River scene (1910) je slika, po kateri je najbolj znan Walter Wright; pripada muzeju Auckland Art Gallery Toi o Tāmaki, Auckland. Shelly Beach (1916) in The Canoe Builders (1915) dopolnjujeta trio najbolj priljubljenih platn. Naš katalog vsebuje 8 del avtorja Walter Wright. Tukaj je 8 najbolj znanih delov, vključno z letom nastanka, muzejom in zgodbojo vsakega platna.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Walter Wright | Slike iz tega seznama |
|---|---|---|---|
| Auckland | 8 | River scene, Shelly Beach, The Canoe Builders |
River scene (1910), Auckland Art Gallery Toi o Tāmaki, Auckland. sledita Shelly Beach (1916) in The Canoe Builders (1915).
Walter Wright, rojen leta 1866, je imel 44 let: River scene datira iz leta 1910.
V našem katalogu je 8 del umetnika Walter Wright, datiranih od 1898 do 1916.
Večinoma v Auckland Art Gallery Toi o Tāmaki (Auckland); zgornji seznam navaja vsak muzej in njegova platna.
V obdobju 1910s, ki je vključilo 4 od 8 del na tej strani, je med njimi tudi River scene.
Najstarejše platno tukaj je A Quiet stream, Hangitiki (1898); najstarejše je Shelly Beach (1916).
Muzej Auckland Art Gallery Toi o Tāmaki, Auckland hrani 8 del z te strani, med katerimi so tudi River scene, Shelly Beach in The Canoe Builders.
Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.
Born in Nottingham, England, Walter Wright emigrated to New Zealand with his family following the death of his father. Settling in Auckland, he began his professional journey as an upholstery apprentice on Shortland Street. His artistic talent emerged early, and he began exhibiting with the Auckland Society of Arts, where his seaside scenes were noted for their inherent genius. Seeking further refinement, Wright and his brother Frank returned to England to study at the Heatherley Art School, where Walter studied under Stanhope Forbes.
Upon returning to New Zealand, Wright established a studio in Auckland, where he worked as both an artist and a teacher. His career was marked by extensive travels throughout the country, producing a series of seventy-five watercolours that illustrated William Pember Reeves' book, New Zealand. He also contributed work to Frank Fox's Oceania.
Wright became a leading exponent in the depiction of Māori life and culture. His subject matter was diverse, ranging from everyday scenes of women washing clothes in hot pools and harvesting crops to large social gatherings. His work A Native Gathering received significant praise at the Auckland Society of Arts' 1910 annual exhibition. Other notable works include The Canoe Builders, a collaboration with his brother Frank, and The Burning of the Boyd, Whangaroa Harbour, 1809, which was acclaimed as the finest picture at the 1908 exhibition.
In his later years, Wright's output was impacted by failing eyesight, leading him to cease teaching. Following the death of his brother Frank in 1923, he became somewhat reclusive. He died in Auckland, leaving behind a legacy of works held in significant collections, including the Auckland Art Gallery Toi o Tāmaki.