Atelje — Brezplačna svetovna dostava — Dostava v 2–6 tednih
      Henry Raeburn, 1756 – 1823

      Henry Raeburn: 100 najbolj znanih slik

      Med vsemi slikami umetnika Henry Raeburn je najbolj znana Reverend Dr Robert Walker (1755–1808) na ledenem jezeru Duddingston Loch (1795); razpolaga v muzeju Scottish National Gallery, Edinburgh. Takoj za njima sta Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814) (1810) in Young Girl Holding Flowers (1798). Med 360 dela umetnika Henry Raeburn v našem katalogu so ta 100 najbolj znamenita, od katerih je vsaka prikazana z letom nastanka, muzejem in zgodbojo.

      Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.

      Portret Henry Raeburn
      Henry Raeburn · 1756 – 1823
      Rodil se · umrl
      1756 – 1823, Stockbridge
      Gibanje
      Scottish neoclassicism
      Delo v našem katalogu
      360
      Najbolj znana
      Reverend Dr Robert Walker (1755–1808) na ledenem jezeru Duddingston Loch (1795)
      Največ del v
      Scottish National Portrait Gallery

      10 najbolj znamenitih slik umetnika Henry Raeburn

      Reverend Dr Robert Walker (1755–1808) na ledenem jezeru Duddingston Loch (1795) avtorja Henry Raeburn
      1

      Reverend Dr Robert Walker (1755–1808) na ledenem jezeru Duddingston Loch

      1795 · Olje na platnu · Scottish National Gallery, Edinburgh

      Zrak je hladen in oster, ko se samoten lik poljubno giblje čez zamrznjeno površino Duddingston Loch. Gre za moškara z ugleznim statusom, oblečenega v težko črno plašč in valec, vendar se giblje z lahkoto, ki ji skoraj ne uleči njegova formalna oblačila. Ena nogica je dvignjena, v krhkem ravnovesju, medtem ko se mu roke posegajo navzdol, da bi ugrabile stopalo, kar zajema bezen trenutek igrivosti sredi zimskega mraza. Njegovamente se…

      Hand-painted oil reproduction from $178 29 × 35 cm Same size as the original $296 64 × 76 cm Order at original size →
      Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814) (1810) avtorja Henry Raeburn
      2

      Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814)

      1810 · Oil On Canvas · Scottish National Gallery, Edinburgh

      To gaze upon this portrait of Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse, is to step directly into the refined atmosphere of the early nineteenth century. Rendered with an exquisite mastery that speaks to the height of Neoclassicism, the painting captures more than just a likeness; it encapsulates an entire era's idealization of feminine dignity and quiet grandeur. The subject is presented in a pose of effortless elegance, seated…

      Hand-painted oil reproduction from $178 26 × 39 cm
      Young Girl Holding Flowers (1798) avtorja Henry Raeburn
      3

      Young Girl Holding Flowers

      1798 · Oil On Canvas · Louvre, Pariz

      Henry Raeburn's "Young Girl Holding Flowers," painted in 1798 and currently residing within the hallowed halls of the Musée du Louvre, is more than just a charming pastoral scene; it’s a profound meditation on youth, beauty, and the fleeting joys of nature. This exquisite oil-on-canvas work captures a young girl, seemingly lost in contemplation as she cradles a vibrant bouquet of wildflowers. Raeburn's masterful technique—characterized by soft, luminous colors and…

      Hand-painted oil reproduction from $178 28 × 36 cm
      Henry Mackenzie (1810) avtorja Henry Raeburn
      4

      Henry Mackenzie

      1810 · Oil On Canvas

      To stand before this portrait is to encounter not merely a likeness, but a carefully curated moment of intellectual gravity. Painted by the master of Scottish realism, Henry Raeburn in 1810, this work captures Henry Mackenzie with an arresting dignity that seems to transcend the passage of time. The composition itself speaks volumes; while the subject occupies a central space, his slight off-centering lends a subtle dynamism, preventing the formality…

      Hand-painted oil reproduction from $178 29 × 35 cm Same size as the original $292 63 × 75 cm Order at original size →
      Professor Dugald Stewart (1753–1828), Philosopher (1810) avtorja Henry Raeburn
      5

      Professor Dugald Stewart (1753–1828), Philosopher

      1810 · Oil On Canvas · Scottish National Portrait Gallery, Edinburgh

      To stand before Henry Raeburn’s portrait of Professor Dugald Stewart is to encounter not merely a likeness, but an embodiment of Enlightenment intellect. Painted in 1810, this work transcends simple portraiture; it is a carefully constructed meditation on genius itself. The subject, Professor Dugald Stewart, is presented in a three-quarter view that immediately draws the viewer into a direct, compelling dialogue. Raeburn masterfully isolates him against a background so deep…

      Hand-painted oil reproduction from $178 29 × 35 cm Same size as the original $291 62 × 76 cm Order at original size →
      Pringle Fraser (1804) avtorja Henry Raeburn
      6

      Pringle Fraser

      1804 · Oil On Canvas · Tate Gallery, London

      To stand before this portrait of Pringle Fraser is to encounter not merely a likeness, but a carefully constructed moment of contemplation. Painted around 1804, this work captures the essence of early nineteenth-century masculine dignity. The subject commands attention through his direct, almost challenging gaze. He is presented in attire that speaks of respectable standing—the crisp white shirt contrasting sharply with the somber black vest and tie. This deliberate contrast…

      Hand-painted oil reproduction from $178 28 × 35 cm
      Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge (1814) avtorja Henry Raeburn
      7

      Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge

      1814 · Oil On Canvas · Scottish National Portrait Gallery, Edinburgh

      To stand before Henry Raeburn’s portrait of Allan Maconochie is to encounter not merely a likeness, but a carefully curated study in character and societal standing. Painted in 1814, this work transcends simple portraiture; it is a document of early nineteenth-century British gentry, imbued with the quiet weight of authority. Raeburn, the master chronicler of Scottish life elevated to national prominence, captures Maconochie—the 1st Lord Meadowbank and Judge—with an unflinching…

      Hand-painted oil reproduction from $178 29 × 35 cm Same size as the original $296 64 × 76 cm Order at original size →
      John Balmanno, MD, President, FPSG (1800–1802, 1806–1808, 1818–1820 1826–1828) (1820) avtorja Henry Raeburn
      8

      John Balmanno, MD, President, FPSG (1800–1802, 1806–1808, 1818–1820 1826–1828)

      1820 · Oil On Canvas · Nhs Greater Glasgow And Clyde, Glasgow

      This captivating portrait captures John Balmanno, MD, in a moment of considered repose. The sitter is presented with an air of profound accomplishment and quiet authority, hallmarks of the distinguished professional of the early nineteenth century. Dressed in the sober elegance expected of a man of his standing—a tailored suit and tie speak to a life navigated within academic and civic circles—he occupies a space that feels both intimate and…

      Hand-painted oil reproduction from $178 28 × 35 cm Same size as the original $529 100 × 126 cm Order at original size →
      George Malcolm (1790) avtorja Henry Raeburn
      9

      George Malcolm

      1790 · Oil On Canvas · Courtauld Gallery, London

      To stand before this portrait of George Malcolm is to step directly into the refined drawing rooms of the late eighteenth century. Painted around 1790, this oil on canvas captures more than just a likeness; it arrests a moment of profound contemplation. The subject, depicted as a gentleman in his prime with distinguished white hair, meets the viewer's gaze with an intensity that is both direct and deeply thoughtful. His…

      Hand-painted oil reproduction from $178 29 × 35 cm Same size as the original $296 64 × 76 cm Order at original size →
      John James Audubon (1785–1851) avtorja Henry Raeburn
      10

      John James Audubon (1785–1851)

      Oil On Canvas · Temple Newsam House, Leeds

      This meticulously rendered portrait of John James Audubon, executed in shades of gray, black, and white, offers a profound glimpse into the mind and character of one of history’s most celebrated ornithologists. Attributed to the masterful hand of Sir Henry Raeburn, a Scottish painter renowned for his realism and ability to capture the essence of his subjects, this artwork transcends a simple likeness; it's an embodiment of dedication, intellect, and…

      Hand-painted oil reproduction from $178 28 × 36 cm Same size as the original $346 71 × 92 cm Order at original size →

      Slike umetnika Henry Raeburn na uvrstitvi od 11 do 100

      A Young Lady (1795) avtorja Henry Raeburn
      #16

      A Young Lady

      1795 · Tate Gallery

      Henry Raeburn's “A Young Lady,” painted circa 1795-1800, isn’t merely a portrait; it’s a carefully constructed tableau of youthful sensibility and understated elegance. This captivating work, now residing…

      Naročite to platno from $178 →
      Mrs Downey (1787) avtorja Henry Raeburn
      #17

      Mrs Downey

      1787 · Tate Gallery

      Henry Raeburn's “Mrs Downey,” completed around 1787-90, stands as a cornerstone of Scottish portraiture and exemplifies the refined sensibilities of the late Enlightenment. Held proudly within the Tate…

      Naročite to platno from $178 →
      Mrs H.W. Lauzun (1796) avtorja Henry Raeburn
      #19

      Mrs H.W. Lauzun

      1796 · Tate Gallery

      A Portrait Steeped in Elegance: Exploring Henry Raeburn’s ‘Mrs H.W. Lauzun’ The Tate Gallery holds within its walls a treasure trove of artistic achievement, and amongst its celebrated…

      Naročite to platno from $178 →
      Sir Walter Scott (1822) avtorja Henry Raeburn
      #24

      Sir Walter Scott

      1822 · National Gallery of Scotland

      Henry Raeburn’s “Portrait of Sir Walter Scott” is more than just a likeness; it's a carefully constructed tableau of Scottish identity and the burgeoning spirit of the Romantic…

      Naročite to platno from $178 →
      William Glendonwyn (1800) avtorja Henry Raeburn
      #28

      William Glendonwyn

      1800 · Fitzwilliam College

      To stand before this portrait of William Glendonwyn is to step back into the refined atmosphere of the early nineteenth century, a time when status and character were…

      Naročite to platno from $178 →
      Portrait of a Man. (1810) avtorja Henry Raeburn
      #33

      Portrait of a Man.

      1810 · Narodni muzej v Varšavi

      is an oil portrait by the British artist Henry Raeburn. Executed about 1810, this work represents a significant example of 19th-century portraiture. The subject remains an unidentified man,…

      Naročite to platno from $178 →
      Master James Hay (1793) avtorja Henry Raeburn
      #36

      Master James Hay

      1793 · Auckland Art Gallery Toi o Tāmaki

      The portrait known as Master James Hay emerges from the shadows of the late eighteenth century, a quiet presence captured in oil on canvas. Painted by the Scottish…

      Naročite to platno from $178 →
      Andrew Spottiswoode (1815) avtorja Henry Raeburn
      #38

      Andrew Spottiswoode

      1815 · Art Gallery of New South Wales

      A formal, three-quarter length portrait of Andrew Spottiswoode, rendered in oil on canvas. The subject is positioned slightly off-center, his gaze meeting the observer directly while his body…

      Naročite to platno from $178 →
      Mrs Charles Steuart (1794) avtorja Henry Raeburn
      #86

      Mrs Charles Steuart

      1794 · Tate Gallery

      Henry Raeburn’s “Mrs. Charles Steuart,” painted in 1794, is more than just a portrait; it's a meticulously crafted window into the social and artistic sensibilities of late 18th-century…

      Naročite to platno from $178 →

      Plotna dela umetnika Henry Raeburn, razdeljena po obdobjih

      Kaj je Henry Raeburn naslikal največ

      Četiri teme, ki se najpogosteje pojavljajo na teh platnah, vsaka z svojim najbolj priljubljenim primerom.

      Kje so razpostavljena platna umetnika Henry Raeburn

      8 muzejev, ki vsebujo največ slik na tej strani.

      Muzej Mesto Sloga Henry Raeburn Slike iz tega seznama
      Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 29 Professor Dugald Stewart (1753–1828), Philosopher, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge, Robert Cunninghame Graham of Gartmore, d. 1797. Poet and politician
      Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 37 Reverend Dr Robert Walker (1755–1808) na ledenem jezeru Duddingston Loch, Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814), William Stuart Forbes, elder son of Sir William Forbes of Pitsligo, 1802–1826
      Tate Gallery, LondonTate Gallery London 8 Pringle Fraser, A Young Lady, Mrs Downey
      Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 5 Sir James Montgomery, Second Baronet of Stanhope, Mrs. Alexander Campbell of Possil, Alexander Murray, 8th Baron Elibank
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 4 Adam Rolland of Gask II, Robert Brown of Newhall, Eleanor Margaret Gibson-Carmichael
      Fine Arts Museums of San Francisco, San FranciscoFine Arts Museums of San Francisco San Francisco 3 Sir William Napier, Sir Duncan Campbell of Barcaldine, John Tait of Harviestoun
      Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 3 Portrait of John Baillie (1772-1833), Portrait of Mrs. George Bell, Portrait of Sir Patrick Inglis, Baronet of Sunnyside
      The National Trust For Scotland, TurriefThe National Trust For Scotland Turrief 6 Charles Gordon of Buthlaw, Lonmay and Cairness (1747–1797), Professor James Gregory (1753–1821)

      Dekada za dekado: najboljja platna umetnika Henry Raeburn

      1. 1770s
      2. 1780s
        Mrs Downey (1787) avtorja Henry Raeburn
        17 od 100

        Mrs Downey

        Starost 24 – 33 · Tate Gallery

        Henry Raeburn's “Mrs Downey,” completed around 1787-90, stands as a cornerstone of Scottish portraiture and exemplifies the refined sensibilities of the late Enlightenment. Held proudly within the Tate…

      3. 1790s
      4. 1800s
        Pringle Fraser (1804) avtorja Henry Raeburn
        6 od 100

        Pringle Fraser

        Starost 44 – 53 · Tate Gallery

        To stand before this portrait of Pringle Fraser is to encounter not merely a likeness, but a carefully constructed moment of contemplation. Painted around 1804, this work captures…

      5. 1810s
      6. 1820s

      Vaša vprašanja o slikah umetnika Henry Raeburn, answered

      Katero je najbolj znano sliko avtorja Henry Raeburn?Preberite odgovor

      Reverend Dr Robert Walker (1755–1808) na ledenem jezeru Duddingston Loch (1795), Scottish National Gallery, Edinburgh. sledita Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814) (1810) in Young Girl Holding Flowers (1798).

      Koliko je bil Henry Raeburn star ob nastanku dela Reverend Dr Robert Walker (1755–1808) na ledenem jezeru Duddingston Loch?Preberite odgovor

      Henry Raeburn, rojen leta 1756, je imel 39 let: Reverend Dr Robert Walker (1755–1808) na ledenem jezeru Duddingston Loch datira iz leta 1795.

      Za katera deset slik je Henry Raeburn najbolj znan?Preberite odgovor

      Reverend Dr Robert Walker (1755–1808) na ledenem jezeru Duddingston Loch, Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814), Young Girl Holding Flowers, Henry Mackenzie, Professor Dugald Stewart (1753–1828), Philosopher, Pringle Fraser, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge, John Balmanno, MD, President, FPSG (1800–1802, 1806–1808, 1818–1820 1826–1828), George Malcolm in John James Audubon (1785–1851). Vsako platno v zgornji uvrstitvi vključuje leto nastanka in muzej.

      Koliko je znanih slik avtorja Henry Raeburn?Preberite odgovor

      V našem katalogu je 360 del umetnika Henry Raeburn, datiranih od 1776 do 1823.

      V katerih muzejih so shranjena najbolj znana platna umetnika Henry Raeburn?Preberite odgovor

      Večinoma v Scottish National Portrait Gallery (Edinburgh), Scottish National Gallery (Edinburgh) in Tate Gallery (London); zgornji seznam navaja vsak muzej in njegova platna.

      V katerih letih je Henry Raeburn naslikal svoja najbolj znamenita platna?Preberite odgovor

      V obdobju 1810s, ki je vključilo 34 od 100 del na tej strani, je med njimi tudi Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814).

      Kateri sta prva in zadnja znana platna umetnika Henry Raeburn?Preberite odgovor

      Najstarejše platno tukaj je Portrait of James Veitch, Lord Eliock (1776); najstarejše je Portrait of David Cowan (1823).

      Katere teme se najpogosteje pojavljajo v naslikah umetnika Henry Raeburn?Preberite odgovor

      Portrait (32), Man (19) in Portraiture (15), na 100 delih na tej strani.

      S čim je Henry Raeburn običajno slikoval?Preberite odgovor

      Oil On Canvas, uporano v 56 od 100 del na tej strani.

      Kateri umetniški slog pripada Henry Raeburn?Preberite odgovor

      Scottish neoclassicism in Romanticism, kot to pokažejo platna na tej strani.

      Kaj lahko vidim od Henry Raeburn v muzeju Scottish National Portrait Gallery?Preberite odgovor

      Muzej Scottish National Portrait Gallery, Edinburgh hrani 7 del z te strani, med katerimi so tudi Professor Dugald Stewart (1753–1828), Philosopher, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge in Robert Cunninghame Graham of Gartmore, d. 1797. Poet and politician.

      Ali lahko naročim ročno naslikano kopijo slike avtorja Henry Raeburn?Preberite odgovor

      Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.

      Henry Raeburn: zgodba slikarja

      Škotski Mojster Realizma: Življenje in Umetnost Sir Henryja Raeburna

      Sir Henry Raeburn, rojen leta 1756 v obdobju razcvetajoče škotske prosvete, se je izkazal za ključno figuro britanske portretne umetnosti. Njegova zgodba je zgodba o samostojnem ustvarjalcu, ki se je povzpel od skromnih začetkov do širokega priznanja in kraljevske podpore. Po smrti staršev v mladosti je Raeburnovo življenje oblikovala podpora brata Williama, ki mu je omogočil izobrazbo na bolnišnici Heriot's v Edinburghu. Ta temelj se je izkazal za ključnega pomena, čeprav ga prvotna pot ni vodila neposredno k platnu in čopiču, ampak k natančnemu obrtništvu zlatarstva pod Jamesom Gillilandom. V svetu zapletenih detajlov in prefinjene spretnosti je Raeburn izpil preciznost, ki bi kasneje definirala njegov umetniški slog. Začel je ustvarjati miniaturne portrete na slonovini in pokazal naraven talent za ujemanje podobe z izjemno natančnostjo. Kmalu pa ga je pritegnila privlačnost večjih oljnih slik, se pogumno odpravil na samostojno pot obvladovanja tega zahtevnejšega medija.

      Od Miniaturne Natančnosti do Velikih Portretov

      Raeburnova umetniška evolucija je bila zaznamovana z neusmiljenim iskanjem spretnosti. Priljubljene znanje od Davida Martina, vodilnega portretista v Edinburghu, ki je bil pomočnik Allana Ramsayja, vendar se je večinoma zanašal na lastno predanost in opazovanje. Njegova zgodnja dela razkrivajo razvijajoči se talent, a je s stalno prakso in ostrim očesom za podrobnosti začel izstopati. Preobrat je nastal z njegovo poroko z Ann Edgar, bogato vdovo, leta 1778. Ta zveza mu je zagotovila finančno stabilnost, kar mu je omogočilo, da se v celoti posveti slikanju brez omejitev komercialnih obveznosti. Potopil se je v študij del mojstrov, kot je Joshua Reynolds, ki ga je srečal med kratkim bivanje v Londonu na poti v Italijo – čeprav italijansko potovanje ni bilo dokončano. Raeburnov slog se je začel zlivati okoli močnega realizma, za katerega so bili značilne dramatične razsvetlave in sposobnost ujeti ne le fizično podobnost, ampak tudi notranji karakter svojih modelov. Odmaknil se je od mehkejših, bolj idealiziranih portretov, ki so bili v tistem času pogosti, ter izbral neposrednost in iskrenost, ki sta odmevala škotsko občutljivost.

      Ujeti Karakter: Raeburnova Umetniška Podoba

      Raeburnovi portreti niso le predstavitve posameznikov; to so psihološke študije, upodobljene v oljnih barvah. Imel je izjemno sposobnost prenesti osebnost, status in celo razpoloženje svojih subjektov. Njegova tehnika je bila mojstrska – kombinacija natančnega opazovanja, samozavestnega čopiča in prefinjenega razumevanja svetlobe in sence. Mladi Polo igralec na primer ni le prikaz športnika; to je energičen posnetek mladostne vitalnosti in aristokratskega prostega časa. Podobno njegov portret Alexanderja Allana, pomembne figure škotske umetnosti, razkriva moškega intelektualca in prefinjenosti. Raeburnova uporaba chiaroscuro – dramatičnega kontrasta med svetlobo in temo – je postala značilnost njegovega sloga, ki je njegovim kompozicijam dodajala globino in intenzivnost. Pogosto je svoje modele postavil na temno ozadje, kar je omogočilo, da so se njihovi obrazi in figure pojavili z osupljivo jasnostjo. Ta tehnika ni samo izboljšala vizualni vpliv njegovih portretov, ampak je tudi služila za osredotočenje pozornosti na karakter in prisotnost posameznika.

      Priznanje in Zapuščina: Škotska Ikona

      Čez celo kariero je Raeburn užival velik uspeh in priznanje. Postal je vodilni član edinburghske družbe, ki je pritegnil naročila od pomembnih družin in posameznikov. Leta 1815 so ga izvolili za Kraljevo akademijo v Londonu, kar je utrdilo njegov ugled na nacionalni ravni. Njegova imenovanj za portretnega slikarja kralja Georgea IV. na Škotskem leta 1822 – kmalu pred njegovo smrtjo leta 1823 – je bilo ultimativno priznanje njegovih umetniških dosežkov. Raeburnov vpliv na škotsko umetnost je neizmeren. Vzpostavil je standard za portretiranje, ki so ga naslednje generacije prizadevale posnemati, in njegovo delo še danes navdihuje umetnike. Njegove slike so zdaj shranjene v prestižnih zbirkah po vsem svetu, vključno z Škotsko nacionalno galerijo v Edinburghu in Frick Collection v New Yorku.
      • Njegova predanost realizmu in psihološkim vpogledom ga je ločil od mnogih njegovih sodobnikov.
      • Pomagal je vzpostaviti značilno škotsko identiteto znotraj britanske umetnosti.
      • Njegovo mojstrsko tehniko še danes proučujejo in občudujejo umetniki in znanstveniki.
      Raeburnova zapuščina sega onkraj platna. Predstavlja zmago samostojnega učenja, vztrajnosti in umetniške vizije – pričevanje o moči talenta, ki ga neguje neomajna predanost. Ostaja integralen del bogate škotske kulturne dediščine, mojster portretist, katerega dela še danes očarajo in navdihujejo občinstvo stoletja po njihovem ustvarjanju.