Med vsemi slikami umetnika Sassetta (Stefano Di Giovanni) je najbolj znana Madonna of Humility (1432); razpolaga v muzeju Staatliche Museen zu Berlin, Berlin. Takoj za njima sta Virgin with Child and Four Saints (detail) (1435) in Saint Francis and the Poor Knight, and Francis's Vision (1437). Med 56 dela umetnika Sassetta (Stefano Di Giovanni) v našem katalogu so ta 56 najbolj znamenita, od katerih je vsaka prikazana z letom nastanka, muzejem in zgodbojo.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The panel titled Saint Francis and the Poor Knight, and Francis's Vision emerges from the hand of the artist Sassetta. Created about 1437, this work exists as the first of eight distinct paintings that once formed the back of a large, richly coloured and elaborate altarpiece. It belongs to the larger San Sepolcro Altarpiece, a significant assembly of devotional imagery.
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The Agony in the Garden is a poignant and spiritually charged tempera painting from the Early Renaissance period. The composition depicts the biblical scene of Christ's agony in the Garden of Gethsemane, set against a dark, star-studded nocturnal sky and a landscape of rolling hills and a winding path. In the foreground, several apostles are shown in various states of deep sleep, their bodies slumped and heads bowed in a…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a heavy spiritual gravity that anchors the viewer's gaze. He stands upon a small, rocky ground adorned with intricate patterns, a modest stage for such a monumental figure. The saint holds a book and a stylus, the tools of his sacred vocation, which…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep blue sky, framed by the soft, rolling hills of the Italian landscape. At the center of the chaos, a figure is bound to a stake, consumed by bright orange flames that lick upward against the dark, charred tones of the victim. The…
This tempera on poplar panel, dating to c. 1435, presents a solitary figure of Saint Margaret against a shimmering gold ground. The composition is vertical and centered, emphasizing a sense of stillness and spiritual focus. She is draped in a heavy, dark mantle over a deep crimson tunic, her head tilted with a gentle, serene expression. At her feet, a dark, dragon-like creature is visible, a symbolic representation of her…
In this vertical composition, Sassetta presents Saint Apollonia as a single, centered figure. The saint is positioned against a flat, decorative gold background that emphasizes her presence through a sense of divine stillness. Her expression remains calm and contemplative, a quietude that contrasts with the heavy symbolism of her attributes. She holds the pincers used in her martyrdom, a specific detail that identifies her within the religious tradition. This object,…
This vertical and narrow tempera painting on a wood panel, created in 1430, depicts St. Nicholas of Bari in a formal, iconographic pose. The subject is presented as…
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The air within the grand hall feels heavy with a sacred stillness, as if time itself has paused to witness this celestial assembly. At the heart of the…
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In the quiet, hallowed atmosphere of the early Italian Renaissance, few works capture the profound intimacy of spiritual transcendence as exquisitely as Sassetta’s The Ecstasy of St. Francis…
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The air feels heavy with the weight of impending tragedy as a crowded procession moves steadily from left to right across the panel. Jesus walks at the center…
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The scene captures the precise instant of Judas's kiss, a moment of profound spiritual and human tension. Within a crowded, shallow space, the figures are compressed together, creating…
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The Madonna of Humility emerges from the golden light of the early fifteenth century, a sacred vision rendered by the hand of Sassetta. Dating to about 1432, this…
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St. Anthony of Padua is a religious panel painting executed by the Sienese artist Sassetta. Known to history as Stefano di Giovanni, the painter was a central figure…
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The painting presents a formal, hierarchical arrangement of figures set against a luminous gold background. At the center, the Madonna is enthroned, her form draped in a mantle…
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The figure of Saint Matthew emerges from a shimmering expanse of gold leaf, his presence commanding a quiet, sacred space. He stands with a dignified stillness, an elderly…
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The heavens open in a rhythmic surge of light and shadow. At the center of this vertical movement, the Virgin Mary ascends, her form caught in a moment…
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is a work by Sassetta (Stefano Di Giovanni), executed between 1437 and 1444. It forms part of a larger cycle, specifically the fifth of eight scenes illustrating the…
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The air in the room seems to settle around the figures, held in a stillness that feels heavy with grace. A woman sits with a gentle, grounded presence,…
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In the quietude of the early fifteenth century, the Sienese master Sassetta captured a moment of profound spiritual intimacy that continues to resonate across the centuries. St Thomas…
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The artwork titled Damnation of the Soul of the Miser of Citerna was executed by the artist Sassetta. This specific panel originated in 1437. It was created as…
The Ecstasy of St Francis is a renowned painting by the Italian artist Sassetta (Stefano Di Giovanni), created in 1437. This tempera on panel artwork, measuring 190 x…
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The image presents a detailed view of a section of a tempera on wood panel painting from 1423. In the foreground, several open books rest upon a wooden…
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In the quiet, hallowed atmosphere of the early Italian Renaissance, few moments capture the intersection of the earthly and the divine as poignantly as Stefano di Giovanni’s The…
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In the delicate brushstrokes of Sassetta, specifically within this exquisite detail from the Virgin with Child and Four Saints, we find ourselves transported to the heart of the…
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In the quiet, luminous corridors of the early Italian Renaissance, few works capture the intersection of earthly devotion and celestial grace as profoundly as Sassetta’s Virgin and Child…
Stefano di Giovanni, known as Sassetta, gifted us with “The Blessed Ranieri Frees the Poor from a Jail in Florence,” a captivating panel painted around 1444 that transcends…
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Stefano di Giovanni, known to art history as Sassetta, gifted us with a profoundly moving and technically brilliant depiction of “St. Thomas Before the Cross” in 1423 –…
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Stefano di Giovanni, known as Sassetta, was a pivotal figure in the transition from late Gothic to early Renaissance painting in Siena during the 15th century. His work…
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The Last Supper by Sassetta (Stefano Di Giovanni) is a remarkable painting that showcases the artist's skill in capturing complex emotional states and conveying religious narratives. Created in…
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The painting St Anthony the Hermit Tortured by the Devils by Sassetta (Stefano Di Giovanni) is a remarkable work of art that showcases the artist's skill in capturing…
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A Moment of Reverence: Sassetta’s St Thomas Inspired by the Dove The painting “St Thomas Inspired by the Dove of the Holy Ghost,” attributed to Sassetta (Stefano di…
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The Madonna sits upon a throne of red and gold, her skin pale against the heavy weight of her garments. She holds the infant Christ, whose small limbs…
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Stefano di Giovanni’s “The Meeting of St. Anthony and St. Paul,” painted around 1440, isn't merely a religious depiction; it’s a profound meditation on faith, solitude, and the…
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To gaze upon Sassetta's "The Journey of the Magi" is to step directly into the luminous heart of the early Italian Renaissance. This exquisite panel, dating from 1435,…
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Stefano di Giovanni, known universally as Sassetta, stands as a pivotal figure in the burgeoning artistic landscape of Siena during the Quattrocento – a period marked by an…
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A Moment of Severance Saint Francis renounces his Earthly Father captures a pivotal moment of spiritual transition through a structured, multi-arched architectural framework. The composition uses pink-toned arches…
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In the quiet sanctity of the Sienese Renaissance, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility with Four Saints. Created…
In the quiet, luminous corridors of the early Italian Renaissance, few works capture the intersection of earthly devotion and celestial grace as profoundly as Sassetta’s The Virgin and…
Prinesite to svetlobo dom →Četiri teme, ki se najpogosteje pojavljajo na teh platnah, vsaka z svojim najbolj priljubljenim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Sassetta (Stefano Di Giovanni) | Slike iz tega seznama |
|---|---|---|---|
 National Gallery |
London | 6 | Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, Saint Francis before the Sultan |
 Muzej lepih umetnosti |
Budimpešta | 5 | St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost (detail) |
 Museo Diocesano |
Cortona | 4 | Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail) |
 National Gallery of Art |
Washington | 4 | Saint Margaret, Saint Apollonia, Madonna of Humility |
 Louvre |
Pariz | 4 | Damnation of the Soul of the Miser of Citerna, The Blessed Ranieri Frees the Poor from a Prison in Florence, Virgin and Child with Saints |
 Pinacoteca Nazionale |
Siena | 4 | St Jerome (detail), The Last Supper, St Anthony the Hermit Tortured by the Devils |
 Detroit Institute of Arts |
Detroit | 3 | The Agony in the Garden, The Procession to Calvary, The Betrayal of Christ |
 Metropolitanski muzej umetnosti |
New York | 3 | The Annunciation ", Madonna and Child with Angels, The Journey of the Magi |
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep…
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432,…
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444.…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally…
Madonna of Humility (1432), Staatliche Museen zu Berlin, Berlin. sledita Virgin with Child and Four Saints (detail) (1435) in Saint Francis and the Poor Knight, and Francis's Vision (1437).
Sassetta (Stefano Di Giovanni), rojen leta 1392, je imel 40 let: Madonna of Humility datira iz leta 1432.
Madonna of Humility, Virgin with Child and Four Saints (detail), Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, The Agony in the Garden, Saint Francis before the Sultan, Saint John the Evangelist, The burning of a heretic, Saint Margaret in Saint Apollonia. Vsako platno v zgornji uvrstitvi vključuje leto nastanka in muzej.
V našem katalogu je 56 del umetnika Sassetta (Stefano Di Giovanni), datiranih od 1412 do 1450.
Večinoma v National Gallery (London), Muzej lepih umetnosti (Budimpešta) in Museo Diocesano (Cortona); zgornji seznam navaja vsak muzej in njegova platna.
V obdobju 1430s, ki je vključilo 27 od 56 del na tej strani, je med njimi tudi Madonna of Humility.
Najstarejše platno tukaj je Saint John the Evangelist (1412); najstarejše je Saint Francis before the Sultan (1450).
People (10), Gold background (9) in Woman (7), na 56 delih na tej strani.
Tempera On Panel, uporano v 27 od 56 del na tej strani.
Early renaissance, kot to pokažejo platna na tej strani.
Muzej National Gallery, London hrani 6 del z te strani, med katerimi so tudi Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis in Saint Francis before the Sultan.
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
V svetlobni dobi itališkega Quattrocenta malo število imen tako ganja čustva ob nežnem prehodu iz srednjoveka v modernost kot Stefano di Giovanni, zgodovini bolj ljubkovno znana kot Sassetta. Kot ključna figura sienezske šole njegova umetnost predstavlja globok most med dekorativno eleganco pozne gotike in razvijajoč se realizem renesanse. Čeprav so natančni začetki njegovega življenja še vedno zaviti v meglo časa – učenjaki namreč še vedno debatirajo, ali se je rodil v Sieni ali morda v Cortoni – je njegova prisotnost v toskanski pokrajini neobငdenna. Njegovo del nosi ritmično, lirsko dušo Siene, hkrati pa diši z novo, opazovalno vitalnostjo, ki nakazuje na umetnika, globoko vpletenega v spreminjajoče se vetrove njegove dobe.
Sassettova kreativna pot je bila pot sofisticirane sinteze. Prisel in je posedoval redko sposobnost, da bi spoštoval tradicionalni sienezski slog – značilen zaradi svoje zapletene podrobnosti in duhovne globine – pri čemer je hkrati sprejemal revolucionarne inovacije, ki so izhajale iz Florenci. Vpliv mojstrov, kot so Masaccio, Masolino in Gentile da Fabriano, je čutiti v njegovem razvijanem vladanju s prostornimi odnosi in uporabo svetlobe. Teh novih tehnik ni le kopiral; raje jih je integriral, da bi svoje figure prežare z naravnim sijajem, kar je svetlobi omogočilo prepričljivo oblikovanje njihovih form in ustvarilo občutek kohezivne, dišeče prostornosti znotraj njegovih kompozicije.
Sassettovo delo je spomenik njegove mojstrstva v pripovedni slikarstvu, kjer vsak potez črte služi višjemu duhovnemu namenu. Njegova dela pogosto delujejo kot okna v božanstvo, saj uporabljajo sofisticirano paleto barv in ritmične kompozicije za vodenje gledalca skozi svete zgodbe. V vrhunskih delih, kot je Poslednja večer, dokazuje izjemno veščino zajemanja kompleksnih čustvenih stanj, pri čemer uporablja zemljene tone in premično perspektivo, da globoko religiozno pripovedda prizemlje v oprijemljivo, sogičen realizem. Njegova sposobnost uravnoteženja ornamentalne lepote gotike z razvijanim občutkom človeške drame naredi njegove panele edinstveno očarljive.
Poza intimno razliko njegovih manjših panelov je Sassetta dosegel veliko slavo skozi pomembne oltarje in poliptike, ki so določili religiozno pokrajino svojega časa. Med njegovimi najbolj izstopajočimi umetniškimi dosežki veljajo:
Zgodovinski pomen Sassette se skriva v njegovi vlogi varovalca in inovatorja. Poskrbel je, da edinstvena identiteta sienezske šole ne izgine pred dominacijo Florenci, temveč se razvije in vključuje nov jezik realizma in globine. Njegove slike niso le relikte pretekli dobe; so živi dialogi med starim in novim svetom. Skozi nežno ravnanje s svetlobo, njegovo mojstrstvo simbolične ikonografije in globoko empatijo do svojih motivov je Sassetta pustil neizbrisen след v zgodovini italijanske umetnosti ter si zagotovil mesto med najpomembnejšimi predstavniki sienezne renesanse.
