Vodič za studentska umetnička dela
Autorska prava Ovo delo je u javnom vlasništvu. Francisco Oller je preminuo/la 1917. godine; autorska prava traju 70 godina nakon smrti umetnika, pa su prestala 1987.
U kontekstu
Mangoes — Francisco Oller
Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 84 u smrti.
Naslikano kada je umetnik imao 70 godina. Umetnik je doživeo 84. 10 od ukupno 12 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.
Osenčeno: životni vek umetnika Francisco Oller (1833–1917) ▲ ovo delo, 1903 svaka datirana slika, deceniju po deceniju
Prva dela: do 1896 Glavne radne godine: 1896–1900 Kasna dela: od 1900
Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika
Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.
Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/francisco-oller-mangoes-AQRDTZ-en/
Izmereno na osnovu slike
Glavna boja
Walnut #6d5b3f
Katalogizovana paleta
Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji
Deset vodećih zemalja
Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.
Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 12 dela ovog umetnika, od kojih je 6 pregledano barem jednom. Ova slika zauzima 1 mesto među njima, sa 43,8% te pažnje. Isto važi i za pojedinačne mesece
Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.
Umetnik i muzej
Rođen/a u Bayamón, Puerto Rico
Born: June 17, 1833, in Bayamón, Puerto Rico
Parents: Cayetano Juan Oller y Fromesta and María del Carmen Cestero Dávila
Began studying art at age eleven under Juan Cleto Noa.
Demonstrated exceptional talent early on.
In 1848, General Juan Prim offered him a scholarship to study in Rome, but his mother declined.
At eighteen, moved to Madrid, Spain, to study at the Royal Academy of San Fernando under Don Federico de Madrazo y Kuntz.
Studied in Paris, France, under Thomas Couture and Gustave Courbet.
Early training emphasized European techniques and academic painting.
Exposure to Gustave Courbet's Realism significantly influenced his approach.
Associated with avant-garde artists like Paul Cézanne, Camille Pissarro, and Claude Monet in Paris.
Became known as the first Puerto Rican and Hispanic Impressionist artist by 1865.
Synthesized European Realism and Impressionism with Puerto Rican subject matter: landscapes, customs, social realities.
Hacienda la Fortuna (1885): Demonstrates his skill in landscape painting.
La Escuela del Maestro Rafael Cordero (1890–1892): Reflects Puerto Rican culture and society.
El Velorio (1893): A significant masterpiece depicting a child's wake, critiquing social conditions.
His style combined elements of Realism and Impressionism.
Frequently depicted scenes from Puerto Rican life, showcasing its landscapes and people.
Founded the Free Academy of Art of Puerto Rico in 1868.
Established an art school for young women later known as the Universidad Nacional.
Honored by Spain with membership in the Caballeros de la Orden de Carlos III and served as official painter to the Royal Court of Amadeo I.
Considered a pivotal figure in Caribbean and Latin American art, bridging European styles with Puerto Rican identity.
His work is displayed in museums worldwide, including the Louvre.
Died on May 17, 1917, in San Juan, Puerto Rico.
Numerous institutions and places are named after him, recognizing his significant contributions to art and education.
Oller's work represents a unique fusion of European artistic movements with Caribbean cultural identity.
He played a crucial role in the development of modern art in Puerto Rico.
His paintings offer valuable insights into 19th-century Puerto Rican society, culture, and colonial experiences.
As the only Hispanic Impressionist artist, he holds a distinctive place in art history.
He revolutionized the school of painting in his native Puerto Rico.
topimpressionists.com/sr/art/download/francisco-oller-mangoes-AQRDTZ-en/
Pogledajte pažljivije
Mangoes — Francisco Oller
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Štampu dela „Mangoes”, autor Francisco Oller možete naručiti direktno na njegovoj stranici za Umetnički print: umetnička štampa na pamučnom platnu ili arhivskom kanvas papiru.
Analiza boja dela „Mangoes”, autor Francisco Oller beleži Statement kontrast i Discordant Palette harmoniju.
„Mangoes”, autor Francisco Oller ima luminancu od Bright Balance. Luminanca opisuje koliko se čini da boje reflektuju svetlosti.