Med vsemi slikami umetnika John Martin je najbolj znana The Great Day of His Wrath (1851); razpolaga v muzeju Tate Britain, London. Takoj za njima sta The Destruction of Sodom And Gomorrah (1852) in The Evening of the Deluge (1828). Med 88 dela umetnika John Martin v našem katalogu so ta 88 najbolj znamenita, od katerih je vsaka prikazana z letom nastanka, muzejem in zgodbojo.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
In the heart of the nineteenth century, few images could stir the Victorian soul with as much terror and awe as John Martin’s The Great Day of His Wrath. This monumental oil on canvas is not merely a painting; it is a visceral experience of the sublime. As the eye wanders across the vast, turbulent landscape, one is immediately struck by the sheer scale of destruction. The scene captures the…
The heavens do not merely darken; they fracture. A massive, swirling vortex of fiery clouds dominates the upper reaches of the canvas, a celestial furnace that seems to swallow the very air. Light does not fall from above in a gentle glow but erupts from the center of a cosmic explosion. It is a violent, directional radiance that carves the landscape into jagged silhouettes of deep black and shadowy blue.…
To stand before John Martin's monumental vision, The Evening of the Deluge, is not merely to observe a painting; it is to be submerged within an epochal moment of divine wrath and human fragility. Created in 1828, this work transcends simple depiction, becoming instead a profound meditation on humanity’s place against the overwhelming power of nature. Martin, a master chronicler of the sublime, utilized his immense scale—a staggering 597 x…
John Martin (1789-1854) stands as a titan of Romantic painting, an artist who wrestled with the sublime and channeled its anxieties onto canvas in ways that continue to resonate today. His monumental print, ‘Eve,’ exemplifies this preoccupation—a chilling depiction of temptation and divine retribution rendered with meticulous detail and imbued with palpable emotion.
The canvas bears the title Great Day of His Wrath. It is a work by the English romantic painter John Martin. Created in 1851, the painting captures a moment of profound upheaval. It exists as a single movement within a larger triptych of judgement pictures. This series draws its heavy inspiration from the Book of Revelation.
John Martin's "Destruction of Tyre," completed in 1840, is not merely a depiction of a historical event; it is a visceral embodiment of Romanticism’s fascination with the sublime – that overwhelming feeling of awe and terror inspired by nature’s power. Measuring an imposing 95 x 838 cm, this oil on canvas transports the viewer directly into the heart of apocalyptic chaos. The scene, based on the biblical account in 2…
The scene unfolds through the vision of Satan in Council, a dramatic work by the English romantic painter John Martin. This composition captures a moment of intense celestial and infernal tension, pulling the viewer into a realm of shadow and light. The work is also recognized by the title Satan presiding at the Infernal Council, a name that speaks to the heavy authority commanding the assembly. It exists as a…
The Sublime Terror of the Infernal Capital In the annals of Romanticism, few images command the eye with such overwhelming dread and grandeur as John Martin’s Pandemonium. Painted in 1841, this oil on canvas is not merely a depiction of a scene; it is an immersive descent into the heart of cosmic chaos. The viewer is immediately confronted by the sheer, terrifying scale of Hell’s capital, where the architecture of…
The heavens fracture as the destruction of Babylon unfolds in this dramatic vision by John Martin. The scene captures a terrifying Old Testament biblical narrative, where the once-mighty city faces its ultimate end. Chaos reigns as the landscape is swallowed by upheaval, reflecting a moment of divine judgment that feels immediate and overwhelming. The scale of the catastrophe looms large, turning the sprawling cityscape into a site of profound human…
The scene unfolds within a vast, architectural interior where a long dining table occupies the central space. Around this table, fourteen figures are positioned in various states of repose and movement. Some individuals sit in chairs, while others kneel or stand near the edges of the gathering. The table is laden with food and drink, set against a backdrop of grand, structural elements. Above the assembly, a clock hangs upon…
The Plains of Heaven is an oil on canvas painting by the English artist John Martin. Created around 1851, this religious work occupies a specific place within the…
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A distant castle perches atop a jagged hill, silhouetted against a turbulent sky. The composition relies on heavy, dark foreground elements that direct the eye toward a luminous…
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Plate from by John Martin is a work by the English Romantic painter, engraver, and illustrator John Martin. Born in Haydon Bridge, United Kingdom, on July 19, 1789,…
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In his 1815 painting, Moonlight - Chepstow Castle, John Martin presents a scene of profound serenity and soft illumination. The composition centers on a castle characterized by its…
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John Martin: Maestrir Romantične Dramatikosti – Pogled na Živo Zelo Čudovito John Martin (1789–1854) je bila slavna angleška romantika slikar, gravir in ilustrator, ki je osvojila viktorijansko javnost.…
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The Plains of Heaven is an oil on canvas painting by the English artist John Martin. Created around 1851, this work occupies a specific place within the artist's…
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In this oil on canvas, titled Repentance of Nineveh, the English Romantic Painter John Martin explores a moment of profound spiritual crisis. The work, measuring 35.6 x 41.6…
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## A Symphony of Terror: Exploring Romanticism’s Legacy in Pandemonium John Martin's "Landscape with a Ruined Castle," painted in 1841, stands as an undeniable emblem of Romantic art—a…
The Country of the Iguanodon: A Visionary Landscape John Martin’s “The Country of the Iguanodon,” completed in 1837, stands as an emblem of Romantic landscape painting—a genre obsessed…
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Plate from is an artwork by John Martin. The piece is held at Tate Britain, London. It is categorized within the Romanticism movement.
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This work, titled Plate from , is an artwork by the English artist John Martin. It is currently held within the collection at Tate Britain, London. The piece…
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The scene unfolds within the grand, chaotic atmosphere of a banquet hall in 1820. In this work, titled Belshazzar, the artist John Martin captures a pivotal moment of…
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The painting "Manfred and the Alpine Witch" by John Martin is a masterpiece of the Romantic era, created in 1837 using watercolor media. It is housed at the…
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Sadak in Search of the Waters of Oblivion is an 1812 oil painting by John Martin. The work is based on a narrative from Tales of the Genii…
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The air thickens with the scent of ozone and impending ruin as a violent storm descends upon the ancient landscape of Egypt. High above the architectural silhouettes of…
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Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The…
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To stand before John Martin’s monumental canvas, "The Eve of the Deluge," is not merely to observe a painting; it is to be swept into a profound moment…
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In the annals of Romanticism, few canvases command the eye with such visceral intensity as John Martin’s “The Bard.” Completed around 1817, this masterpiece serves as a profound…
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A chaotic surge of water dominates the canvas, capturing the moment of cataclysmic destruction described in the Book of Genesis. The composition is defined by a violent, dynamic…
Naročite ročno izdelovano sliko →Četiri teme, ki se najpogosteje pojavljajo na teh platnah, vsaka z svojim najbolj priljubljenim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga John Martin | Slike iz tega seznama |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 11 | Landscape with a Castle, Kensington Garden, Kensington Garden |
 Tate Britain |
London | 8 | The Great Day of His Wrath, Plate from, The Last Judgement |
 Te Papa |
Wellington | 3 | Eve, Kraj iguanoda, Kraj Iguanodona |
 Narodna galerija Kanade |
Ottawa | 2 | Ancestor Worship, The Court of God: Paradise Lost (Book 3, Line 365) |
 Muzej fine arts |
Boston | 2 | Sadak in Search of the Waters of Oblivion, Seventh Plague of Egypt |
 Fitzwilliam Museum |
2 | Twilight in the woodlands, Landscape: View in Richmond Park | |
 Laing Art Gallery |
Newcastle upon Tyne | 1 | The Destruction of Sodom And Gomorrah |
 Victoria and Albert Museum |
London | 1 | The Evening of the Deluge |
A distant castle perches atop a jagged hill, silhouetted against a turbulent sky. The composition relies on heavy, dark foreground elements that direct the eye toward a luminous…
To stand before John Martin's monumental vision, The Evening of the Deluge, is not merely to observe a painting; it is to be submerged within an epochal moment…
John Martin: Maestrir Romantične Dramatikosti – Pogled na Živo Zelo Čudovito John Martin (1789–1854) je bila slavna angleška romantika slikar, gravir in ilustrator, ki je osvojila viktorijansko javnost.…
John Martin's "Destruction of Tyre," completed in 1840, is not merely a depiction of a historical event; it is a visceral embodiment of Romanticism’s fascination with the sublime…
In the heart of the nineteenth century, few images could stir the Victorian soul with as much terror and awe as John Martin’s The Great Day of His…
The Great Day of His Wrath (1851), Tate Britain, London. sledita The Destruction of Sodom And Gomorrah (1852) in The Evening of the Deluge (1828).
John Martin, rojen leta 1789, je imel 62 let: The Great Day of His Wrath datira iz leta 1851.
The Great Day of His Wrath, The Destruction of Sodom And Gomorrah, The Evening of the Deluge, Eve, Great Day of His Wrath, Destruction of Tyre, Satan in Council, Pandemonium, Fall of Babylon in Belshazzar's Feast. Vsako platno v zgornji uvrstitvi vključuje leto nastanka in muzej.
V našem katalogu je 88 del umetnika John Martin, datiranih od 1812 do 1852.
Večinoma v Yale Center for British Art (New Haven), Tate Britain (London) in Te Papa (Wellington); zgornji seznam navaja vsak muzej in njegova platna.
V obdobju 1810s, ki je vključilo 10 od 88 del na tej strani, je med njimi tudi Landscape with a Castle.
Najstarejše platno tukaj je Sadak in Search of the Waters of Oblivion (1812); najstarejše je The Destruction of Sodom And Gomorrah (1852).
People (12), Landscape (12) in Mountains (7), na 88 delih na tej strani.
Oil On Canvas, uporano v 15 od 88 del na tej strani.
Romanticism, kot to pokažejo platna na tej strani.
Muzej Yale Center for British Art, New Haven hrani 11 del z te strani, med katerimi so tudi Landscape with a Castle, Kensington Garden in Kensington Garden.
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
John Martin (1789–1854) je bil slaven angleški romantični slikar, gravirnik in ilustrator, katerega dramatične kompozicije so očarvale viktorijansko javnost. Rodil se je 19. julija 1789 v Haydon Bridgeu v Northumberlandu in iz skromnih začetkov vzrastil v enega najbolj priljubljenih umetnikov svojega časa. Svet je spoznal po svojih neskončnih pokrajinah, z naseljem drobnih figur, ki so prikazovale biblijske scene in fantastične prizore z močnim občutkom razmerja in globoke čustvene vznemirljivosti.
Martinovo zgodnje življenje je bilo zaznamovano s praktičnimi zadevami. Kot šegrt kočnikarja v mestu Newcastle upon Tyne se je učil heraldičnega slikanja – veščine, ki bo kasneje spodbudila njegovo izjemno pozornost do detajlov. Leta 1806 se je preselil v London, kjer se je že pri devetnajstem letu poročil in se preživljal z poučevanjem risanja ter izdelavo akvarelov in dekorativnih del na porcelanu in steklu. To obdobje je izpililo njegove tehnične sposobnosti in mu omogočilo raziskovanje različnih umetniških medijev, medtem ko njegovi zgodnji slogi že kažejo razvijajoče se zanimanje za dramatično svetlobo in kompozicijo, kar napoveduje njegov kasnejši prepoznavni slog.
Martinov edinstven slog zaznamuje grandiozna razmera, melodramatična intenzivnost in natančnost. Pogosto je slikal biblijske teme, kot sta Uničenje Sodome in Gomore in Belšazarjeva gostba, z teatralno izraznostjo, ki je globoko odjekovala pri gledalcih. Njegove pokrajine, kot je Cerkev Harnham blizu Salisburyja, so pokazale njegovo sposobnost zajema mirnih podeželskih scen, hkrati pa ohranjanja občutka veličastnosti. Med ključnimi deli, ki prikazujejo njegovo umetniško mojstvo, izstopajo:
John Martin je doseglo znatno priznanje še č всего med življenjem. Walter Sickert ga je leta 1821 označil za "najbolj priljubljenega slikarja svojega časa", on pa je prejel zlato medaljo od ruskega cara Nikolaja I. Podeljen mu je bil tudi red Leopolda s strani kneza Leopolda iz Saxe-Coburg und Gotha, s čimer je postal uradni zgodovinski slikar kneza Leopolda. Njegova dela so bila razstavljena v National Gallery in Tate Gallery, kar je utrdilo njegovo mesto v britanski umetniški ustanovi.
Kljub obdobju relativne neznanosti po njegovi smrti 17. februarja 1854 se je Martinovo del ponovno uveljavilo v občudovanju. Danes so njegove slike prepoznane po svoji edinstveni zmesi romantične drame, natančnosti in domišljive širine. Njegov vpliv lahko opazimo tudi v delih kasnejših umetnikov, vključno s Jamesom Francisom Danbyjem, ki je bil navdihnjen z Martinovimi dramatičnimi pokrajinami. John Martin ostaja pomembna figura v britanski umetniški zgodovini, slavna zaradi svoje sposobnosti, da gledalce popelje v epske svetove, polne tako osupljive lepote kot teribilne moči.
