Najbolj priljubljeno sliko avtorja Salvator Rosa je The Baptism of the Eunuch (1660), ki se nahaja v muzeju Chrysler Museum of Art, Norfolk. Nato sledeta Pythagoras Emerging from the Underworld (1662) in Landscape with St Jerome (1670) med platnami, ki jih bralci najbolje poznajo. Naš katalog vsebuje 274 del avtorja Salvator Rosa: tukaj je 100 najbolj znanih del, od katerih vsako navaja leto nastanka, muzej in razlog za njihovo nepozabnost.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
A Baroque Drama of Conversion The painting “The Baptism of the Eunuch,” attributed to Salvator Rosa (1660), stands as a testament to the dramatic fervor characteristic of Baroque art—a movement that sought to overwhelm viewers with emotion and grandeur. More than just a depiction of biblical scripture, it’s an exploration of faith, humility, and divine grace rendered in exquisitely crafted oil on canvas. Rosa's masterful use of chiaroscuro – the…
Pythagoras Emerging from the Underworld: A Baroque Meditation on Mortality Salvator Rosa’s “Pythagoras Emerging from the Underworld” is more than just a depiction of myth; it's a profound exploration of philosophical ideas interwoven with masterful baroque artistry. Painted in 1662, this monumental canvas embodies the spirit of its time—a fascination with classical antiquity colliding with burgeoning anxieties about death and rebirth—themes central to Pythagorean thought itself. Rosa’s unwavering commitment to…
A rugged, mountainous gorge dominates the vertical composition, creating a sense of isolation through deep, narrow canyons. The landscape is defined by jagged, irregular rock faces and the skeletal, tangled branches of overhanging trees. Earthy tones of ochre, deep brown, and muted green establish a somber atmosphere, while a luminous patch of sky at the top center provides a sharp contrast to the shadows below. Within this untamed environment, a…
A single light source strikes the left side of a weathered face, carving it out of a heavy, ink-black void. The man’s gaze is steady, meeting the viewer with a quiet, stoic intensity. He wears a voluminous turban, its cream and ochre folds catching the light, revealing the coarse texture of the cloth. Deep shadows swallow the right side of his head, merging his beard and the nape of his…
The canvas holds a vertical tension, a sudden movement between the heavens and the earth. A celestial figure descends, cutting through a darkness that feels heavy and thick. This is the moment of intervention, where the divine enters the realm of the mortal. Light does not merely illuminate; it strikes. It catches the curve of a reaching hand and the pale skin of a kneeling figure, leaving the rest of…
A heavy, weathered stone structure anchors the left side of the canvas, its crumbling edges catching the light. Beside it, a gnarled tree leans into the frame, its dark branches reaching like fingers toward a vast, cloud-filled sky. In the lower foreground, rustic figures move through the shadows of the ruins. A man in white and blue stands amidst the earthy tones of ochre and sienna. Above this earthly realm,…
Salvator Rosa painted Daniel in the Lion's Den as a profound exercise in religious art. This oil on canvas work emerged after 1662, a period when the artist sought to expand his reputation beyond the rugged landscapes for which he was known. The composition belongs to a larger, cohesive cycle of five thematically linked Biblical stories. These paintings were executed for Carlo de' Rossi, intended to decorate a private chapel…
In this dramatic Baroque oil painting, we find ourselves witnessing a moment of profound martyrdom. The composition is built upon a restless diagonal, pulling the eye from a crowded, agitated group of figures in the lower left toward the central figure of Polyclitus, suspended upon the cross in the upper right. The landscape is not a place of peace; it is a rugged, mountainous terrain of craggy rocks and turbulent…
A heavy, wooden cross dominates the composition, its diagonal thrust cutting through a turbulent scene of physical and spiritual struggle. Christ is caught in a moment of intense exertion, his body strained under the burden of the timber. Around him, a crowd of onlookers and tormentors creates a sense of claustrophobic chaos. The arrangement of figures is agitated, driving the eye across the canvas in a series of sharp, conflicting…
The shadows deepen as we encounter Witches at their Incantations, a work that pulls the viewer into a dark, nocturnal ritual. Painted by Salvator Rosa about 1646, the scene captures a gathering of figures caught in the midst of a witches' sabbath. This macabre assembly unfolds beneath a heavy, cloud-covered sky, where the line between the human and the monstrous begins to blur. It is a moment of profound unrest,…
Group of Warriors is a dramatic Baroque-style painting that depicts a tightly clustered group of figures, likely warriors or soldiers, within a rugged and dark landscape. The composition…
Naročite ročno izdelovano sliko →
Salvator Rosa’s Silent Reflection: An Exploration of Philosophy and Landscape Salvator Rosa stands apart from his contemporaries as an artist who defied convention and embraced the raw beauty…
Prinesite to svetlobo dom →
The canvas presents a rugged, asymmetrical landscape dominated by a strong diagonal movement. On the left, dark and craggy cliffs rise sharply, their edges jagged and irregular. These…
Naročite ročno izdelovano sliko →
The Jordan River flows through a landscape of jagged edges and heavy shadows. Here, the water meets the shore under a sky filled with churning clouds. Saint John…
Naročite ročno izdelovano sliko →
Salvator Rosa's Jeremie pulled from the cistern, executed in 1622, belongs to the genre of religious art. The composition centers on the biblical narrative of the prophet Jeremiah…
Prinesite to svetlobo dom →
Armed Robbers in Rocky Countryside is a reproduction of a Baroque-style landscape painting by Salvator Rosa. Created in 1644, the work reflects the artist's departure from the idealized,…
Naročite ročno izdelovano sliko →
The oil painting depicts a central figure, Jonah, positioned with arms outstretched toward a gathered crowd. He wears a light-colored robe that catches a strong, directional light source…
Naročite to platno →
The oil on canvas work titled Prometheus on the Rock was executed by the artist Salvator Rosa. This painting is dated 1644. The piece is a product of…
Prinesite to svetlobo dom →
In Salvator Rosa's 1644 "Mountain Landscape," a massive, twisted tree trunk anchors the left side of the frame. This dark, organic pillar reaches upward, carving a boundary against…
Naročite to platno →
This oil on canvas painting, dated 1662, presents a rugged, untamed wilderness dominated by a massive, craggy rock formation. The central and right portions of the frame are…
Prinesite to svetlobo dom →
In the grand, turbulent theater of the Baroque era, few moments capture the tension between the divine and the mortal as poignantly as Salvator Rosa’s 1665 masterpiece, Astraea…
Prinesite to svetlobo dom →
The painting titled The Martyrdom of Saint Januarius and his Fellows is an oil work created by the artist Salvator Rosa. This specific composition dates to 1650. It…
Naročite ročno izdelovano sliko →
In the heart of a jagged, primordial landscape, Salvator Rosa captures a moment of breathless tension that feels less like a static painting and more like a frozen…
Naročite to platno →
This oil on canvas portrait, dated 1650, presents a man in a three-quarter view against a dark, nondescript background. The subject is positioned so that his gaze meets…
Prinesite to svetlobo dom →
In this 1673 portrait, we find ourselves in the presence of Saint Simon the Apostle. The composition centers on a man of profound gravity, his face framed by…
Prinesite to svetlobo dom →
The rugged terrain of Landscape with Armed Men unfolds before the viewer, a scene where the wildness of nature meets the tension of human presence. Painted by Salvator…
Naročite to platno →
Salvator Rosa's "St. Francis in Ecstasy," painted circa 1647, isn’t merely a depiction of a saint; it’s a profound meditation on the intersection of earthly experience and divine…
Naročite to platno →
Salvator Rosa produced Saint Humphrey (Onuphrius) circa 1660. This religious art piece focuses on the ascetic life of the hermit, a figure traditionally associated with extreme solitude and…
Naročite ročno izdelovano sliko →
A massive, dark rock formation dominates the view, acting as a heavy frame for the world beyond. This natural archway creates a deep sense of enclosure, casting the…
Naročite ročno izdelovano sliko →
Salvator Rosa (and Studio) executed Odysseus and Nausicaa as an oil on canvas. The work dates to circa 1655. This composition captures a mythological encounter on a coastal…
Naročite ročno izdelovano sliko →
Sleeping Warrior is an oil on canvas painting by the Italian artist Salvator Rosa. Created in 1644, the work emerged during a period when Rosa was establishing his…
Prinesite to svetlobo dom →
In the evocative depths of Salvator Rosa’s 1662 masterpiece, Ceres and Phytalus, we are transported into a realm where the boundaries between the divine and the mortal dissolve.…
Naročite to platno →
The shadows of a nocturnal ritual unfold in Witches at their Incantations, a work by the Italian artist Salvator Rosa. Created about 1646, the scene captures a gathering…
Prinesite to svetlobo dom →
The painting A Cavalry Battle, created in 1652, presents a scene of intense and chaotic combat. Within this Baroque composition, a group of people are engaged in fighting…
Naročite ročno izdelovano sliko →
A broken, gnarled branch cuts diagonally across the canvas, a splintered limb reaching from the upper right toward the center. It hangs suspended in a heavy, dark atmosphere,…
Prinesite to svetlobo dom →
In this 1652 composition, we find ourselves drawn into a landscape that feels less like a setting and more like a living, breathing entity. The scene is dominated…
Naročite ročno izdelovano sliko →
In this 1644 landscape, we find ourselves looking up from a low vantage point, a perspective that forces the eye to contend with the sheer scale of a…
Naročite ročno izdelovano sliko →
Landscape with Armed Men is an oil on canvas painting created by Salvator Rosa. The work dates to 1640. It is categorized as both a landscape and a…
Prinesite to svetlobo dom →
Salvator Rosa's "Glaucus and Scylla," executed around 1661, is not merely a depiction of a classical myth; it’s a visceral exploration of desire, loss, and the perilous allure…
Naročite to platno →
The Raising of Lazarus is an oil on canvas work by the artist Salvator Rosa. It captures a singular moment of divine intervention from the New Testament, specifically…
Prinesite to svetlobo dom →
Salvator Rosa produced Still Life in 1673. This work belongs to the Baroque era, specifically categorized within the vanitas genre. Such compositions utilize symbolic objects to contemplate the…
Naročite ročno izdelovano sliko →
Salvator Rosa's "Youth with an Effigy of Diana of Ephesus," painted in 1657, is not merely a portrait; it’s a carefully constructed tableau brimming with symbolic weight and…
Naročite ročno izdelovano sliko →
In the sweeping expanse of Salvator Rosa’s 1655 masterpiece, River Landscape with Apollo and the Cumean Sibyl, the viewer is transported into a world where the boundaries between…
Naročite ročno izdelovano sliko →
In the dramatic expanse of Salvator Rosa’s "Rocky Landscape with a Huntsman and Warriors," the viewer is not merely observing a landscape, but is instead thrust into a…
Naročite to platno →
In the heart of the Baroque era, few artists captured the intersection of human emotion and divine intervention as powerfully as Salvator Rosa. His masterpiece, "The Finding of…
Naročite to platno →
In the mid-17th century, the Italian Baroque era was defined by its thirst for drama, tension, and the sublime. Salvator Rosa’s “Bandits on a Rocky Coast,” painted around…
Naročite to platno →
The artwork titled Standing Warror with Shield was created by the artist Salvator Rosa. Completed in 1657, this piece is categorized within the portrait genre. It is a…
Naročite ročno izdelovano sliko →
Salvator Rosa executed Saint John the Baptist Revealing Christ to the Disciples in 1655. This oil on canvas represents a significant moment in the artist's development during the…
Naročite to platno →
In the grand tapestry of the Italian Baroque, few voices resonate with as much rebellious spirit and intellectual depth as that of Salvator Rosa. His 1662 masterpiece, Pythagoras…
Naročite ročno izdelovano sliko →
is a painting by Salvator Rosa, executed in 1644. The canvas captures a rugged terrain, a scene shaped by the hand of an artist born in 1615. This…
Naročite to platno →
The canvas known as Christ resurrected, or Le Christ réssuscité, captures a moment of profound divine triumph. Salvator Rosa presents the Resurrection of Christ, a central narrative from…
Naročite ročno izdelovano sliko →
In the quiet intimacy of Salvator Rosa’s Portrait of the Artist's Wife, Lucrezia, we encounter more than just a likeness; we enter a profound moment of shared history…
Naročite to platno →Četiri teme, ki se najpogosteje pojavljajo na teh platnah, vsaka z svojim najbolj priljubljenim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Salvator Rosa | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 21 | Group of Warriors, Armed Robbers in Rocky Countryside, Prometheus on the Rock |
 Musée Condé |
Chantilly | 9 | Landscape with St Jerome, Tobias and the Angel, Daniel in the Lion's Den |
 Statens Museum For Kunst |
Kopenhagen | 10 | Jonah Preaching to the People of Niniveh, The Founding of Thebes, Landscape with an "Arco Naturale" |
 Los Angeles County Museum of Art |
Los Angeles | 7 | Landscape with Armed Men, Odysseus and Nausicaa, Ceres and Phytalus |
 Cleveland Museum of Art |
Cleveland | 5 | Scenes of Witchcraft: Night, Scenes of Witchcraft: Evening, Scenes of Witchcraft: Day |
 National Gallery |
London | 7 | Witches at their Incantations, Self-Portrait as Philosopher of Silence, Landscape with Mercury and the Dishonest Woodman |
 Kunsthistorisches Museum |
Dunaj | 4 | Return of Astrea, Astraea Leaves The Earth |
 John and Mable Ringling Museum of Art |
Sarasota | 4 | Allegory of Study, Three Marys at the Tomb |
A heavy, weathered stone structure anchors the left side of the canvas, its crumbling edges catching the light. Beside it, a gnarled tree leans into the frame, its…
A single light source strikes the left side of a weathered face, carving it out of a heavy, ink-black void. The man’s gaze is steady, meeting the viewer…
A Baroque Drama of Conversion The painting “The Baptism of the Eunuch,” attributed to Salvator Rosa (1660), stands as a testament to the dramatic fervor characteristic of Baroque…
A rugged, mountainous gorge dominates the vertical composition, creating a sense of isolation through deep, narrow canyons. The landscape is defined by jagged, irregular rock faces and the…
The Baptism of the Eunuch (1660), Chrysler Museum of Art, Norfolk. sledita Pythagoras Emerging from the Underworld (1662) in Landscape with St Jerome (1670).
Salvator Rosa, rojen leta 1615, je imel 45 let: The Baptism of the Eunuch datira iz leta 1660.
The Baptism of the Eunuch, Pythagoras Emerging from the Underworld, Landscape with St Jerome, Head of a Man with a Turban, Tobias and the Angel, Return of Astrea, Daniel in the Lion's Den, Crucifixion of Polyclitus, Jesus carrying the cross in Witches at their Incantations. Vsako platno v zgornji uvrstitvi vključuje leto nastanka in muzej.
V našem katalogu je 274 del umetnika Salvator Rosa, datiranih od 1627 do 1673.
Večinoma v Bavarske državne slikopisne zbirke (München), Musée Condé (Chantilly) in Statens Museum For Kunst (Kopenhagen); zgornji seznam navaja vsak muzej in njegova platna.
V obdobju 1640s, ki je vključilo 36 od 100 del na tej strani, je med njimi tudi Return of Astrea.
Najstarejše platno tukaj je A Pass with Travellers attacked by Bandits (1627); najstarejše je Cavalieri in Marcia (1673).
Sky (20), People (18) in Landscape (14), na 100 delih na tej strani.
Oil On Canvas, uporano v 35 od 100 del na tej strani.
Baroque, kot to pokažejo platna na tej strani.
Muzej Bavarske državne slikopisne zbirke, München hrani 21 del z te strani, med katerimi so tudi Group of Warriors, Armed Robbers in Rocky Countryside in Prometheus on the Rock.
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
Na obrobju Neaplja, natančneje v Arenelli, se na svet pozdravi Salvator Rosa. Datum njegovega rojstva ostaja predmet zgodovinskih tranhz, saj se iztisa na 20. junij ali 21. julij leta 1615. Rodil se je v družini z izrazitim dediščevo; njegova mati, Giulia Greca Rosa, je pripadnica eni izmed grških družin na Siciliji, njegov oče, Vito Antonio de Rosa, pa je bil zemljevidec. Nad njegovimi zgodnjimi leti se razlega senca Vesuviusa, geološka prisotnost, ki bo sčasaj oblikovala njegov vizualni jezik.
Njegova pot do poklica je zaznamovana s konfliktom. Oče, ki je svojemu sinu željil zagotoviti bolj stabilno in tradicionalno življenje, je načrtoval, da bi Salvator Rosa postal duhovnik ali pravnik. Za njega je bila pripravljena pot v samostan Somaschijevih bratov. Vendar pa so mladikovi interesi vodili v popolnoma drugednevno smer. Od molitvenega življenja se odvrne in v skrivnosti posveti umetnosti. Pod tiho mentorstvo materinega strica, Paola Greca, se začne učiti temeljih svojega kova. Ta skrivnostna izobraževanja se nadaljuje tudi pod vodstvom Francesco Fracanzana, ko osvaja tehnične osnove, ki mu bodo pozneje omogočile, da bo izzival vzpostavljene estetske norme baročnega obdobja.
Potek umetniške kariere Salvatorja Rose se spreminja v skladu s političnimi in socialnimi vihrami 17. stoletja v Italiji. Leta 1635 zapusti rodni Neoplj in se odpravi v Rim, ki je bil takoreč nepremočen umetniški center tistega obdobja. Čeprav se je leta 1637 vrnilo v Neoplj, je bila njegova prisotnost v mestu vse bolj nestabilna. Do leta 1648 je bil umetnik prisiljen popolnoma zapustiti Neoplj, potem ko se je vkljubil v neuspešen upor proti španskim vladarjem. To obdobje upora predstavlja odločen prelom s njegovimi zgodnjimi leti.
Njegovo nadaljnje potovanje ga vodi v Firence, kjer njegovo drugo obdobje v mestu ponuja povsem drugačen vrst engagementa. Rosa se poleg dela v ateljeju popolnoma potopi v intelektualno in čutno življenje firentinških krogov. Svoje ure posveča igranju glasbe, pisanju poezije in študiji stoške filozofije. Ta večstranska obstaja vpliva na globino njegove kasnejših del, saj se njegovi zanimaji za pisano besedo in filozofsko razmišljanje začnejo prepletati z njegovo vizualno prakso.
Salvator Rosa s svojim čoprčem zavrnuje gladke površine in idealizirane oblike, ki so definiral prihodnji del baroka. Namesto tega se odziva nekonvencionalnem in ekstravagantnem slogu, kjer izraža svojo naklonjenost neukroteni in surovih naravnim pojavom. S popolnostjo ovlada tehniko chiaroscuro, kjer dramatična igra svetlobe in senčevine ne le oblikuje prostora, temveč neposredno skulpturira vzdušje in čustva. Ta tehnika presega zgolj opredelje oblik; ustvarja globoko občutje napetosti, ki se širi po celotnem platnu. Njegove krajine niso idilični zavetja za meditacijo, temveč so prežarene z divjostjo in neprebojno močjo. Turbulentna neba in razpoke, skaloviti terrain dominirajo njegovim kompozicijam, kar odraža njegovo globoko fascinacijo nad nestabilno in nepredvidljivo naravo.
Tema njegovih del se pogosto oddaljuje od običajnih religioznih scen, ki so bile značilne za njegove sodobnike. Pogosto izbira neznane in ezoterične motive, izvete iz Biblije, mitologije in življenj velikih filozofov. Ta intelektualna rigoroznost spremeni krajino iz zgolj ozadja v osrednjega, aktivnega udeležovca v narativi. V njegovih rokah okolje postane odra za moralno in filozofsko razmišljanje. človeška figura je v njegovih delih pogosto le marginalsna, zgolj majhna in zgažena pred nejemno in pogosto sovražno veličino naravnega sveta.
Platno v njegovih rokah pogosto postane prostor intenzivnega psihološkega raziskovanja. V delu iz leta 1641, Samoportret kot filozof tišine, ki se nahaja v National Gallery v Londonu, se umetnik sooča z gledalcem skozi prizmo globoke tišine. To delo deluje kot meditacija o modrosti, kjer uporablja temno, kontemplativno vzdušje za utrditev svoje identitete. Podobno njegovo delo iz leta 1645, Samoportret kot filozof v National Gallery v Londonu, utrjuje to podobo razmišljajočega človeka, ko se odkloni od zgolj vizualne podobe proti izrazi intelektualne rigoroznosti.
Narava je v rokah Salvatorja Rose redko le mirna kulisa; je nenehna, turbulentna sila. Okoli leta 1640 se je pojavilo delo Ruine v skalnati krajini, ki se zdaj nahaja v Cleveland Museum of Art, ki s pomočjo klasičnih ruin in irizantne svetlobe nakazuje svet v nenehni spremembi. Ta nepopustnost se razširja tudi v njegove mitološke in alegorične kompozicije. Delo Pitagora iz podzemlja iz leta 1662, ki se nahaja v Kimbell Art Museum v Fort Worthu, uporablja dramatično kompozicijo krajine, da bi premostilo razprazor v med fizičnim in metafizičnim. V istem slogu uporablja tudi Demokrito in Protagora iz leta 1664 v Hermitage Museum v Sankt Peterburgu, kjer filozofska alegorija postaja del dramatične krajine.
Tudi religiozni zapisi doživijo preobrazbo pod njegovim čopom. Krst evnuha, ustvarjen leta 1660 in shranjen v Chrysler Museum of Art v Norfolkju, v biblično sceno vnaša visoko dramo. Njegova sposobnost, da se premika med tako raznolikimi temami—od mitoloških do svetih—odreza njegovo izjemno umetniško dediščino.
Vpliv Salvatorja Rose se širi skozi celotno evolucijo baročne umetnosti. Njegova odklonitev od idealiziranih, urejenih pokrajin njegovih sodobnikov ustvarja trenje, ki spreminja smer 17. stoletne slikarstva. Ta vpliv se širi skozi desetletja in dosega dela poznejših umetnikov, kot je Luca Giordano. On ne slika le prizorišča; on gradi vizualni jezik turbulence, ki ostaja prisoten še dolgo po njegovi smrti.
Njegove romantičizirane pokrajine in zgodovinske slike izvajajo močan pritisk od 17. stoletja pa vse do začetka 19. stoletja. Ta dela delujejo kot prototipi romantične pokrajine, saj klasične "slikovitosti" zamenjujejo z nečim veliko bolj nestabilnim in nepredvidljivim. Namesto mirnih, pastirskih zavetnic nam izpostavlja divjo in pogosto sovražno naravo. Ta premik perspektive napoveduje čustveno intenzivnost, ki bo kasneje definirala romantično gibanje.
Zapuščina njegove vizije se skriva v napetosti med človeško figuro in neukrotjeno divjino. S tem, ko je pokrajino postavil v središče kot primarno temo, namesto da bi jo uporabljal le kot zamejnik za religijske ali mitološke pripovedi, je spremenil hierarhijo žanrov. Njegovi hriboviti, skalnati tereni in nevihtna neba so ponudili načrt za estetiko sublimnosti, kjer je narava sila občudovanja in introspekcije, ne pa nadzorovan vrt.
Fizični ostanki iz nessenega in nemirnega umetniškega življenja, ki ga je preživeli Salvator Rosa, so razpršeni po glavnih umetniških metropolah Evrope in Amerik. V Sankt Peterburgu Hermitagejev muzej ohranja njegovo zgodnjo natančnost v delu Portret moškega iz leta 1640. Skozi celino pa Louvre v Parizu ohranja njegovo prisotnost z delom Herojska bitka iz leta 1652. Ta dela trdno utemeljujejo njegovo prisotnost v velikih institucionalnih zbirkah 17. stoletja.
Umetnikova filozofska in mitološka razpoloženja so našla svojo pot tudi v specializirane kolekcije. Nacionalna galerija v Londonu hrani njegov Samoportret kot filozof iz leta 1645, delo, ki zajema njegovo globoko vključenost v intelektualno razmišljanje. V Fort Worthu Kimbellov umetniški muzej hrani Pitagoro iz podzemlja, kompozicijo iz leta 1662, ki izpostavlja njegovo sposobnost zlitja mita z dramatično pokrajino. Medtem Metropolitanian Muzej umetnosti v New Yorku vabi pred svoja vrata z delom Banditi na skaloviti obali iz leta 1656, kjer se odraža neukrotena in divja narava, ki jo je umetnik tako ljubil.
