Atelje — Brezplačna svetovna dostava — Dostava v 2–6 tednih
      Mark Rothko, 1903 – 1970

      The 100 Most Famous Mark Rothko Paintings, Ranked

      The best-loved painting by Mark Rothko is Bel Center (1950). No.1 (Royal Red and Blue) and Št. 61 (Rjava in modra) (1953) come next among the canvases readers know best. Our catalogue holds 477 works by Mark Rothko: here are the 100 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated oktober 2026.

      Portrait of Mark Rothko
      Mark Rothko · 1903 – 1970
      Born · died
      1903 – 1970, Daugavpils
      Movement
      Abstraktni ekspresionizem
      Works in our catalogue
      477
      Most famous
      Bel Center (1950)
      Most works at
      The Phillips Collection

      Top 10 Mark Rothko paintings: the canvases everyone knows

      Bel Center (1950) by Mark Rothko
      1

      Bel Center

      1950 · Olje na platnu

      “Beli Center” Marca Rotka iz leta 1950 ni le slika; je izkušnja. Ta ikonična dela, ki sodi med pomembnejše primere poljskega kolorizma in abstraktega ekspresionizma, nas potaplja v svet intenzivnih barv in minimalne kompozicije, kjer se čustva odpirajo brez okov uokvirjenosti. Rothkov namen ni bil prikazati zunanjega sveta, temveč izražati notranje resnice, tisto, kar je neizrekljivo s pomočjo figurativne umetnosti.

      No.1 (Royal Red and Blue) by Mark Rothko
      2

      No.1 (Royal Red and Blue)

      Olje na platnu

      Mark Rothko: A Symphony of Color and Silence Mark Rothko (1903–1970) stands as one of the most influential figures in Abstract Expressionism, a movement that irrevocably altered the landscape of 20th-century art. Born Markus Yakovlevich Rothkowitz in Dvinsk, Latvia—a region grappling with the anxieties of Jewish identity amidst Tsarist oppression—Rothko’s formative years instilled within him an unwavering sensitivity to human suffering, a theme that would permeate his artistic output for…

      Št. 61 (Rjava in modra) (1953) by Mark Rothko
      3

      Št. 61 (Rjava in modra)

      1953 · Olje na platnu

      Uvod v umetniško gibanje Color Field Painting Slikarstvo polj barv, znano kot Color Field painting, je abstrakten umetniški slog, ki se je pojavil v New Yorku v 40. in 50. letih prejšnjega stoletja. Predstavljalo je odziv na gestualno abstrakcijo abstraktnega ekspresionizma, ki je poudarjala čustva umetnika in sam akt slikanja. Namesto tega so se ustvarjalci Color Field slikarstva osredotočili na oblikovanje velikih pol ravnih, trdnih barv, razpostavljenih po platnu v…

      Orange and yellow (1956) by Mark Rothko
      4

      Orange and yellow

      1956 · Oil On Canvas

      A Realm of Color: Experiencing Mark Rothko’s ‘Orange and Yellow’ Mark Rothko's *Orange and Yellow*, painted in 1956, is more than just an arrangement of hues; it’s a deeply resonant exploration of human emotion rendered through the language of color. This iconic work stands as a pivotal example of Color Field painting, a movement that redefined abstract art in the mid-20th century. The Birth of Color Field Painting Emerging from…

      Tri by Mark Rothko
      5

      Tri

      Akril na platnu

      Simfonija barv: Raziskovanje Rothkove slike "Tri" Mark Rothko, ključna figura v evoluciji povojne ameriške umetnosti, nas s svojo sliko "Tri" iz leta 1951 vabi v globok kontemplativni prostor. To delo ni zamejeno na to, *kaj* je prikazano, temveč na to, *kako* ga doživljamo – kar predstavlja značilnost abstrakcionističnega ekspresionizma in Rothkov podpisni slog polj barv (Color Field). Umetnik in njegova vizija Rothko (1903–170), rojen v Latviji kot Markus Jakovljevič Rotkovič,…

      Št. 5 Št. 22 by Mark Rothko
      6

      Št. 5 Št. 22

      Olje na platnu

      Mark Rothko’s *No. 5/No. 22* isn't merely a painting; it’s an encounter, a quiet confrontation with the depths of human emotion and experience. Created in 1949-1950 during his pivotal period within Abstract Expressionism, this work transcends simple color arrangement, offering a glimpse into Rothko’s profound exploration of spirituality, tragedy, and ecstasy – themes that continue to resonate powerfully today.

      New Forms by Mark Rothko
      7

      New Forms

      Oil On Canvas

      To stand before Mark Rothko’s “New Forms” is to enter a realm where the boundaries between the physical canvas and the human psyche begin to dissolve. As a cornerstone of the Abstract Expressionism movement, this work transcends mere pigment on fabric; it serves as a profound exploration of emotional depth through the revolutionary language of Color Field painting. Rothko, born in Latvia in 1903, carried a lifelong sensitivity to the…

      Modra in siva (1970) by Mark Rothko
      8

      Modra in siva

      1970 · Akril na platnu · National Gallery of Art, Washington

      Mark Rothko, ena najbolj vplivnih osebnosti 20. stoletja v svetu umetnosti, je neločljivo povezana s svojimi monumentalnimi slikami polj barv. Med temi ikonami del je 'Modra in siva', ustvarjena leta 1970 in trenutno shranjena v Nacionalni galeriji umetnosti v Washingtonu, globoko raziskovanje človeške izkušnje – vizualna meditacija o smrtnosti, kontemplaciji in samem bistvu bivanja. Ta slika ni le kompozicija odtenkov; je vabilo k soočanju z neobdelanimi čustvi in spomen Rothkovemu…

      No.3/No.13 by Mark Rothko
      9

      No.3/No.13

      Acrylic On Canvas

      Introduction to Color Field Painting and Mark Rothko Color Field painting is an abstract art movement that emerged in New York City during the 1940s and 1950s, focusing on large fields of flat, solid color spread across the canvas. This style was a reaction against gestural abstraction, which emphasized the artist's emotions and the act of painting itself. One of the most prominent Color Field painters was Mark Rothko (Marcus…

      Četiri Temna Rdeča (1958) by Mark Rothko
      10

      Četiri Temna Rdeča

      1958 · Akril na platnu

      A Symphony of Red: Exploring Rothko’s Emotional Landscape Markova dela *Četiri Temna Rdeča*, ustvarjena leta 1958, je ključni primer barvne poljne slike in močan izraz abstrakcijskega ekspresionizma. Ta delo ni namenjeno prikazovanju scene; *je* sam čustvo – povsem podivljujoče doživetje, zgrajeno na slojih barve in subtilnih tonalnih sprememb. Platno zavrača tradicionalno kompozicijo, predstavlja štiri pravokotne oblike v različnih odtenkih rdeče in črne, ki se zdvajajo in resonirajo drug proti drugemu.…

      More Mark Rothko canvases, 11 to 100

      AUTUMN by Mark Rothko
      #11

      AUTUMN

      Mark Rothko’s ‘Autumn’ isn't merely a depiction of the season; it’s an invitation to delve into the profound depths of human emotion through the simplest possible visual language.…

      Green and Tangerine on Red (1956) by Mark Rothko
      #12

      Green and Tangerine on Red

      1956

      Mark Rothko's *Green and Tangerine on Red*, painted in 1956, isn’t merely a painting; it’s an immersion. Born Markus Yakovlevich Rothkowitz in Dvinsk, Latvia, in 1903, his early…

      Slow Swirl at the Edge of the Sea (1944) by Mark Rothko
      #13

      Slow Swirl at the Edge of the Sea

      1944

      Mark Rothko’s *Slow Swirl at the Edge of the Sea*, painted in 1944, isn't merely a depiction of a seascape; it’s an immersion into a realm of profound…

      Red and Orange by Mark Rothko
      #14

      Red and Orange

      Red and Orange: A Journey Through Rothko’s Emotional Landscape Mark Rothko, one of the towering figures of 20th-century art, didn't simply paint pictures; he crafted portals into the…

      Št. 10 (1950) by Mark Rothko
      #15

      Št. 10

      1950

      Rothkovo delo Št. 10 stoji kot emblem barvnih pol (Color Field painting), ki v sebi zajema globok filozofski nihilizem in mojstorsko izvedbo umetnika. Ustvarjeno leta 1950 v ključnem…

      Earth ^ Green (1955) by Mark Rothko
      #16

      Earth ^ Green

      1955

      In the quiet, profound depths of Mark Rothko’s 1955 masterpiece, Earth & Green, one finds more than just an arrangement of pigment on canvas; one encounters a gateway…

      No. 16 by Mark Rothko
      #17

      No. 16

      The painting features a vast expanse of cadmium yellow that dominates the canvas. This central field is punctuated by a horizontal stripe of muted pink located on the…

      Št. 10 (Rjava črna sienna na temnem vinskem) by Mark Rothko
      #18

      Št. 10 (Rjava črna sienna na temnem vinskem)

      Luminosna praznina: Obisk Rothkove številke 10 Stati pred delom Mark Rothko z naslovom Št. 10 (Rjava črna sienna na temnem vinskem) pomeni odstopitev od hektičnega tempa sodobnega sveta…

      Breznimena (1968) by Mark Rothko
      #19

      Breznimena

      1968 · Kunstmuseum Den Haag

      Meditacija o barvi in odsotnosti: Raziskovanje Rothkove neimenovane platna Slikovino, ki nosi preprosto ime “Untitled”, personificira ključne postavke abstraktnega ekspresionizma – gibanja, ki je želelo osvoboditi umetnost iz…

      Breznaslovno (1949) by Mark Rothko
      #21

      Breznaslovno

      1949

      Rothkovo »Breznaslovno«, naslikano leta 1949, ni le slika; je pogrešena izkušnja. To vertikalno platno izpominje z nasičenimi pravokotniki in pasami barv – krimsko rdečo, globoko slivasto, tančično črno…

      White Cloud over Purple by Mark Rothko
      #22

      White Cloud over Purple

      In the vast landscape of Abstract Expressionism, few works command the room with such quiet authority as Mark Rothko’s “White Cloud Over Purple.” Created in 1957, this masterpiece…

      Man Smoking (1933) by Mark Rothko
      #23

      Man Smoking

      1933

      In the annals of modern art, few names evoke as much profound emotion as Mark Rothko. While many remember him for his towering, luminous color fields that define…

      Violet, Black, Orange, Yellow on White and Red (1949) by Mark Rothko
      #24

      Violet, Black, Orange, Yellow on White and Red

      1949

      Exploring the Power of Color and Form This striking abstract composition captivates viewers with its bold use of geometric shapes and a vibrant, contrasting palette. Featuring large blocks…

      Ochre and Red on Red (1962) by Mark Rothko
      #25

      Ochre and Red on Red

      1962

      To stand before Mark Rothko’s “Ochre and Red on Red” is to enter a realm where language fails and pure sensation takes command. Created in 1962, this masterpiece…

      Untitled (Harvard Mural sketch) 2 by Mark Rothko
      #26

      Untitled (Harvard Mural sketch) 2

      A Window into Rothko’s Genesis: *Untitled (Harvard Mural Sketch) 2*** This captivating canvas offers a rare glimpse into the evolving artistic vision of Mark Rothko, serving as a…

      Št. 16 (1960) by Mark Rothko
      #28

      Št. 16

      1960 · Metropolitanski muzej umetnosti

      V trenutku, ko človek stoji pred delom Št. 16 umetnika Marka Rothka, meje med gledalcem in platnom začnejo izginati. Naročeno leta 1960, to monumentalno del ni le slika,…

      Št. 22 (1948) by Mark Rothko
      #29

      Št. 22

      1948

      Marka Rotka‘No. 22’, slikan v letu 1948, ni le umetovino; je povabilo k razmislima, vizualno poezijo, ki jo oblikujejo slojeviti odtenki in teksturirane površine. S premerom 98 x…

      Green Divided by Blue by Mark Rothko
      #30

      Green Divided by Blue

      The painting Green Divided by Blue features two blue squares with green stripes positioned in the middle. The composition utilizes a contrast between blue and green tones, with…

      Untitled 60 by Mark Rothko
      #31

      Untitled 60

      V tihi kontemplaciji dela Untitled 60 je gledalec takoj privlačen v monokromatski svet, kjer se čas in predmet čudovito prepletata v osupljivi abstrakcijski kompoziciji. V samym srcu tega…

      Untitled (1964) by Mark Rothko
      #32

      Untitled

      1964

      A Monument to Quietude: Exploring Rothko’s 1964 Composition This powerful abstract work by Mark Rothko, created in 1964, exemplifies the pinnacle of Color Field painting. Measuring an impressive…

      Orange and Red on Red by Mark Rothko
      #33

      Orange and Red on Red

      A Universe Within Hues: Exploring Mark Rothko’s “Orange and Red on Red” Mark Rothko's "Orange and Red on Red" is not merely a painting; it’s an invitation into…

      No. 14 by Mark Rothko
      #34

      No. 14

      Mark Rothko, a name synonymous with profound color fields, didn't emerge fully formed from the canvas. His artistic journey began in Daugavpils, Latvia—a city steeped in history and…

      Št. 13 (Bela, Rdeča na Rumeni) (1958) by Mark Rothko
      #35

      Št. 13 (Bela, Rdeča na Rumeni)

      1958 · MoMA - Muzej moderne umetnosti

      Rothkovo del “No. 13 (White, Red on Yellow)”, ustvarjeno leta 1958, stoji kot steber abstraktnega ekspresionizma – gibanja, ki je pred predstavljajočo podobo prednost dala spontanemu gestu in…

      Abstraktna slikarska dela by Mark Rothko
      #36

      Abstraktna slikarska dela

      A Realm of Quiet Contemplation: Exploring Mark Rothko’s Abstract Expressionism Mark Rothko je bil umetnik, ki je skozi svojo umetnost iskal globoko čustveno izraznost in duhovno transcendenco. Že…

      Personage Two (1946) by Mark Rothko
      #37

      Personage Two

      1946

      A Glimpse into the Subconscious: Mark Rothko’s *Personage Two* (1946) Personage Two, painted in 1946, is a pivotal work by Mark Rothko during his transitional period within Abstract…

      Street Scene (1937) by Mark Rothko
      #38

      Street Scene

      1937

      In the quiet, brooding depths of Mark Rothko’s “Street Scene,” painted circa 1937, we encounter a world that feels both intimately familiar and hauntingly distant. Long before he…

      Breznemena (1970) by Mark Rothko
      #39

      Breznemena

      1970 · National Gallery of Art

      Rothkovo "Untitled", naslikano leta 1970, ni le platno, polno rdeče barve; je pogrešena izkušnja, zasnovana za vzbuditi globoko kontemplacijo. Ročen v svetu, ki so ga zaznačevali izselitev in…

      No.20 (1957) by Mark Rothko
      #40

      No.20

      1957

      Mark Rothko’s artistic journey was inextricably linked to his formative years, steeped in the anxieties and displacements of early 20th-century Eastern Europe. Born Markus Yakovlevich Rothkowitz in Dvinsk…

      Ochre and Red on Red (1954) by Mark Rothko
      #41

      Ochre and Red on Red

      1954

      In the quiet, profound realm of Abstract Expressionism, few works command the soul quite like Mark Rothko’s Ochre and Red on Red. Created in 1954, this square composition…

      No.8 (1952) by Mark Rothko
      #42

      No.8

      1952

      No.8: An Exploration of Color and Emotion Mark Rothko’s “No.8,” completed in 1952, stands as a cornerstone of Color Field painting—a movement that fundamentally altered the landscape of…

      Št. 21 (1949) by Mark Rothko
      #43

      Št. 21

      1949 · MoMA - Muzej moderne umetnosti

      Okno v obstojsko globino: Raziskovanje Rothkove številke 21 Slika "Št. 21", ki jo je leta 1949 ustvaril Mark Rothko, stoji kot steber abstrakcije polj barv (Color Field) in…

      Untitled 142 by Mark Rothko
      #44

      Untitled 142

      Introduction to the Painting and its Artist Mark Rothko, born Marcus Rothkowitz in Dvinsk, Russia (now Latvia) on September 25, 1903, was a prominent figure in the Abstract…

      Untitled Mural for End Wall (1959) by Mark Rothko
      #45

      Untitled Mural for End Wall

      1959

      Mark Rothko, a titan of 20th-century art, didn’t simply paint; he orchestrated emotional landscapes. His ‘Untitled Mural for End Wall,’ created in 1959, stands as a potent distillation…

      No. 1 (1961) by Mark Rothko
      #46

      No. 1

      1961

      “No. 1” exemplifies Mark Rothko’s signature style within the Color Field painting movement, a pivotal development in abstract expressionism. This vertical composition presents a layered arrangement of rectangular…

      Magenta, Black, Green on Orange by Mark Rothko
      #47

      Magenta, Black, Green on Orange

      Mark Rothko’s Magenta, Black, Green on Orange stands as a cornerstone of Color Field painting and Abstract Expressionism—a movement that irrevocably altered the landscape of 20th-century art.

      Untitled (Harvard Mural sketch) (1962) by Mark Rothko
      #48

      Untitled (Harvard Mural sketch)

      1962

      Mark Rothko’s “Untitled (Harvard Mural sketch)” is not merely a preparatory drawing; it's a concentrated distillation of the artist’s core philosophy – a profound exploration of human emotion…

      Untitled 4 by Mark Rothko
      #49

      Untitled 4

      A Symphony in Color: Exploring Mark Rothko’s No. 4 The painting known simply as “No. 4” by Mark Rothko is more than just pigment on canvas; it's an…

      Untitled 146 by Mark Rothko
      #50

      Untitled 146

      Mark Rothko’s “Untitled 146,” a deceptively simple canvas dominated by two rectangles of crimson pigment, transcends mere visual representation. It embodies the core tenets of Color Field painting—a…

      Untitled (1945) by Mark Rothko
      #51

      Untitled

      1945

      Completed in 1945, this work belongs to the early period of American Abstract Expressionism. The composition relies on a subdued palette of earthy browns and ochres, interrupted by…

      Untitled (1968) by Mark Rothko
      #52

      Untitled

      1968

      Mark Rothko's "Untitled" (1968) isn’t merely a painting; it’s an immersion into a deeply felt emotional landscape. Born Markus Yakovlevich Rothkowitz in Dvinsk, Latvia – a region steeped…

      No. 2 (1964) by Mark Rothko
      #53

      No. 2

      1964

      In the vast landscape of Abstract Expressionism, few works command the room with such quiet, monumental authority as Mark Rothko’s No. 2. Completed in 1964, this masterpiece serves…

      Untitled 79 by Mark Rothko
      #54

      Untitled 79

      In the presence of Untitled 79, one does not merely observe a canvas; one enters a visceral landscape of heat and light. This striking work by Mark Rothko…

      Black on Maroon (1959) by Mark Rothko
      #55

      Black on Maroon

      1959 · Tate Modern

      The Weight of Absence: Exploring Mark Rothko’s ‘Black on Maroon’ The painting “Black on Maroon,” created by Mark Rothko in 1959, stands as a testament to the profound…

      Untitled (1969) by Mark Rothko
      #56

      Untitled

      1969

      In the quiet realm of 1969, Mark Rothko captured a moment of profound stillness in his masterpiece, Untitled. This work serves as a quintessential gateway into the world…

      No.18 (1951) by Mark Rothko
      #57

      No.18

      1951

      Mark Rothko’s No.18 stands as a profound testament to the enduring power of color field painting, a movement that fundamentally revolutionized artistic expression in the mid-20th century. Created…

      Untitled (1948) by Mark Rothko
      #58

      Untitled

      1948

      Mark Rothko's Untitled from 1948 is not merely a painting; it is an invitation—a silent beckoning into the realm of pure emotional resonance. Measuring 108 x 111 cm,…

      No. 16 (1957) by Mark Rothko
      #59

      No. 16

      1957 · Narodna galerija Kanade

      The canvas presents a large-scale arrangement of color fields. A vast expanse of cadmium yellow occupies the primary space of the work. On the left side, a horizontal…

      Untitled (1957) by Mark Rothko
      #60

      Untitled

      1957

      A Symphony of Color: Exploring Mark Rothko’s 1957 Untitled Painting This monumental canvas, measuring an impressive 245 x 189 cm, exemplifies the mature style of Mark Rothko, a…

      Untitled 74 by Mark Rothko
      #61

      Untitled 74

      Izraelski muzej

      A Window into Rothko’s Inner World This captivating work by Mark Rothko (Marcus Rothkowitz) exemplifies his signature exploration of color and emotion within the Abstract Expressionist movement. Created…

      Untitled (1963) by Mark Rothko
      #62

      Untitled

      1963

      Mark Rothko's “Untitled,” painted in 1963, is not merely a canvas adorned with red; it’s an immersion into the profound anxieties and spiritual yearnings of the mid-20th century.…

      Untitled (1955) by Mark Rothko
      #63

      Untitled

      1955

      Mark Rothko's "Untitled," completed in 1955, stands as a cornerstone of Color Field painting and embodies the anxieties of its time—a testament to both personal trauma and the…

      Brez naslova 15 by Mark Rothko
      #64

      Brez naslova 15

      Simfonija barv: Istrajevanje ‘Untitled 15’ Marka Rothka To privlačno delo Marka Rothka, označeno kot „Untitled 15“, je edinstven primer njegove ključne vloge pri razvoju slikarstva v barvnem polju.…

      Brez naslova (stillesceno z karico) by Mark Rothko
      #65

      Brez naslova (stillesceno z karico)

      Mark Rothkovo „Untitled (Still Life with Pitcher)“ ni zgolj prikaz predmetov; je povabišče v globoko, skoraj meditativno izkušnjo. Rojen kot Marcus Yakovlevič Rothkowitz v Dvinsku, Latviji – zdaj…

      No. 9 (1948) by Mark Rothko
      #66

      No. 9

      1948 · National Gallery of Art

      A Meditation on Color and Absence: Examining Mark Rothko’s “No. 9” “No. 9,” painted in 1948, stands as a cornerstone of Abstract Expressionism and embodies the profound emotional…

      No. 7 (1964) by Mark Rothko
      #67

      No. 7

      1964

      To stand before Mark Rothko’s No. 7 is to enter a sanctuary of silence. Executed in 1964, this monumental canvas serves as a profound meditation on the weight…

      Untitled (Blue Divided by Blue) (1966) by Mark Rothko
      #68

      Untitled (Blue Divided by Blue)

      1966

      A Symphony of Blue: Exploring Mark Rothko’s Untitled (Blue Divided by Blue) Mark Rothko's "Untitled (Blue Divided by Blue)" stands as a testament to the profound power of…

      Untitled (1950) by Mark Rothko
      #69

      Untitled

      1950

      A Meditation on Color and Absence: Examining Mark Rothko’s Untitled Square The painting, simply titled “Untitled,” presents a deceptively serene visual experience—a square dominated by muted yellow and…

      Bela na rdeči by Mark Rothko
      #70

      Bela na rdeči

      Mark Rothko’s “White on Red” stands as a cornerstone of Color Field painting, embodying the movement's core philosophy—to transcend representational imagery and communicate universal human emotions directly through…

      Untitled (12) by Mark Rothko
      #71

      Untitled (12)

      In the vast landscape of Abstract Expressionism, few experiences are as intimate or as profound as standing before a canvas by Mark Rothko. Untitled (12) serves as a…

      Untitled 14 by Mark Rothko
      #72

      Untitled 14

      Vpliv Marka Rothka sega daleč čez njegovo lastno umetniško stvaritvo. Njegov inovativni pristop k barvi in abstrahciji je navdušil generacije umetnikov—od Williama de Kooninga do Ellswortha Kellyja—ki se…

      Št. 37 ali Št. 19 by Mark Rothko
      #73

      Št. 37 ali Št. 19

      Mark Rothko, o pomembni figure v gibanju Abstraktna ekspresionizem, je ustvaril No. 37 or No. 19, sliko, ki izjemno dobro odraža njegovo umetniško filozofijo. Ta delo, značilen po…

      No. 5 (1964) by Mark Rothko
      #74

      No. 5

      1964

      Mark Rothko's "No. 5," painted in 1964, is not merely a canvas filled with color; it’s an intensely personal and profoundly moving exploration of human emotion and the…

      Untitled (1941) by Mark Rothko
      #75

      Untitled

      1941

      A Fragmented Presence The canvas presents a figure that defies simple identification, a man whose very essence seems composed of disparate, overlapping elements. One might notice how his…

      Untitled (1953) by Mark Rothko
      #76

      Untitled

      1953 · Guggenheim Museum Bilbao

      Exploring the Resonance of Absence: Mark Rothko’s Untitled (1953) Mark Rothko's "Untitled" stands as a cornerstone of Abstract Expressionism, embodying not merely visual aesthetics but profound explorations of…

      Green and Tangerine on Red (1956) by Mark Rothko
      #77

      Green and Tangerine on Red

      1956 · The Phillips Collection

      Two flat, rectangular shapes dominate the canvas, rendered in nearly translucent hues. A deep, resonant green and a bright tangerine occupy the upper portion of the composition, set…

      Mother and Child by Mark Rothko
      #78

      Mother and Child

      In the vast, often turbulent landscape of modern art, few works possess the quiet, grounding intimacy found in Mark Rothko’s Mother and Child. Painted around 1934, this piece…

      Antigone by Mark Rothko
      #79

      Antigone

      Mark Rothko's “Antigone,” a monumental work from 1960, isn’t merely a painting; it’s an immersive experience. Born in Latvia and shaped by the anxieties of his early life…

      Untitled 13 by Mark Rothko
      #80

      Untitled 13

      A Symphony of Quietude: Exploring Mark Rothko’s ‘Untitled 13’ This captivating work, designated ‘Untitled 13’, is a quintessential example of Mark Rothko's mature style – a deeply resonant…

      Untitled (1947) by Mark Rothko
      #81

      Untitled

      1947

      A Window into the Soul: Exploring Mark Rothko’s 1947 Untitled Painting This captivating work by Mark Rothko, created in 1947, exemplifies a pivotal moment in the artist's transition…

      Green and Maroon (1953) by Mark Rothko
      #82

      Green and Maroon

      1953 · The Phillips Collection

      The canvas breathes with a heavy, quiet weight. Deep maroon fields stretch across the surface, their edges softened by layers of dark blue, red, and gray that lie…

      Untitled (1945) by Mark Rothko
      #83

      Untitled

      1945

      Three rectangular blocks of color float within the frame, their edges blurring into one another as if caught in a slow, rhythmic breath. Magenta, black, and orange dominate…

      Untitled (Ljubičasta, bela in rdeča) (1953) by Mark Rothko
      #84

      Untitled (Ljubičasta, bela in rdeča)

      1953 · Art Institute of Chicago

      Tri vodoravne pasice barv plavajo v neutralnem, utemeljnem prostoru, zawisane v tihi, atmosferični brezčasnosti. Na vrhu se težko poselosti globoka ljubičasta teža, katere robovi se razmazujejo v ozadju…

      Fifteen paintings by Mark Rothko by Mark Rothko
      #85

      Fifteen paintings by Mark Rothko

      Fifteen Paintings by Mark Rothko Mark Rothko’s Fifteen Paintings by Mark Rothko stands as an emblem of Color Field painting—a movement that fundamentally reshaped the landscape of 20th-century…

      Study for Antigone by Mark Rothko
      #86

      Study for Antigone

      In the quiet, evocative depths of Mark Rothko’s “Study for Antigone,” created in 1950, viewers are invited into a sanctuary of profound contemplation. This work serves as more…

      Untitled 67 by Mark Rothko
      #87

      Untitled 67

      A Window into Rothko’s Inner World: Exploring Untitled 67 This captivating work by Mark Rothko, known simply as *Untitled 67*, is a powerful example of his signature exploration…

      Horizontal Vision by Mark Rothko
      #88

      Horizontal Vision

      To stand before Mark Rothko’s “Horizontal Vision” is to step away from the clamor of the physical world and enter a sanctuary of pure, unadulterated emotion. Painted in…

      No. 7 [or] No. 11 (1949) by Mark Rothko
      #89

      No. 7 [or] No. 11

      1949

      No. 7 [or] No. 11 is an oil on canvas painting created by Mark Rothko in 1949. The composition features a vibrant and bold palette consisting of a…

      Slow vortex at the edge of the sea by Mark Rothko
      #90

      Slow vortex at the edge of the sea

      To stand before Slow Vortex at the Edge of the Sea is to enter into a profound, silent dialogue with the human soul. This masterpiece, attributed to the…

      Ochre and Red on Red (1954) by Mark Rothko
      #91

      Ochre and Red on Red

      1954 · The Phillips Collection

      The composition presents a square format divided into two primary, breathing zones of color. A deep, resonant red occupies much of the surface, acting as an enveloping atmosphere.…

      Untitled 7 by Mark Rothko
      #92

      Untitled 7

      To stand before Mark Rothko’s Untitled 7 is to enter a sanctuary of pure, unadulterated light. Created during the artist's prolific New York period between 1960 and 1961,…

      Untitled (Seagram Mural sketch) (1959) by Mark Rothko
      #93

      Untitled (Seagram Mural sketch)

      1959

      Created in 1959, Untitled (Seagram Mural sketch) is an artwork by Mark Rothko. This piece serves as a preparatory drawing for the monumental Seagram Murals commissioned for the…

      Untitled (1955) by Mark Rothko
      #94

      Untitled

      1955

      The Somber Resonance of Color Field Painting: An Exploration of Mark Rothko’s Untitled Mark Rothko's "Untitled," measuring 151 x 126 cm, stands as a cornerstone of Abstract Expressionism…

      Untitled (Seagram Mural sketch) (1958) by Mark Rothko
      #95

      Untitled (Seagram Mural sketch)

      1958

      The canvas holds a heavy, singular weight. A deep red expanse dominates the surface, thick with the presence of pigment. At its center, a white hole breaks the…

      Untitled 133 by Mark Rothko
      #96

      Untitled 133

      The Weight of Silence: An Encounter with Untitled 133 To stand before Mark Rothko’s Untitled 133 is to enter a realm where language fails and only pure sensation…

      Untitled (Seagram Mural) by Mark Rothko
      #97

      Untitled (Seagram Mural)

      To stand before Untitled (Seagram Mural) is to enter into a profound, silent dialogue with the human soul. Created in 1959, this monumental work stands as a testament…

      Entombment II by Mark Rothko
      #98

      Entombment II

      Mark Rothko's Entombment II isn’t a painting that immediately shouts for attention. It doesn’t demand to be deciphered with a quick glance. Instead, it invites a prolonged engagement,…

      Untitled (Harvard Mural sketch) 3 by Mark Rothko
      #99

      Untitled (Harvard Mural sketch) 3

      A Study in Crimson: Exploring Rothko’s ‘Untitled (Harvard Mural sketch) 3’ This captivating work by Mark Rothko, designated ‘Untitled (Harvard Mural sketch) 3’, offers a compelling glimpse into…

      Untitled (Seagram Mural sketch) (1959) by Mark Rothko
      #100

      Untitled (Seagram Mural sketch)

      1959

      A Meditation on Color and Void: Examining Mark Rothko’s ‘Untitled (Seagram Mural sketch)’ Mark Rothko's 'Untitled (Seagram Mural sketch)' stands as a testament to the profound power of…

      Mark Rothko's canvases, period by period

      What Mark Rothko painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Mark Rothko's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Mark Rothko Paintings from this list
      The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 4 Green and Tangerine on Red, Green and Maroon, Ochre and Red on Red
      National Gallery of Art, WashingtonNational Gallery of Art Washington 3 Modra in siva, Breznemena, No. 9
      MoMA - Muzej moderne umetnosti, New York CityMoMA - Muzej moderne umetnosti New York City 2 Št. 13 (Bela, Rdeča na Rumeni), Št. 21
      Metropolitanski muzej umetnosti, New YorkMetropolitanski muzej umetnosti New York 2 Št. 16
      Kunstmuseum Den Haag, HaagKunstmuseum Den Haag Haag 1 Breznimena
      Tate Modern, LondonTate Modern London 1 Black on Maroon
      Narodna galerija Kanade, OttawaNarodna galerija Kanade Ottawa 1 No. 16
      Izraelski muzej, JeruzalemIzraelski muzej Jeruzalem 1 Untitled 74

      Mark Rothko's best-loved canvas of each decade

      1. 1930s
        Man Smoking (1933) by Mark Rothko
        23 of 100

        Man Smoking

        Age 27 – 36

        In the annals of modern art, few names evoke as much profound emotion as Mark Rothko. While many remember him for his towering, luminous color fields that define…

      2. 1940s
        Slow Swirl at the Edge of the Sea (1944) by Mark Rothko
        13 of 100

        Slow Swirl at the Edge of the Sea

        Age 37 – 46

        Mark Rothko’s *Slow Swirl at the Edge of the Sea*, painted in 1944, isn't merely a depiction of a seascape; it’s an immersion into a realm of profound…

      3. 1950s
        Bel Center (1950) by Mark Rothko
        1 of 100

        Bel Center

        Age 47 – 56

        “Beli Center” Marca Rotka iz leta 1950 ni le slika; je izkušnja. Ta ikonična dela, ki sodi med pomembnejše primere poljskega kolorizma in abstraktega ekspresionizma, nas potaplja v…

      4. 1960s
        Breznimena (1968) by Mark Rothko
        Canvas 19 of 100

        Breznimena

        Age 57 – 66 · Kunstmuseum Den Haag

        Meditacija o barvi in odsotnosti: Raziskovanje Rothkove neimenovane platna Slikovino, ki nosi preprosto ime “Untitled”, personificira ključne postavke abstraktnega ekspresionizma – gibanja, ki je želelo osvoboditi umetnost iz…

      5. 1970s
        Modra in siva (1970) by Mark Rothko
        8 of 100

        Modra in siva

        Age 67 · National Gallery of Art

        Mark Rothko, ena najbolj vplivnih osebnosti 20. stoletja v svetu umetnosti, je neločljivo povezana s svojimi monumentalnimi slikami polj barv. Med temi ikonami del je 'Modra in siva',…

      About Mark Rothko's canvases: your questions answered

      What is the best-known painting by Mark Rothko?Read the answer

      Bel Center (1950), followed by No.1 (Royal Red and Blue) and Št. 61 (Rjava in modra) (1953).

      What age was Mark Rothko when Bel Center was painted?Read the answer

      Mark Rothko, born in 1903, was 47 years old: Bel Center dates from 1950.

      What are the 10 most famous paintings by Mark Rothko?Read the answer

      Bel Center, No.1 (Royal Red and Blue), Št. 61 (Rjava in modra), Orange and yellow, Tri, Št. 5 Št. 22, New Forms, Modra in siva, No.3/No.13 and Četiri Temna Rdeča. Each canvas in the ranking above comes with its year and its museum.

      How many works did Mark Rothko paint in all?Read the answer

      477 works by Mark Rothko are in our catalogue, dated 1933 to 1970.

      Where can I see Mark Rothko's most famous canvases?Read the answer

      Mostly in The Phillips Collection (Washington, D.C.), National Gallery of Art (Washington) and MoMA - Muzej moderne umetnosti (New York City); the list above names each museum and its canvases.

      When did Mark Rothko paint the best-loved canvases?Read the answer

      In 1950s, which gave 27 of the 100 works on this page, Bel Center among them.

      Which are Mark Rothko's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Man Smoking (1933); the latest is Modra in siva (1970).

      What did Mark Rothko paint most often?Read the answer

      Color field (29), Abstract (16) and Emotional depth (13), across the 100 works on this page.

      Which medium did Mark Rothko paint in most often?Read the answer

      Oil On Canvas, used in 38 of the 100 works on this page.

      Which movement is Mark Rothko's painting part of?Read the answer

      Abstraktni ekspresionizem and Barvno polje, as the canvases on this page show.

      Which Mark Rothko canvases hang at the The Phillips Collection?Read the answer

      The The Phillips Collection, Washington, D.C. holds 3 of the works on this page, among them Green and Tangerine on Red, Green and Maroon and Ochre and Red on Red.

      Mark Rothko: a life in paint

      Mark Rothko: Barva, Čustvo in Iskanje Duše

      Mark Rothko, rojen kot Markus Yakovlevič Rotkovič v Daugavpilsu, Latviji, leta 1903, je bil slikar, katerega življenje in delo sta globoko prepleteni z iskanjem smisla, čustvene izraznosti in duhovne transcendence. Že zgodnja leta so bila zaznamovana s negotovostjo in strahovi, ki so jih prinašali antisemitizem in politična nestabilnost v njegovem rodu. Emigracija v Portland, Oregon, leta 1913 je predstavljala kulturni šok, a hkrati tudi začetek potovanja, ki ga je vodilo k umetnosti kot sredstvu za raziskovanje človeške duše. Čeprav je študiral na Yaleu, se je Rothko kmalu odločil slediti svoji strasti in se preselil v New York, kjer je obiskoval Art Students League. Te začetne izkušnje so oblikovale njegovo razumevanje sveta in ga usmerile k umetnosti kot sredstvu za izražanje globih čustev, ki jih je nosil v sebi.

      Od Figurativizma do Abstraktnega Ekspresionizma: Evolucija Stil

      Rothkovo zgodnje delo se je opiralo na figurativno slikanje, prikazujoč mestne prizore in portrete z natančnostjo in pozornostjo do podrobnosti. Vendar pa so že takrat v njegovih slikah sijoči psihološki odtenki, ki napovedujejo njegovo kasnejšo abstraktno pot. Z nastopom druge svetovne vojne se je Rothkovo umetniško razumevanje začelo dramatično spreminjati. Vpliv surrealizma in mitologije ga je spodbudil k premiku stran od reprezentacije, da bi izrazil univerzalna človeška čustva skozi simbolične oblike. Ta prelomnica se je pokazala v nastajanju večplastnih slik – platnes, poslikanih z nedoločenimi, biomorfnimi oblikami, ki so se zdile kot lebdeče med figuracijo in abstrakcijo. Te slike niso bile le eksperimenti z obliko; temveč globoko čustvene odzive na negotovost in strahove vojne. Do konca štiridesetih let je Rothko dosegel svoj prepoznavni slog: platna velikega formata, poslikana s pravokotnimi bloki barv, ki so se zdela lebdeti in resonirati drug z drugim. Odstranil je vse sledove prepoznave, da bi se osredotočil na čisti čustveni vpliv barve in oblike. To je zaznamovalo ključni trenutek v razvoju abstraktnega ekspresionizma in Rothka uveljavilo kot vodilno figuro tega revolucionarnega gibanja.

      Barvna Polja in Duhovna Potovanja

      Rothkovo zrelo delo je definirano s pojmom "barvnih polj" – obsežnimi prostori svetleče barve, ki obdajo gledalca v imersivni izkušnji. Te slike niso o tem, *kaj* prikazujejo, ampak o tem, *kakšne* čustve sprožajo. Rothko je verjel, da bi morala umetnost angažirati gledalca visceralno, obide intelektualno analizo in govoriti neposredno s čusti. Skrbno je nanašal tanke plasti barve, ustvarjaje subtilne variacije v tonu in teksturi, ki so se zdile izvirati iz platna samega. Robovi njegovih pravokotnih oblik so pogosto zamegljeni, kar omogoča njihovo mešanje in interakcijo, s čimer ustvarja občutek globine in gibanja. Rothko je namerno izogibal imenovanju slik razen številk – "Št. 1", "Št. 6" – da bi spodbudil gledalce, naj se soočijo z deli brez predhodnih zamisli in naj vodijo svoje čustvene odzive. Hotel je ustvariti prostor za kontemplacijo, zatočišče, kjer se lahko gledalci povežejo s čim večjim kot so sami. Njegov cilj ni bil nič manj kot izzvati globoke duhovne izkušnje skozi jezik barve.

      Pomembni Dosežki in Trajna Zapuščina

      Med Rothkovimi najpomembnejšimi dosežki sta "Št. 10 (1950)", ključno delo, ki uteleša njegovo razvijajočo se zvrst, in Seagram Murals (1958). Ko so bili naročeni za restavracijo Four Seasons v New Yorku, jih je Rothko kmalu zavrnil, saj je menil, da bodo ogroženi s predvidenim okoljem. Namesto tega jih je podaril Tate Gallery v Londonu, kjer še danes navdihujejo občudovanje in kontemplacijo. Morda njegov najambicioznejši projekt pa je bila Rothko Chapel (1971) v Houstonu, Texas – neverniška svetišče, ki gosti štirinajst njegovih slik. Zasnovana kot prostor za tiho razmišljanje, kapela velja za svet pri mnogih in uteleša Rothkovo prepričanje o duhovni moči umetnosti. Rothkov vpliv na naslednje generacije umetnikov je bil ogromen. Odprl je pot minimalističnemu slikarstvu in še danes navdihuje sodobne slikarske ustvarjalce, ki raziskujejo čustvene možnosti abstrakcije. Kljub dolgotrajni depresiji, ki se je končala s tragično samomorilnostjo leta 1970, ostaja Mark Rothko eden najpomembnejših in najbolj vplivnih umetnikov 20. stoletja – mojster barve, katerega delo še danes odzvanja pri občinstvu po vsem svetu.

      Trajna Moč Čustvene Resonanc

      • Rothkove slike so proslavljene zaradi svoje sposobnosti izražanja univerzalnih človeških čustev – tragedije, evforije, obupa in upanja.
      • Njegova raziskava barve kot sredstva za čustveno izražanje je revolucionirala abstraktno slikanje.
      • Rothko Chapel stoji kot priča njegovemu prepričanju o duhovni moči umetnosti.
      • Ostaja ključna figura v abstraktnem ekspresionizmu in pomemben vpliv na sodobne umetnike.
      Rothkova zapuščina sega onkraj sveta zgodovine umetnosti. Njegova dela nas vabijo, da se soočimo s smrtjo, raziskujemo kompleksnost človeške eksistence in iščemo smisel v svetu, ki pogosto manjka. Spominja nas, da umetnost ni le o estetiki; gre za povezavo – povezavo z nami samimi, z drugimi in s čim večjim kot smo mi. Trajna moč njegovih slik je v njihovi sposobnosti, da izzovejo ta globoka čustva, nudijo tolažbo, navdih in vpogled v globine človeške duše.

      All 477 works by Mark Rothko →