Najbolj priljubljeno sliko avtorja Pierre Roy je Composition with Weights and Measures (1932), ki se nahaja v muzeju Izraelski muzej, Jeruzalem. Nato sledeta Still Life (1938) in Invitation to the Voyage (Invitation au voyage) (1929) med platnami, ki jih bralci najbolje poznajo. Naš katalog vsebuje 3 del avtorja Pierre Roy: tukaj je 3 najbolj znanih del, od katerih vsako navaja leto nastanka, muzej in razlog za njihovo nepozabnost.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Pierre Roy | Slike iz tega seznama |
|---|---|---|---|
| Jeruzalem | 2 | Composition with Weights and Measures, Invitation to the Voyage (Invitation au voyage) | |
| Chicago | 1 | Still Life |
Na tej strani so predstavljena platna Pierre Roy iz obdobja desetih let slikanja, od 1929 do 1938: raziskujte jih letnik po letniku.
Composition with Weights and Measures (1932), Izraelski muzej, Jeruzalem. sledita Still Life (1938) in Invitation to the Voyage (Invitation au voyage) (1929).
Pierre Roy, rojen leta 1880, je imel 52 let: Composition with Weights and Measures datira iz leta 1932.
V našem katalogu je 3 del umetnika Pierre Roy, datiranih od 1929 do 1938.
Večinoma v Izraelski muzej (Jeruzalem) in Art Institute of Chicago (Chicago); zgornji seznam navaja vsak muzej in njegova platna.
Najstarejše platno tukaj je Invitation to the Voyage (Invitation au voyage) (1929); najstarejše je Still Life (1938).
Surrealism, kot to pokažejo platna na tej strani.
Muzej Izraelski muzej, Jeruzalem hrani 2 del z te strani, med katerimi so tudi Composition with Weights and Measures in Invitation to the Voyage (Invitation au voyage).
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
Born in 1880, Pierre Roy was a French surrealist painter. He was the eldest of four children, born to the secretary of the management board of the Musée d'Arts de Nantes, and his siblings were all amateur painters. After obtaining his baccalauréat at a local school, he worked for a firm of architects before enrolling at the Ecole des Beaux-Arts in Paris. Following a period of disappointment with his studies, he left to work on designs for the 1900 Paris Exposition. In 1905, he committed himself to painting, beginning his exhibition history in 1906 at the Salon of the Société Nationale des Beaux-Arts (SNBA).
Roy's career saw him exhibiting with the Société des Artistes Indépendants in 1907, 1908, 1913, and 1914. A significant moment in his career occurred in 1925 when he participated in the first exhibition of surrealist painters alongside figures such as Giorgio de Chirico, Max Ernst, and Pablo Picasso. He held his first solo exhibition in 1926 and was appointed as a naval artist for a five-year term in 1933. Beyond his canvas work, he created stage sets, advertising posters, and several covers for Vogue magazine.
Roy is recognized for his surrealist compositions, characterized by the realistic painting of ordinary objects. His works often feature items such as:
These objects are arranged in unexpected ways within his compositions. His work has been displayed in various international locations, including New York, London, and Hawaii. Notable pieces held in public collections include Danger dans l'escalier (Danger on the stairs) and L'Heure d'été (Daylight Saving Time) at the Museum of Modern Art in New York, and A Naturalist's Study at the Tate Modern in London. Other works reside in the Art Institute of Chicago, the Philadelphia Museum of Art, and the Musée des Beaux-arts in Nantes.