Self-portrait (1379) je slika, po kateri je najbolj znan Peter Parler; pripada muzeju Katedrala Sv. Vida, Praga. Head of Charles IV (1375) in Samoportret (1379) dopolnjujeta trio najbolj priljubljenih platn. Naš katalog vsebuje 4 del avtorja Peter Parler. Tukaj je 4 najbolj znanih delov, vključno z letom nastanka, muzejom in zgodbojo vsakega platna.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate glimpse into the identity of Peter Parler. He presents himself not as a distant figure of authority, but as a man of flesh and bone, rendered with a startling degree of naturalism. The head is slightly tilted, a subtle movement that breaks…
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight of a crown. Light falls across the brow, catching the deep-set eyes and the sharp, carved lines of a beard that seems to hold the dust of centuries. It is a portrait of a man who shaped a kingdom, rendered in the…
Peter Parlerjeva Samoportretja: Eleganca Železa in Človeške Duše Peter Parlerjev samoportret je izjemno umetniško delo, ki nam ponuja fascinanten pogled v življenje arhitekta in mojstra zgodnje renesanse. Izdelan leta 1379, je samoportret simbolično predstavljen kot monumentalna escultura postavljena v središče Starih bazilike Svete Vite v Pragi – struktura, ki je sama po sebi dokaz umetniške inovacije in pozornosti podrobnosti. Časovnica je izjemno pomembna, saj nam govori o prelisu med gotično…
Četiri teme, ki se najpogosteje pojavljajo na teh platnah, vsaka z svojim najbolj priljubljenim primerom.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Peter Parler | Slike iz tega seznama |
|---|---|---|---|
 Katedrala Sv. Vida |
Praga | 3 | Self-portrait, Head of Charles IV, Samoportret |
 Katedrala sv. Vida |
Praga | 1 | Tomb of Ottokar II |
Tukaj so platna umetnika Peter Parler z datami od 1375 do 1379, v obdobju pougostavnih 5 let: tukaj so, leta za letom.
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight…
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate…
Peter Parlerjeva Samoportretja: Eleganca Železa in Človeške Duše Peter Parlerjev samoportret je izjemno umetniško delo, ki nam ponuja fascinanten pogled v življenje arhitekta in mojstra zgodnje renesanse. Izdelan…
Self-portrait (1379), Katedrala Sv. Vida, Praga. sledita Head of Charles IV (1375) in Samoportret (1379).
Peter Parler, rojen leta 1330, je imel 49 let: Self-portrait datira iz leta 1379.
V našem katalogu je 4 del umetnika Peter Parler, datiranih od 1375 do 1379.
Večinoma v Katedrala Sv. Vida (Praga) in Katedrala sv. Vida (Praga); zgornji seznam navaja vsak muzej in njegova platna.
V obdobju 1379, ki je vključilo 2 od 4 del na tej strani, je med njimi tudi Self-portrait.
Najstarejše platno tukaj je Head of Charles IV (1375); najstarejše je Self-portrait (1379).
Stone, uporano v 2 od 4 del na tej strani.
Muzej Katedrala Sv. Vida, Praga hrani 3 del z te strani, med katerimi so tudi Self-portrait, Head of Charles IV in Samoportret.
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Born into a distinguished dynasty of master builders, he carried the weight of tradition while simultaneously forging a new, expressive language for European architecture. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe. His journey began in the town of Schwäbisch Gmünd, Germany, where he received his early training, eventually leading him to work at significant medieval building sites including Strasbourg, Cologne, and Nuremberg.
The trajectory of Parler’s career reached its zenith when he moved to Prague, the capital of the Kingdom of Bohemia. Here, under the patronage of the Holy Roman Empire, he was able to realize a vision of architectural grandeur that would define the skyline of the city for centuries. His work at St. Vitus Cathedral stands as his most enduring legacy, a monumental achievement where he utilized complex networks of ribbed vaults to create an interior that seems to defy gravity. Through his engineering brilliance, the heavy stone walls appear light and ethereal, allowing for expansive windows that transform the cathedral into a vessel for celestial light.
Parler was not merely a builder of structures but a sculptor of profound emotional depth. His ability to breathe life into cold stone allowed him to bridge the gap between the rigid forms of earlier Gothic traditions and a more naturalistic, human-centric approach. This mastery is perhaps most intimately captured in his Self-Portrait, an evocative piece that offers a rare glimpse into the artist's own contemplative soul. In this work, one can observe the meticulous craftsmanship required to render the subtle textures of hair and the serene expression of a man deeply engaged with both his faith and his craft.
His sculptural contributions often complemented his architectural feats, creating a unified aesthetic experience within the sacred spaces he designed. Notable works such as the Head of Charles IV demonstrate his ability to capture individual character and royal dignity through the Late Gothic style. His achievements were not isolated incidents but part of a broader movement of artistic innovation that saw:
Through his hands, the stone became a chronicle of history, an enduring testament to the skill of the Parler family. His life's work remains etched in the very fabric of Europe, serving as a bridge between the medieval world and the burgeoning complexities of the later centuries.
