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      Walter Sickert, 1860 – 1942

      The 100 Most Famous Walter Sickert Paintings, Ranked

      The best-loved painting by Walter Sickert is The Idyll (1931), which hangs in the Ferens Art Gallery, Kingston upon Hull. The Cigarette (Jeanne Daurmont) (1906) and Chagford, Devon, across Fields (1915) come next among the canvases readers know best. Our catalogue holds 292 works by Walter Sickert: here are the 100 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated oktober 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Walter Sickert
      Walter Sickert · 1860 – 1942
      Born · died
      1860 – 1942, München
      Movement
      Post-impressionism
      Works in our catalogue
      292
      Most famous
      The Idyll (1931)
      Most works at
      Tate Gallery

      Top 10 Walter Sickert paintings: the canvases everyone knows

      The Idyll (1931) by Walter Sickert
      1

      The Idyll

      1931 · Oil On Canvas · Ferens Art Gallery, Kingston upon Hull

      In the quietude of 1931, Walter Richard Sickert captured a scene that transcends mere landscape, offering instead a profound meditation on connection and stillness. The Idyll is not simply a depiction of a lakeside retreat; it is a psychological threshold where the boundaries between the external world and internal emotion blur. The painting presents two figures poised before a tranquil expanse of water, their presence anchored by a shared, silent…

      The Cigarette (Jeanne Daurmont) (1906) by Walter Sickert
      2

      The Cigarette (Jeanne Daurmont)

      1906 · Oil On Canvas · Metropolitanski muzej umetnosti, New York

      A monochromatic portrait captures Jeanne Daurmont in profile, her form emerging from a dark, indistinct background through a careful application of chiaroscuro. The composition focuses on the head and shoulders, positioned slightly off-center to create a sense of quiet intimacy. A light source from the front-left illuminates the subject's face and neck, while deep shadows swallow much of her hair and the brim of her wide hat.

      Cicely Hey (1923) by Walter Sickert
      8

      Cicely Hey

      1923 · Oil On Canvas · British Council Collection, London

      In the quiet intensity of Walter Richard Sickert’s 1923 masterpiece, “Cicely Hey,” we encounter more than just a portrait; we step into a profound psychological landscape. The painting captures a young woman in a moment of suspended animation, where her outward serenity is subtly undercut by an unmistakable sense of inner distress. As the viewer approaches this canvas, the subject's gaze pulls us into a state of deep contemplation, inviting…

      Mrs Swinton (1905) by Walter Sickert
      9

      Mrs Swinton

      1905 · Oil On Canvas

      A Glimpse into the Life of Mrs. Swinton The painting Mrs Swinton by Walter Richard Sickert, created in 1905, is a captivating portrait that invites viewers to ponder the life and character of its subject. Located at the Fitzwilliam Museum in Cambridge, United Kingdom, this oil on canvas piece is a testament to Sickert's skill in capturing the essence of his subjects. The Composition and Symbolism The painting depicts Mrs.…

      Gatti’s Hungerford Palace of Varieties. Second Turn of Katie Lawrence (1888) by Walter Sickert
      10

      Gatti’s Hungerford Palace of Varieties. Second Turn of Katie Lawrence

      1888 · Oil On Canvas · Yale University Art Gallery, New Haven

      We are looking at Gatti’s Hungerford Palace of Varieties. Second Turn of Katie Lawrence, an oil on canvas created by Walter Sickert. This work, dating to 1888, captures a specific moment within the theatrical atmosphere of the music hall. The scene focuses on Katie Lawrence, a music hall singer, as she performs her turn on stage.

      More Walter Sickert canvases, 11 to 100

      The Miner (1935) by Walter Sickert
      #15

      The Miner

      1935 · Birmingham Museum and Art Gallery

      Walter Richard Sickert's "The Miner," painted in 1935-36, isn’t merely a depiction of a working man; it’s an intimate excavation of human experience. This oil painting, currently residing…

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      George Moore (1890) by Walter Sickert
      #16

      George Moore

      1890

      A Glimpse into Introspection: Walter Sickert's Portrait of George Moore This compelling portrait offers a poignant glimpse into the life of Irish author and playwright George Moore, captured…

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      The Brighton Pierrots (1915) by Walter Sickert
      #17

      The Brighton Pierrots

      1915 · Muzej umetnosti in arheologije Ashmolean

      The scene unfolds in the monochrome shadows of a seaside night. Under the artificial glow of the pier, figures move through a landscape of salt air and darkness.…

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      George Moore (1890) by Walter Sickert
      #35

      George Moore

      1890 · Tate Gallery

      Walter Richard Sickert’s portrait, "George Moore," is not merely a likeness captured on canvas; it is an encounter with a profound, internalized moment. The subject confronts the viewer…

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      Ennui (1918) by Walter Sickert
      #37

      Ennui

      1918 · Muzej umetnosti in arheologije Ashmolean

      In the dim, muted light of Walter Richard Sickert’s 1918 masterpiece, Ennui, we are invited into a private moment of profound emotional stagnation. The painting serves as a…

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      Mrs Swinton (1906) by Walter Sickert
      #42

      Mrs Swinton

      1906 · Fitzwilliam College

      In the quiet, evocative depths of Walter Richard Sickert’s 1906 masterpiece, "Mrs Swinton," viewers are invited into a world where the boundaries between portraiture and atmosphere dissolve. This…

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      The Sisters Lloyd (1889) by Walter Sickert
      #47

      The Sisters Lloyd

      1889 · Government Art Collection

      Walter Richard Sickert’s The Sisters Lloyd transports us into an intimate moment suspended in time, a scene steeped in the delicate artifice of domestic life. This portrait captures…

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      Jacques-Emile Blanche (1910) by Walter Sickert
      #48

      Jacques-Emile Blanche

      1910 · Tate Gallery

      In the quiet, shadowed corners of late nineteenth and early twentieth-century European art, few works capture the profound weight of identity as poignantly as Walter Richard Sickert’s “Jacques-Émile…

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      Israel Zangwill (1898) by Walter Sickert
      #49

      Israel Zangwill

      1898

      In the quiet depths of Walter Richard Sickert’s 1898 masterpiece, Israel Zangwill, we encounter more than just a mere likeness; we are invited into a profound moment of…

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      Baccarat, Dieppe (1920) by Walter Sickert
      #50

      Baccarat, Dieppe

      1920 · Auckland Art Gallery Toi o Tāmaki

      The scene unfolds in a moment of quiet concentration as a group of people gathers closely around a table. In Baccarat, Dieppe, the artist Walter Sickert captures a…

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      Mrs Barrett (1905) by Walter Sickert
      #51

      Mrs Barrett

      1905 · Tate Gallery

      Walter Richard Sickert’s ‘Mrs Barrett’: A Study in Shadows and Subtlety Walter Richard Sickert's “Mrs Barrett,” painted around 1905, isn’t merely a portrait; it’s a carefully constructed tableau…

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      The Yellow Sleeve (1904) by Walter Sickert
      #54

      The Yellow Sleeve

      1904 · New Walk Museum - Art Gallery

      In the quiet corners of art history, few moments possess the profound stillness found in Walter Richard Sickert’s 1904 masterpiece, The Yellow Sleeve. This evocative portrait invites the…

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      Camden Town Portrait (1915) by Walter Sickert
      #58

      Camden Town Portrait

      1915 · Amgueddfa Cymru - National Museum of Wales

      Camden Town Portrait - A Study in Shadow and Observation Walter Richard Sickert’s “Camden Town Portrait,” completed in 1915–16, resides within the National Museum Wales collection—a deceptively simple…

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      The Bar Parlour (1922) by Walter Sickert
      #59

      The Bar Parlour

      1922 · Fitzwilliam College

      In the quiet, amber-hued corners of early twentieth-century London, Walter Richard Sickert found his most profound muses. The Bar Parlorp, painted in 1922, serves as a masterful window…

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      The Horses of St Mark's, Venice (1905) by Walter Sickert
      #60

      The Horses of St Mark's, Venice

      1905 · Birmingham Museum and Art Gallery

      Walter Richard Sickert's "The Horses of St Mark's, Venice," painted in 1905, is a captivating oil on canvas that transports viewers to the heart of Venice. This artwork,…

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      Harold Gilman (1912) by Walter Sickert
      #62

      Harold Gilman

      1912 · Tate Gallery

      Walter Richard Sickert’s depiction of Harold Gilman is more than just a likeness; it is a carefully preserved moment plucked from the vibrant, sometimes fraught, atmosphere of early…

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      Miss Earhart's Arrival (1932) by Walter Sickert
      #64

      Miss Earhart's Arrival

      1932 · Tate Gallery

      Walter Richard Sickert’s Miss Earhart's Arrival is not merely a depiction of a rainy day; it is an immersion into a specific, charged moment of modern urban life.…

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      The Front at Hove (1930) by Walter Sickert
      #67

      The Front at Hove

      1930 · Tate Gallery

      Walter Richard Sickert's "The Front at Hove," painted in 1930, isn’t merely a depiction of a seaside scene; it’s a carefully constructed tableau brimming with psychological depth and…

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      Santa Maria del Carmelo, Venice (1900) by Walter Sickert
      #68

      Santa Maria del Carmelo, Venice

      1900 · Muzej umetnosti in arheologije Ashmolean

      In the quiet, amber-hued twilight of Venice, where the mist of the lagoons meets the ancient stone of the city, Walter Richard Sickert captured a moment of profound…

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      Ennui (1917) by Walter Sickert
      #69

      Ennui

      1917 · Ashmolean Museum

      Walter Richard Sickert's 1917 painting, *Ennui*, is not merely a depiction of two women; it’s a carefully constructed tableau of quiet desperation, a poignant snapshot of the burgeoning…

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      A Marengo (1903) by Walter Sickert
      #71

      A Marengo

      1903 · Tate Gallery

      Walter Richard Sickert's “A Marengo,” painted in 1903, isn’t merely a depiction of two women engaged in conversation; it’s a carefully constructed tableau brimming with psychological depth and…

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      The Oxford Music Hall by Walter Sickert
      #73

      The Oxford Music Hall

      Art Gallery of New South Wales

      The Oxford Music Hall is a significant work by the artist Walter Sickert. This piece, which is also known by the alternative title The old Bedford, offers a…

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      Her Majesty's (1934) by Walter Sickert
      #74

      Her Majesty's

      1934 · Ashmolean Museum

      A Glimpse of Victorian Grandeur: Walter Richard Sickert’s “Her Majesty’s” Walter Richard Sickert's "Her Majesty’s," painted around 1934, isn’t merely a depiction of a London theatre; it’s a…

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      Wellington House Academy (1914) by Walter Sickert
      #75

      Wellington House Academy

      1914

      In the soft, filtered light of 1914, Walter Richard Sickert captured a moment that transcends mere musical practice to become a profound study of human connection and shared…

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      Interior of St Mark's, Venice (1895) by Walter Sickert
      #76

      Interior of St Mark's, Venice

      1895 · Tate Gallery

      Walter Richard Sickert’s “Interior of St Mark’s, Venice” (1895-6) isn't merely a depiction of a cathedral; it’s an immersive experience. This oil on canvas transports the viewer directly…

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      Bathing Huts, Dieppe (1890) by Walter Sickert
      #83

      Bathing Huts, Dieppe

      1890 · Courtauld Gallery

      Walter Richard Sickert's "Bathing Huts, Dieppe" isn’t merely a depiction of a coastal scene; it’s a carefully constructed tableau brimming with atmosphere and a subtle undercurrent of melancholy.…

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      Walter Sickert's canvases, period by period

      What Walter Sickert painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Walter Sickert's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Walter Sickert Paintings from this list
      Tate Gallery, LondonTate Gallery London 19 George Moore, Jacques-Emile Blanche, Mrs Barrett
      Muzej umetnosti in arheologije Ashmolean, OxfordMuzej umetnosti in arheologije Ashmolean Oxford 6 The Brighton Pierrots, Ennui, Santa Maria del Carmelo, Venice
      Fitzwilliam College, CambridgeFitzwilliam College Cambridge 4 Mrs Swinton, The Bar Parlour, The Old Bedford Music Hall
      Ashmolean Museum, OxfordAshmolean Museum Oxford 4 Ennui, Her Majesty's, Gaieté Montparnasse, dernière galerie de gauche
      Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 7 The Miner, The Horses of St Mark's, Venice
      Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 6 Portrait of the artist's first wife, née Ellen Cobden, The Oxford Music Hall
      Metropolitanski muzej umetnosti, New YorkMetropolitanski muzej umetnosti New York 4 The Cigarette (Jeanne Daurmont), Reclining Nude (Thin Adeline)
      Courtauld Gallery, LondonCourtauld Gallery London 4 View of Dieppe with Eglise du Pollet, Bathing Huts, Dieppe

      Walter Sickert's best-loved canvas of each decade

      1. 1880s
      2. 1890s
        Portrait of the artist's first wife, née Ellen Cobden (1893) by Walter Sickert
        12 of 100

        Portrait of the artist's first wife, née Ellen Cobden

        Age 30 – 39 · Art Gallery of New South Wales

        The work titled Portrait of the artist's first wife, née Ellen Cobden is a painting by the artist Walter Sickert. The subject of this portrait is Ellen Cobden,…

      3. 1900s
        The Cigarette (Jeanne Daurmont) (1906) by Walter Sickert
        2 of 100

        The Cigarette (Jeanne Daurmont)

        Age 40 – 49 · Metropolitanski muzej umetnosti

        A monochromatic portrait captures Jeanne Daurmont in profile, her form emerging from a dark, indistinct background through a careful application of chiaroscuro. The composition focuses on the head…

      4. 1910s
      5. 1920s
        Portrait of Rear Admiral Walter Lumsden, C.I.E., C.V.O. (1927) by Walter Sickert
        Canvas 6 of 100

        Portrait of Rear Admiral Walter Lumsden, C.I.E., C.V.O.

        Age 60 – 69 · Minneapolis Institute of Art

        Portrait of Rear Admiral Walter Lumsden, C.I.E., C.V.O. is an oil on canvas created by Walter Sickert. The work dates to 1927. It is currently held in the…

      6. 1930s
        The Idyll (1931) by Walter Sickert
        Ranked 1 of 100

        The Idyll

        Age 70 – 79 · Ferens Art Gallery

        In the quietude of 1931, Walter Richard Sickert captured a scene that transcends mere landscape, offering instead a profound meditation on connection and stillness. The Idyll is not…

      About Walter Sickert's canvases: your questions answered

      What is the best-known painting by Walter Sickert?Read the answer

      The Idyll (1931), Ferens Art Gallery, Kingston upon Hull. The Cigarette (Jeanne Daurmont) (1906) and Chagford, Devon, across Fields (1915) follow.

      What age was Walter Sickert when The Idyll was painted?Read the answer

      Walter Sickert, born in 1860, was 71 years old: The Idyll dates from 1931.

      What are the 10 most famous paintings by Walter Sickert?Read the answer

      The Idyll, The Cigarette (Jeanne Daurmont), Chagford, Devon, across Fields, The Laundry Shop, Dieppe, France, The Red Shop (The October Sun), Portrait of Rear Admiral Walter Lumsden, C.I.E., C.V.O., The Honourable Lady Fry, Cicely Hey, Mrs Swinton and Gatti’s Hungerford Palace of Varieties. Second Turn of Katie Lawrence. Each canvas in the ranking above comes with its year and its museum.

      How many works did Walter Sickert paint in all?Read the answer

      292 works by Walter Sickert are in our catalogue, dated 1880 to 1937.

      Where can I see Walter Sickert's most famous canvases?Read the answer

      Mostly in Tate Gallery (London), Muzej umetnosti in arheologije Ashmolean (Oxford) and Fitzwilliam College (Cambridge); the list above names each museum and its canvases.

      When did Walter Sickert paint the best-loved canvases?Read the answer

      In 1890s, which gave 25 of the 100 works on this page, Portrait of the artist's first wife, née Ellen Cobden among them.

      Which are Walter Sickert's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Violets (1880); the latest is Pimlico (1937).

      What did Walter Sickert paint most often?Read the answer

      Portrait (12), Victorian era (11) and Woman (9), across the 100 works on this page.

      Which medium did Walter Sickert paint in most often?Read the answer

      Oil On Canvas, used in 33 of the 100 works on this page.

      Which movement is Walter Sickert's painting part of?Read the answer

      Post-impressionism and Impressionism, as the canvases on this page show.

      Which Walter Sickert canvases hang at the Tate Gallery?Read the answer

      The Tate Gallery, London holds 12 of the works on this page, among them George Moore, Jacques-Emile Blanche and Mrs Barrett.

      Can I buy a reproduction of a Walter Sickert canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Walter Sickert: a life in paint

      Življenje v senci in luči

      Walter Richard Sickert, rojen leta 1860 v Münchnu, je bil figura, ki je bila nenehno ujeta med svetove – Nemec po rodu, Britanec po posvojitvi in umetnik, ki je večno nihal med uveljavljenimi tradicijami slikarstva in nastajajočimi tokovi modernizma. Njegovo zgodnje življenje je bilo zaznamovano s premiki; družina se je leta 1868 preselila v Anglijo, spodbujena političnimi spremembami v Evropi, kar mu je vsadilo občutek razseljenosti, ki je morda spodbudilo njegovo celoživotno fascinacijo z tujci in marginaliziranimi osebnostmi. Čeprav je izviral iz rodu umetnikov – njegov oče Oswald Sickert je bil danski slikar – je mladi Walter sprva gojil ambicije za oder, kratek čas stopal na deske kot igralec ob priznanem Siru Henryju Irvingu. Ta zgodnja izpostavljenost performansu, umetnosti iluzije in karakterja bi globoko oblikovala njegovo umetniško vizijo, vsadila njegovim slikam teatralnost in psihološko globino, ki ga je ločila od sodobnikov. Vendar pa se je privlačnost vizualnega izražanja izkazala za močnejšo, kar ga je leta 1881 pripeljalo do vpisa na Slade School in kasneje postal predan učenec Jamesa Abbotta McNeilla Whistlerja. To mentorstvo je bilo pomembno, vsadilo mu je preference tonalnih študij, naslikanih *alla prima*, neposredno iz narave, ter prefinjeno estetsko občutljivost, ki bi podprla njegovo zgodnje delo. Vpliv Whistlerja ni bil zgolj tehničen; spodbudil je spoštovanje do umetniške neodvisnosti in pripravljenosti izzivati konvencionalne norme.

      Londonova temna stran in privlačnost modernega življenja

      Sickertova umetniška kompas se je hitro obrnila k živahnim, pogosto ostri realijam londonskega življenja. Očaral ga je ambient mestnih dvoran – prostorov, ki so prekipevali z energijo, spektaklom in raznolikimi družbenimi sloji. Njegove slike iz tega obdobja, kot je Katie Lawrence at Gatti's, so opazne po neomajnem upodabljanju teh okolij in njihovih prebivalcev. To niso bili zgolj prikazi; to so bila raziskovanja modernega mestnega obstoja, ki so ujela minljive trenutke in surova čustva, doživeta v teh stenah. Iščal je slikanje življenja kot ga živi, ne pa idealizirano, kar je bilo radikalno odstopanje od viktorijanskih umetniških konvencij. Ta zaveza realizmu je sprožila kontroverze. Kritiki so njegove motive označili za “grde” in “vulgarne”, izzvali občutljivost, ki je dajala prednost idealiziranim predstavam. Sickertova pripravljenost upodabljati navadne ljudi, zlasti ženske igralke, z iskrenostjo in brez romantiziranja, je bilo provokativno dejanje, ki je napovedovalo premik k socialnemu realizmu v umetnosti 20. stoletja. Njegovo preživljanje časa v Dieppu, Francija, od leta 1894 naprej se je izkazalo za ključno, ponudilo nove perspektive na svetlobo, barvo in kompozicijo, medtem ko so njegovi kasnejši obiski Benetk dodatno oplemenitili njegov pristop k upodabljanju notranjih prostorov in kompleksnih ureditev figur. Ni samo beležil tisto, kar je videl; interpretiral ga je skozi izrazito osebni objektiv, vsakodnevnim prizorom vcepil občutek skrivnosti in psihološke napetosti.

      Katalizator sprememb: Camden Town Group in dalje

      Ob začetku 20. stoletja je postal Sickert osrednja figura v nastajajočem britanskem avantgardnem gibanju. Leta 1888 se je pridružil New English Art Clubu, s čimer se je uskladil z umetniki, ki so sprejeli francoske impresionistične principe. Pozneje je odigral ključno vlogo pri ustanovitvi Camden Town Groupa leta 1911 – kolektiva umetnikov, posvečenega upodabljanju modernih življenj z neomajno iskrenostjo in stilnimi inovacijami. Sickertov vpliv na to skupino je bil globok, spodbudil jih je, da se odmaknejo od tradicionalnih akademskih omejitev in raziščejo nove oblike izražanja. Zagovarjal je neromantično vizijo mestnega pokrajine, osredotočil se na vsakodnevne prizore in navadne ljudi. Njegove slike v tem obdobju so pogosto predstavljale nemirno tematiko, kot je njegova serija Camden Town Murder, ki odraža naraščajočo fascinacijo s kriminalom in psihološko napetostjo. Ta pripravljenost soočiti se s težkimi temami je utrdila njegov ugled provokativnega in izzivalnega umetnika. Ni ga zanimalo samo upodabljati površine stvari; želel je prodreti v temnejše prostore človeške psihe, raziskovati teme odtujenosti, anksioznosti in moralne dvoumnosti.

      Zapuščina in preostale skrivnosti

      Zapuščina Waltera Richarda Sickerta sega daleč onkraj njegove plodovite produkcije. Bil je katalizator sprememb v britanskem slikarstvu, utiral pot naslednjim generacijam umetnikov, da so sprejele modernizem in raziskale nove smeri izražanja. Njegov vpliv je mogoče videti v delih številnih slikarjev, ki so sledili, zlasti tistih, povezanih z London Groupom in drugimi avantgardnimi gibanji. Sickertova pionirska duha, njegova zaveza realizmu in pripravljenost izzivati družbene norme še danes odmevata pri umetnikih. Medtem ko so kontroverze okoli njegovega življenja – vključno s spekulacijami o njegovi morebitni vpletenosti v umore Jacka Razparača – dodale plasti intrig njegove zgodbe, ne zmanjšajo njegovih umetniških dosežkov. Te teorije, čeprav jih znanstveniki večinoma zavračajo, govorijo o nemirni kakovosti njegovega dela in njegovi obsedenosti s temami nasilja in mestnega propada. Njegove slike ostajajo močni dokazi o spreminjajočem se svetu, ki ponujajo vpogled v življenja in izkušnje tistih, ki jih tradicionalna umetniška zgodovina pogosto zanemarja. Bil je umetnik, ki si upal pogledati onkraj površine, soočiti se z neprijetnimi resnicami modernega življenja in jih ujeti na platno z neomajno iskrenostjo.

      Ključni podatki in vplivi

      • Rojen: 31. maj 1860, München, Bavarska
      • Umrl: 22. januar 1942, Bathampton, Anglija
      • Ključni vplivi: James Abbott McNeill Whistler, Edgar Degas
      • Povezane skupine: New English Art Club, Camden Town Group
      Sickertovo delo je mogoče najti v večjih muzejih po vsem svetu, kar zagotavlja, da njegova vizija še naprej navdihuje in provocira občinstvo za leta. Ostaja ključna figura v zgodovini britanskega slikarstva, umetnik, ki si upal izzivati konvencije in slikati svet, kot ga je videl – v vsej njegovi lepoti, grdoti in kompleksnosti.

      All 292 works by Walter Sickert →