Atelje — Besplatna dostava širom sveta — Rok isporuke: 2–6 nedelja
      Tiziana Pers, rođen 1976

      Tiziana Pers: 5 najpoznatijih dela

      Od svih slika umetnika Tiziana Pers, Elephant Song (2016) je najpoznatija; nalazi se u muzeju THAT'S CONTEMPORARY, Milan. Odmah za njima su I see you (2014) i I see you (2014). Od 5 dela umetnika Tiziana Pers u našem katalogu, ovih 5 su najpoznatija, a svako od njih prikazano je sa datumom nastanka, muzejom i pričom.

      Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026.

      Portret Tiziana Pers
      Tiziana Pers · rođen 1976
      Rođen · umro
      rođen 1976, Udine
      Radovi u našem katalogu
      5
      Najpoznatije
      Elephant Song (2016)
      Najviše dela u
      THAT'S CONTEMPORARY

      10 najpoznatijih dela umetnika Tiziana Pers

      Gde se nalaze platna umetnika Tiziana Pers

      1 muzeja u kojima se nalazi najviše slika sa ove stranice.

      Muzej Grad Radovi umetnika Tiziana Pers Slike iz ovog spiska
      THAT'S CONTEMPORARY, MilanTHAT'S CONTEMPORARY Milan 5 Elephant Song, I see you, I see you

      Godina za godinom: najpoznatija platna umetnika Tiziana Pers

      Samo 3 godine, od 2014 do 2016, razlikuju datirana platna Tiziana Pers na ovoj stranici: evo svake godine u boji.

      1. 2014
        I see you (2014) čiji je Tiziana Pers
        Platno 2 od 5

        I see you

        Godine: 38 · THAT'S CONTEMPORARY
      2. 2014
        I see you (2014) čiji je Tiziana Pers
        Platno 3 od 5

        I see you

        Godine: 38 · THAT'S CONTEMPORARY
      3. 2014
        I see you (2014) čiji je Tiziana Pers
        Platno 4 od 5

        I see you

        Godine: 38 · THAT'S CONTEMPORARY
      4. 2016
      5. 2016

      Vaša pitanja o slikama umetnika Tiziana Pers, odgovorena

      Koje je najpoznatije delo umetnika Tiziana Pers?Pročitajte odgovor

      Elephant Song (2016), THAT'S CONTEMPORARY, Milan. Prate ih I see you (2014) i I see you (2014).

      Koliko je godina imao/la Tiziana Pers u vreme nastanka dela Elephant Song?Pročitajte odgovor

      Tiziana Pers, rođen/a 1976, imao/la je 40 godina: Elephant Song datira iz 2016.

      Koliko je poznato slika umetnika Tiziana Pers?Pročitajte odgovor

      U našem katalogu se nalazi 5 dela umetnika Tiziana Pers, datiranih od 2014 do 2016.

      U kojim muzejima se čuvaju najpoznatija platna umetnika Tiziana Pers?Pročitajte odgovor

      Većinom u THAT'S CONTEMPORARY (Milan); gornja lista navodi svaki muzej i njegova platna.

      U kojim godinama je Tiziana Pers naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 2014, koji obuhvata 3 od 5 dela na ovoj stranici, među njima je i I see you.

      Koja su prva i poslednja poznata platna umetnika Tiziana Pers?Pročitajte odgovor

      Najstarije platno ovde je iz I see you (2014) godine; najnovije je iz Elephant Song (2016) godine.

      Šta mogu da vidim od dela Tiziana Pers u muzeju THAT'S CONTEMPORARY?Pročitajte odgovor

      Muzej THAT'S CONTEMPORARY, Milan čuva 5 dela sa ove stranice, među kojima su i Elephant Song, I see you i I see you.

      Tiziana Pers: priča o umetniku

      A Life Dedicated to Bridging Worlds: The Art of Tiziana Pers

      Tiziana Pers, born in Udine, Italy, in 1976, is a visual artist whose work transcends traditional boundaries, existing at the compelling intersection of art, activism, and philosophical inquiry. Her multidisciplinary practice—encompassing performance, video, drawing, painting, and installation—is fundamentally rooted in an exploration of the complex relationship between humans and nonhuman animals, and a critical examination of systems of dominion and discrimination that permeate our society. Pers doesn’t simply depict this connection; she actively engages with it, challenging viewers to confront their own preconceptions and complicity within these structures. Her journey began with a strong academic foundation—an honors degree followed by a PhD in Comparative Literature focusing on the dialogue between visual arts and literature—which provided her with a robust theoretical framework for her increasingly impactful artistic endeavors.

      The Art_History Project: An Exchange of Value

      At the core of Pers’s practice lies the groundbreaking *Art_History* project, an ongoing series that embodies her commitment to biocentrism and antiespeciesism. This initiative involves exchanging one of her paintings for a sentient being destined for slaughter—a horse, donkey, rabbit, lamb, chicken, pig, or goat, depending on circumstance. The painting is deliberately sized to match the animal it saves, creating a poignant visual equivalence. Crucially, Pers does not choose the animal herself; rather, the selection is made by the butcher or breeder, adding another layer of complexity and challenging conventional notions of artistic control and agency. A legally binding contract formalizes the exchange, transforming art into a tangible instrument for saving lives without relying on monetary transactions. This act raises profound questions about the economic valuation of life—both human and nonhuman—and the very nature of art’s power to effect change. It is not merely an aesthetic gesture but a real-world intervention with significant ethical implications.

      RAVE East Village Residency: A Sanctuary for Dialogue

      Pers's commitment extends beyond individual acts of rescue through *Art_History* into the broader realm of fostering dialogue and collaboration. She co-founded and directs the *RAVE East Village Artist Residency*, a meta-project situated in a small village in Friuli, Italy, populated by animals rescued through her art exchange program. This residency serves as a unique platform for artistic research and production centered on the role and responsibility of contemporary art in relation to “the Otherness” represented by animals. Pers actively invites artists, critics, philosophers, architects, poets, biologists, and activists to engage with these themes, creating a vibrant interdisciplinary community dedicated to rethinking our relationship with the natural world. The residency has hosted notable figures such as Adrian Paci, Ivan Moudov, Regina José Galindo, and Tomàs Saraceno, demonstrating its growing influence within the contemporary art landscape.

      Themes of Biocentrism and Antiespeciesism

      Pers’s work is deeply informed by biocentric philosophy—the belief that all life has inherent value—and antiespeciesism—the rejection of speciesism, which posits human superiority as a justification for exploiting animals. Her exploration extends beyond the ethical treatment of individual animals to encompass broader issues of racism, sexism, colonialism, and violence against ecosystems. She sees these forms of oppression as interconnected, rooted in similar power dynamics and systems of domination. Her artistic interventions—whether through performance actions, video installations, or meticulously rendered paintings—aim to disrupt these structures and promote a more equitable worldview. The *Elephant Song* series, initially focused on the plight of elephants facing extinction, expanded to include sharks, drawing attention to the cruel practice of finning in parts of Asia. Works like *I see you* serve as direct appeals for empathy and recognition, challenging viewers to acknowledge the sentience and inherent worth of all living beings.

      Historical Significance and Ongoing Impact

      Tiziana Pers’s work occupies a unique position within contemporary art, bridging the gap between aesthetic practice and political activism. Her commitment to biocentrism and antiespeciesism is not merely thematic but deeply embedded in her methodology—from the *Art_History* project's radical exchange of value to the collaborative environment fostered by the *RAVE East Village Residency*. She has exhibited extensively in museums, galleries, and institutions across Italy and internationally, including the Civic Museum of Natural History of Trieste, Palazzo Manin (Udine), Castello di Rivoli Museum of Contemporary Art, and Google Arts & Culture. Pers’s ongoing research continues to challenge conventional artistic boundaries and inspire a critical re-evaluation of our relationship with the nonhuman world, solidifying her position as a significant voice in contemporary art and a powerful advocate for social justice.