umetnosti in arheologije Ashmolean

      In his 1872 masterpiece, Thermopylae, Edward Lear invites the viewer to step beyond the boundaries of the everyday and into a realm where the majesty of the earth…

      Naročite ročno izdelovano sliko →

      Kaj je Edward Lear naslikal največ

      Četiri teme, ki se najpogosteje pojavljajo na teh platnah, vsaka z svojim najbolj priljubljenim primerom.

      Kje so razpostavljena platna umetnika Edward Lear

      8 muzejev, ki vsebujo največ slik na tej strani.

      Muzej Mesto Sloga Edward Lear Slike iz tega seznama
      Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
      Government Art Collection, LondonGovernment Art Collection London 5 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
      Muzej umetnosti in arheologije Ashmolean, OxfordMuzej umetnosti in arheologije Ashmolean Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
      Izraelski muzej, JeruzalemIzraelski muzej Jeruzalem 2 View of Bethlehem, Jerusalem from the Mount of Olives
      Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
      Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 The Mountains of Thermopylae
      Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Venosa
      Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

      Najbolj znano platno umetnika Edward Lear, desetletje za desetletjem

      1. 1830s
      2. 1840s
        Between Olavano and Civitella (1842) avtorja Edward Lear
        Rangirano 16 od 100

        Between Olavano and Civitella

        Starost 28 – 37 · Yale Center for British Art

        Between Olavano and Civitella by Edward Lear presents a serene and atmospheric landscape. In the right foreground, a large, detailed tree dominates the composition, its heavy branches extending…

      3. 1850s
      4. 1860s
        Philae, Egypt (1863) avtorja Edward Lear
        Platno 14 od 100

        Philae, Egypt

        Starost 48 – 57 · Yale Center for British Art

        Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

      5. 1870s
      6. 1880s
        The Plains of Lombardy from Monte Generoso (1880) avtorja Edward Lear
        Rangirano 15 od 100

        The Plains of Lombardy from Monte Generoso

        Starost 68 – 76 · Muzej umetnosti in arheologije Ashmolean

        In the quiet majesty of The Plains of Lombardy from Monte Generoso, we are invited to stand upon a precipice of history and nature. Created in 1880 by…

      Plotna dela umetnika Edward Lear, odgovor po odgovoru

      Za katero platno je Edward Lear najbolj znan?Preberite odgovor

      Cogoleto, Italy, ki mu sledijo Crescenza in Blue And Yellow Macaw.

      Katera je deset najbolj znanih platn na delu umetnika Edward Lear?Preberite odgovor

      Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy in Ithaca, Ionian Islands. Vsako platno v zgornji uvrstitvi vključuje leto nastanka in muzej.

      Koliko slik je ustvaril Edward Lear?Preberite odgovor

      V našem katalogu je 419 del umetnika Edward Lear, datiranih od 1839 do 1884.

      Kje se danes nahajajo najbolj znana platna umetnika Edward Lear?Preberite odgovor

      Večinoma v Yale Center for British Art (New Haven), Government Art Collection (London) in Muzej umetnosti in arheologije Ashmolean (Oxford); zgornji seznam navaja vsak muzej in njegova platna.

      Kdaj je Edward Lear naslikal svoja najbolj znana platna?Preberite odgovor

      V obdobju 1860s, ki je vključilo 14 od 100 del na tej strani, je med njimi tudi Philae, Egypt.

      Kateri slikovodni platno znate izpostaviti izmed del Edward Lear – katero je prišlo prvič in katero zadnje?Preberite odgovor

      Najstarejše platno tukaj je Civita Castellana (1839); najstarejše je Argos from Mycene (1884).

      Katere teme je Edward Lear najpogosteje slika?Preberite odgovor

      Landscape (11), Scenes (11) in Italy (11), na 100 delih na tej strani.

      Katera tehnika se najpogosteje pojavlja v slikah umetnika Edward Lear?Preberite odgovor

      Watercolor, uporano v 2 od 100 del na tej strani.

      S katerim umetnostnim slogom je povezan Edward Lear?Preberite odgovor

      Romanticism, kot to pokažejo platna na tej strani.

      Katera dela umetnika Edward Lear so v muzeju Yale Center for British Art?Preberite odgovor

      Muzej Yale Center for British Art, New Haven hrani 14 del z te strani, med katerimi so tudi Philae, Egypt, Between Olavano and Civitella in A Study of Ferns, Civitella.

      Kje lahko kupim reprodukcijo slike avtorja Edward Lear?Preberite odgovor

      Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.

      Spoznajte slikarja: Edward Lear

      Edward Lear (1812-1888): The Poet of Nonsense and Painter of Light

      Edward Lear, a name synonymous with whimsical verse and delightfully peculiar illustrations, was far more than the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children, Lear’s early life was marked by both financial instability and a burgeoning artistic talent. His father, Jeremiah Lear, faced hardship after the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would see him traverse continents and capture the world in vibrant hues and playful lines. The shadow of familial difficulty, coupled with early health challenges – including epilepsy and bouts of melancholia he termed “the Morbids” – instilled within Lear a sense of gentle solitude and an inclination towards imaginative escape, qualities profoundly reflected in his art and writing.

      Early Influences: Precision and Observation

      Lear’s artistic journey began with meticulous precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a remarkable eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots not only refined his draftsmanship but also fostered a deep connection with the natural world – a connection that would permeate his later landscapes. The demand for grand scientific illustrations surged during the Victorian era as Britain embarked on its imperial expansion, fueled by an eagerness to catalog and depict the wonders of distant lands. Lear’s training emphasized careful observation and accurate representation, shaping his artistic approach throughout his career. He meticulously studied animal anatomy, rendering feathers, scales, and musculature with remarkable realism—a skill that would serve him well in his subsequent landscape paintings.

      Travel & Landscape Painting: Capturing the Essence of Place

      However, failing eyesight and respiratory issues eventually led him away from the exacting demands of ornithological illustration. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond. Italy became a particular haven, offering not only respite for his health but also an abundance of inspiring vistas—rolling hills bathed in Tuscan sunlight, dramatic Alpine peaks crowned with snow, and serene Venetian canals reflecting the glow of twilight. These journeys profoundly influenced Lear’s artistic vision, prompting him to experiment with new techniques and explore unconventional perspectives. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective—the subtle blending of hues to convey depth and distance—and delicate brushwork that captured the ephemeral beauty of fleeting moments. Lear’s landscapes are imbued with a sense of melancholy and contemplation, reflecting his own personal experiences as a wanderer—a theme that recurs throughout his oeuvre.

      The Poet of Nonsense: A Revolution in Verse

      While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. His limericks often explored themes of loneliness, longing, and the absurdity of existence, cloaked within a veneer of whimsicality—a stylistic choice that mirrored his own introspective tendencies. He challenged poetic conventions, liberating verse from rigid structures and embracing playful experimentation—a bold move for its time.

      Legacy & Enduring Charm

      Lear’s influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet—whose diverse talents converged to create a unique and enduring legacy. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit. He remains an icon of Victorian eccentricity—a figure whose art continues to inspire wonder and delight generations after his death in 1888.

      Vsa dela avtorja Edward Lear: 419 →