Format papira

Vodič za studentske radove

Drifting

Ime Razred Datum

Edmund William Greacen, Drifting. Domen javnog dobra. Pogledajte ovo platno pod pokretnim svetlom: crtež, pravu boju ispod vernisa, čisti pigment

Osnovne informacije

Umetnik
Edmund William Greacen topimpressionists.com/sr/artists/edmund-william-greacen/
Podaci o umetniku
1876 – 1949
Originalne dimenzije
40 x 51 cm

U kontekstu

Drifting — Edmund William Greacen

Dimenzije

Originalne dimenzije su 40 × 51 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo možda naslikano?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 73 u smrti.

Osenčeno: životni vek umetnika Edmund William Greacen (1876–1949) svaka datirana slika, deceniju po deceniju

Za ovaj zapis nema tačno navedene godine — na osnovu životnog veka umetnika i stila dela, na koju deceniju biste pretpostavili?

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/edmund-william-greacen-drifting-AQRTPM-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Putty #c7c0b5

    Katalogizovana paleta

    • #C7C0B5
    • #A79D8F
    • #B0B1A6
    • #C5B39D

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Monochrome Dominantna grupa boja na slici.
    Naziv glavne boje
    Putty
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Edmund William Greacen tokom poslednjih dvanaest meseci — ukupno u 1 zemalja. Odakle ovi podaci potiču

    Deset vodećih zemalja

    1. 1 Сједињене Америчке Државе 100,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    2 najposećenijih dela umetnika Edmund William Greacen

    1. 1 Drifting ova slika 66,7%
    2. 2 42nd Street Park Avenue 33,3%

    Zajedno, ova dela privlače 100,0% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 2 dela ovog umetnika, od kojih je 2 pregledano barem jednom. Ova slika zauzima 1 mesto među njima, sa 66,7% te pažnje. Isto važi i za mesec po mesec

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Edmund William Greacen

    Edmund William Greacen: A New York Impressionist’s Journey Through Europe and Beyond

    Edmund William Greacen (1876-1949) stands as a significant, yet often overlooked, figure in the American Impressionist movement. Born into a privileged background in New York City—his father an immigrant shoe merchant who amassed considerable wealth—Greacen’s early life was marked by both comfort and a yearning for artistic expression. This unique confluence of circumstance shaped his trajectory, leading him from a childhood spent amidst the burgeoning skyscrapers of Manhattan to a lifelong pursuit of capturing light and atmosphere across Europe and beyond. His career spanned nearly four decades, during which he established himself as a respected painter, educator, and influential figure in the New York art scene.

    Early Life and Artistic Beginnings

    Edmund Greacen’s story begins in 1876, amidst the rapid industrialization of New York City. His father, Thomas Edmund Greacen, a shrewd businessman who arrived from Scotland in 1868, provided his family with a comfortable existence—a sprawling brownstone at 6 West 50th Street (now occupied by Rockefeller Center) and a summer estate in Sullivan County. This privileged upbringing initially steered young Edmund toward more conventional pursuits – a degree from New York University, followed by a “shoe-selling world cruise” orchestrated by his father as a distraction from his burgeoning interest in the Spanish–American War. However, this seemingly frivolous journey ignited a genuine passion for art, leading him to enroll at the prestigious Art Students League of New York and later study under William Merritt Chase at the New York School of Art.

    Crucially, Greacen’s artistic development was profoundly influenced by his mentor, Chase. Chase's emphasis on plein air painting—working directly from nature—became a cornerstone of Greacen’s technique. He also benefited immensely from the tutelage of Robert Henri, Louis Mora, and Everett Shinn, all prominent figures in the American modernist movement. These formative years laid the groundwork for his distinctive style, characterized by luminous color palettes, loose brushwork, and an acute sensitivity to light and atmosphere.

    European Exploration and Artistic Maturation

    In 1905, Greacen embarked on a transformative journey with Chase’s class to Spain, followed by extended studies in the Netherlands, Belgium, and England. This immersion in European art—particularly the Impressionist traditions of Monet, Renoir, and Pissarro—proved pivotal to his artistic evolution. Notably, he spent a summer near Claude Monet at Giverny, France, an experience that deeply resonated with him. While he never formally met Monet, the proximity to the master’s home and studio profoundly influenced his approach to painting, particularly his fascination with water lilies and the play of light on foliage.

    His marriage to Ethol Booth in 1904 further fueled this artistic exploration. Ethol, an art student herself, became a constant companion and model for Greacen’s plein air paintings. The family relocated to Giverny in 1907, creating a vibrant artistic community centered around the American expatriates who flocked to the region. This period marked a significant shift in his style—a move toward capturing fleeting moments of light and color with an increasingly expressive brushstroke.

    New York Contributions: Education and Artistic Legacy

    Returning to New York City in 1910, Greacen established a studio that would remain his base for the remainder of his career. He also played a vital role in shaping the next generation of American artists by founding and directing the Grand Central School of Art in 1917—a pioneering institution that offered comprehensive instruction in various artistic disciplines. The school’s success reflected Greacen's commitment to fostering artistic talent and promoting contemporary art.

    Beyond his teaching, Greacen was a prolific painter, producing a vast body of work encompassing landscapes, portraits, and still lifes. His paintings are characterized by their vibrant colors, atmospheric perspective, and a subtle sense of melancholy—a reflection of the changing world around him. He achieved recognition for his work through exhibitions at prestigious galleries such as Macbeth Gallery and the Salmagundi Club, culminating in the coveted Samuel T. Shaw Prize in 1922. His influence extended beyond individual works; he was instrumental in establishing the Grand Central Art Galleries, a cooperative that provided artists with a platform to showcase their art and build professional networks.

    A Lasting Impression

    Edmund William Greacen’s career spanned over seven decades, during which he left an indelible mark on the American art landscape. His paintings, now held in collections such as the Smithsonian Institution, continue to captivate viewers with their luminous beauty and evocative atmosphere. More than just a painter, Greacen was a teacher, mentor, and advocate for the arts—a true pioneer who helped shape the course of Impressionism in America. His legacy endures not only through his artistic output but also through his contributions to art education and the vibrant cultural community he fostered in New York City.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Drifting

    topimpressionists.com/sr/art/download/edmund-william-greacen-drifting-AQRTPM-en/

    Citiranje ovog umetničkog dela

    MLA
    Greacen, Edmund William. Drifting. n.d., https://topimpressionists.com/sr/art/edmund-william-greacen-drifting-AQRTPM-en/
    APA
    Greacen, Edmund William (n.d.). Drifting [Painting]. https://topimpressionists.com/sr/art/edmund-william-greacen-drifting-AQRTPM-en/
    Chicago
    Edmund William Greacen. Drifting. n.d. https://topimpressionists.com/sr/art/edmund-william-greacen-drifting-AQRTPM-en/
    Harvard
    Greacen, Edmund William (n.d.) Drifting. Available at: https://topimpressionists.com/sr/art/edmund-william-greacen-drifting-AQRTPM-en/

    Pogledajte pažljivije

    Drifting — Edmund William Greacen

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (u našem katalogu ih je izbrojano 1 — slažete li se?)
    4. Vratite se na 42nd Street Park Avenue, ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom i jednu koja ih razlikuje.
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koji je format dela "Drifting"?

    „Drifting”, Edmund William Greacen je kompozicija u Landscape formatu. Vredno je proveriti proporcije pre odabira veličine printa.

    Mogu li da gledam "Drifting" kao prezentaciju preko celog ekrana?

    Delo „Drifting”, Edmund William Greacen možete pogledati u obliku prezentacije na stranici Diaporama za ovo umetničko delo.

    Koliko je zasićena paleta dela "Drifting"?

    „Drifting”, Edmund William Greacen je zabeležen sa Muted zasićenjem.