Viggo Rørup, 1903 – 1971
3 najbolj znanih slik umetnika Viggo Rørup
The Artist's Wife Reading (1949) je slika, po kateri je najbolj znan Viggo Rørup; pripada muzeju Statens Museum For Kunst, Kopenhagen. The Artist's Wife Sewing (1948) in Forest Path (1949) dopolnjujeta trio najbolj priljubljenih platn. Naš katalog vsebuje 3 del avtorja Viggo Rørup. Tukaj je 3 najbolj znanih delov, vključno z letom nastanka, muzejom in zgodbojo vsakega platna.
Uvrščeno na podlagi naše ocene priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026.
- Rodil se · umrl
- 1903 – 1971, Kalundborg
- Delo v našem katalogu
- 3
- Najbolj znana
- The Artist's Wife Reading (1949)
- Največ del v
- Statens Museum For Kunst
Deset najbolj priljubljenih slik umetnika Viggo Rørup
Kje so razpostavljena platna umetnika Viggo Rørup
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzeji | Mesto | Sloga Viggo Rørup | Slike iz tega seznama |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhagen | 3 | The Artist's Wife Reading, The Artist's Wife Sewing, Forest Path |
Najbolj znana platna umetnika Viggo Rørup, leta za letom
Tukaj se obdobje del Viggo Rørup razprostira le v 2 letih, od 1948 do 1949: leto za letom.
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1948
Platno 2 od 3The Artist's Wife Sewing
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1949
1 od 3
The Artist's Wife Reading
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1949
Platno 3 od 3Forest Path
Plotna dela umetnika Viggo Rørup, odgovor po odgovoru
Za katero platno je Viggo Rørup najbolj znan?Preberite odgovor
The Artist's Wife Reading (1949), Statens Museum For Kunst, Kopenhagen. sledita The Artist's Wife Sewing (1948) in Forest Path (1949).
The Artist's Wife Reading: koliko je bil Viggo Rørup star, ko je bilo to naslikano?Preberite odgovor
Viggo Rørup, rojen leta 1903, je imel 46 let: The Artist's Wife Reading datira iz leta 1949.
Koliko slik je ustvaril Viggo Rørup?Preberite odgovor
V našem katalogu je 3 del umetnika Viggo Rørup, datiranih od 1948 do 1949.
Kje se danes nahajajo najbolj znana platna umetnika Viggo Rørup?Preberite odgovor
Večinoma v Statens Museum For Kunst (Kopenhagen); zgornji seznam navaja vsak muzej in njegova platna.
Kdaj je Viggo Rørup naslikal svoja najbolj znana platna?Preberite odgovor
V obdobju 1949, ki je vključilo 2 od 3 del na tej strani, je med njimi tudi The Artist's Wife Reading.
Kateri slikovodni platno znate izpostaviti izmed del Viggo Rørup – katero je prišlo prvič in katero zadnje?Preberite odgovor
Najstarejše platno tukaj je The Artist's Wife Sewing (1948); najstarejše je The Artist's Wife Reading (1949).
Katera dela umetnika Viggo Rørup so v muzeju Statens Museum For Kunst?Preberite odgovor
Muzej Statens Museum For Kunst, Kopenhagen hrani 3 del z te strani, med katerimi so tudi The Artist's Wife Reading, The Artist's Wife Sewing in Forest Path.
Spoznajte slikarja: Viggo Rørup
Early Life, Training and Family
Viggo Rørup enters the scene in Kalundborg, Denmark, born on 12 September 1903. His path leads toward the formal rigor of the Royal Danish Academy of Fine Arts. Between 1927 and 1930, he undergoes his professional training within the academy's walls. He studies under the guidance of Ejnar Nielsen and Sigurd Wandel, absorbing the technical foundations that will define his early years as a painter.
Life and art become intertwined in 1937. He marries the artist Ellen Krause, a woman who shares his vocation. The union forms a partnership of creators, as she becomes known as Ellen Krause Rørup. This connection places him firmly within a circle of fellow painters, anchoring his personal life to the professional landscape of the Danish art scene.
The Odsherred Painters and Artistic Circles
In 1927, the landscape of northwestern Zealand begins to shift as Viggo Rørup moves into a house in Kårup Bakker. This move places him at the heart of the Odsherred Painters, an artists' colony that would define much of his professional life. He enters this circle as one of the first members, joining a group that includes Karl Bovin and Kaj Ejstrup. The community settles into the local terrain, turning their backs on the abstract movements of the city to focus on the immediate reality of the Danish countryside.
His connection to these circles deepens through both professional and personal ties. In 1937, he marries the artist Ellen Krause, who is also a member of the Odsherred Painters. Their lives and work become intertwined within this specific geographic and creative enclave. Beyond the local colony, Rørup maintains a presence in the broader Danish art scene. From 1942, he is a member of the Corner artists association, exhibiting alongside other established figures. His influence extends into the administrative side of the art world through his role as a board member of Kunst for varer.
Travels and Artistic Evolution
The early works of Viggo Rørup carry a heavy, dark quality. During this initial phase, his focus remains fixed on the human form, working primarily as a figure painter. This concentration on portraits and people persists until 1940, when his artistic scope begins to shift toward the natural world.
A pivotal change occurs following a period spent in France. The influence of the French landscape and light transforms his approach; the somber tones of his youth give way to a brighter palette and more intense colors. This shift marks a transition from his earlier preoccupation with figures toward a broader interest in landscapes and still lifes. His brushwork begins to form a complex webbing of light and shade, moving toward an impressionistic style that occasionally approaches pointillism.
The 1950s bring a period of movement. Rørup travels extensively through Europe, visiting England, Italy, Greece, and Morocco. These excursions serve as a source of constant visual input, as he produces a vast collection of drawings and sketches across various countries. His work remains tied to the observation of his surroundings, whether through the structured composition of a still life or the shifting light of a landscape.
Technique and Artistic Style
The early works of Rørup carry a heavy, somber quality, defined by a dark palette. This gravity shifts abruptly following his time in France. The influence of the Impressionists transforms his approach, replacing shadows with a bright, intense application of color. He begins to construct a complex webbing of light and shade across the canvas, moving away from the muted tones of his youth toward a more luminous execution.
By the 1940s, his technique settles into a distinct Impressionistic mode. The brushwork becomes more deliberate, at times approaching the structured application of Pointillism. This evolution marks a departure from the strict naturalist painting favored by the Odsherred Painters, even as he remains tied to their focus on the landscape. His compositions capture the interplay of light through a fragmented, rhythmic application of pigment.
- Rødvinsselskabet (1967)
Exhibitions and Notable Works
The public debut of Viggo Rørup occurs in 1928 at the Kunstnernes Efterårsudstilling. This early appearance marks the beginning of a career that moves through the Danish art scene, eventually finding a place at Charlottenborg. His presence in the exhibition circuit extends far beyond the borders of Denmark. His canvases travel to Rostock, Stockholm, and Ukraine, reaching audiences across Northern and Eastern Europe.
His later output remains tied to the landscape of his home. One significant work, Rødvinsselskabet (1967), resides within the collection of the Odsherreds Kunstmuseum. This piece, alongside his other compositions, reflects the shift in his visual language that occurred after his travels. His work continues to be a point of interest for regional museums, such as when Rødvinsselskabet was featured in the Hverdagen er en fest exhibition at the Odsherreds Museum.