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      William Small, 1843 – 1929

      1 najbolj znanih slik umetnika William Small

      The Last Match (1887) je slika, po kateri je najbolj znan William Small. Naš katalog vsebuje 1 del avtorja William Small. Tukaj je 1 najbolj znanih delov, vključno z letom nastanka, muzejom in zgodbojo vsakega platna.

      Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako sliko na tej strani je mogoče naročiti kot ročno slikano oljno reprodukcijo na lanenem platnu ali kot umetniški natisk, izdelan v izbrani velikosti.

      Portret William Small
      William Small · 1843 – 1929
      Rodil se · umrl
      1843 – 1929, Edinburgh
      Delo v našem katalogu
      1
      Najbolj znana
      The Last Match (1887)

      Deset najbolj priljubljenih slik umetnika William Small

      Najbolj znana platna umetnika William Small, leta za letom

      Vsi platna z letom 1887, ki jih je naslikal William Small, so na tej strani predstavljena v kronološkem redu po njihovi slavi.

      1. 1887

      Plotna dela umetnika William Small, odgovor po odgovoru

      Za katero platno je William Small najbolj znan?Preberite odgovor

      The Last Match (1887)

      The Last Match: koliko je bil William Small star, ko je bilo to naslikano?Preberite odgovor

      William Small, rojen leta 1843, je imel 44 let: The Last Match datira iz leta 1887.

      Koliko slik je ustvaril William Small?Preberite odgovor

      V našem katalogu je 1 del umetnika William Small.

      Kje lahko kupim reprodukcijo slike avtorja William Small?Preberite odgovor

      Da. Vsako sliko na tej strani lahko naročite na njeni lastni strani kot ročno naslikano oljno reprodukcijo ali kot umetniški natisk v izbrani velikosti.

      Spoznajte slikarja: William Small

      A Life in Lines and Light

      Born in Edinburgh, United Kingdom, in 1843, William Small occupied a significant space in the visual landscape of the Victorian era. He was a man of many mediums, moving with ease between the precision of a draftsperson and the fluid grace of a watercolorist. His career was defined by a prolific output that reached far beyond the walls of private studios, finding its way into the hands of the public through the pages of noted periodicals such as The Graphic, Good Words, and Once a week. He possessed a particular ability to translate complex narratives into striking illustrations, a skill that earned him a reputation as one of the most successful illustrators of his time.

      His technical range was vast. Whether working in oil on canvas or through the delicate application of lithography, Small demonstrated a mastery over his tools. His work often leaned toward the Idyllic school, a style that favored a certain sense of peace and pastoral beauty. This inclination is visible in his ability to capture the quietude of nature and the subtle tensions of human interaction.

      The Breadth of a Victorian Career

      Small’s professional life was marked by a steady accumulation of accolades and institutional recognition. His contributions to the arts were not confined to a single genre, but rather spanned the essential disciplines of the nineteenth-century illustrator and painter. His reach extended from the bustling centers of London to the galleries of Manchester, Liverpool, and Leicester.

      His professional identity was shaped by several key roles and honors:

      • Painter and watercolorist
      • Illustrator for major periodicals
      • Draftsperson and lithographer
      • Recipient of the R.I. and H.R.S.A. titles

      The Final Chapter

      As the decades progressed, Small’s influence remained steady, even as the artistic sensibilities of the era began to shift. He remained a fixture of the British art scene until his death in Worcester, England, in 1929. His legacy is preserved not merely in individual canvases, but in the historical record of the periodicals that relied on his hand to bring stories to life. From the quietude of The woodlands to the more spirited scenes of The Last Match, his work remains a window into the visual language of a bygone age.