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Vodič za studentska umetnička dela

June

Ime Razred Datum

Фредерик Хассам, June (1905). Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Фредерик Хассам topimpressionists.com/sr/artists/frederik-khassam_sr/
Datumi umetnika
1859 – 1935
Slikano
1905
Medijum
Oil On Canvas
Pokret
American Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Artistic style
Light-infused landscapes
Notable elements or techniques
Naturalistic depiction
Subject or theme
Nude figures & Tranquil scenery

U kontekstu

June — Фредерик Хассам

Kada je ovo naslikano?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 76 u smrti.

Naslikano kada je umetnik imao 46 godina. Umetnik je doživeo 76. 308 od ukupno 516 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Фредерик Хассам (1859–1935) ▲ ovo delo, 1905 svaka datirana slika, deceniju po deceniju

Prva dela: do 1892 Glavne radne godine: 1892–1910 Kasna dela: od 1910

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/frederick-childe-hassam-june-8DP6QF-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Espresso #5a4c21

    Katalogizovana paleta

    • #5A4C21
    • #CBBC9D
    • #93938B
    • #957F45

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv primarne boje
    Espresso
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Balanced Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Фредерик Хассам tokom poslednjih dvanaest meseci — ukupno u 25 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 65,1%
    2. 2 Сједињене Америчке Државе 7,2%
    3. 3 Сингапур 6,8%
    4. 4 Аргентина 4,3%
    5. 5 Хонг Конг 3,8%
    6. 6 Румунија 3,8%
    7. 7 Аустралија 3,1%
    8. 8 Француска 2,0%
    9. 9 Мексико 0,5%
    10. 10 Канада 0,3%
    11. · 15 ostalih zemalja 3,1%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Фредерик Хассам

    1. 1 Couch on the Porch, Cos Cob, 1914 3,0%
    2. 2 Sunset at Sea, 1911 2,2%
    3. 3 Celia thaxter's Garden, Isles of Shoals, Maine, 1890 2,2%
    4. 4 Mrs. Hassam in the Garden, 1896 2,2%
    5. 5 Mount Vernon Street, Boston, 1890 2,0%
    6. 6 The Water Garden, 1909 1,6%
    7. 7 Lady in the Park (also known as In the Garden), 1897 0,9%
    8. 8 Street in Pont Aven - Evening, 1897 0,9%
    9. 9 Reflections (Kitty Hughes), 1917 0,7%
    10. 10 Tuileries Gardens, 1897 0,7%
    11. 11 July Fourteenth, Rue Daunou, 1910 0,7%
    12. 12 Bowl of Goldfish 0,6%
    13. 13 Poppies on the Isles of Shoals, 1890 0,6%
    14. 14 Surf, Isles of Shoals, 1913 0,6%
    15. 15 The Fourth of July, 1916 (also known as The Greatest Display of the American Flag Ever Seen in New York, Climax of the Preparedness Parade in May), 1916 0,6%
    16. 16 Gloucester, 1899 0,6%
    17. 17 The Hovel and the Skyscraper, 1904 0,6%
    18. 18 Rooftops: Pont-Aven, 1897 0,6%
    19. 19 Rainy Midnight 0,6%
    20. — June, 1905 ova slika 0,0%

    Zajedno, ova dela zauzimaju 21,9% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 757 dela ovog umetnika, od kojih je 374 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    June — Фредерик Хассам

    A Moment Frozen in Time: Exploring Frederick Childe Hassam’s “June”

    Frederick Childe Hassam's "June," painted in 1905, isn’t merely a depiction of two nude women basking in the sun; it’s an embodiment of Impressionist ideals—a celebration of fleeting beauty and the transformative power of light. Created during America’s Gilded Age, this oil on canvas captures a quintessential summer afternoon scene nestled within New England's tranquil landscape. Hassam, rejecting the academic conventions prevalent at the time, prioritized capturing immediate sensory experience rather than striving for photographic realism. This approach is evident in his masterful use of color—warm yellows and oranges dominate the palette, reflecting the radiant sunlight filtering through the trees—creating an atmosphere brimming with warmth and optimism.

    Subject Matter: The painting centers around two nude women positioned gracefully beside a body of water, likely a lake or pond. Their poses convey relaxation and contentment, inviting viewers to contemplate the serenity of nature.

    Style & Technique: Hassam’s Impressionist style is characterized by loose brushstrokes and broken color—a technique pioneered by artists like Claude Monet and Georges Seurat. Instead of blending colors seamlessly, Hassam applied pigment in small dots or dashes, allowing the viewer's eye to blend them optically. This method maximizes luminosity and conveys a sense of movement.

    Historical Context: “June” reflects the broader artistic currents of its era—the burgeoning interest in plein air painting (painting outdoors) and the desire to depict everyday life with honesty and sensitivity. Hassam’s work aligns with the broader Impressionist movement's rejection of traditional subject matter and stylistic conventions.

    The inclusion of trees and birds serves as more than mere decorative elements; they symbolize renewal and vitality—themes central to the Impressionist preoccupation with capturing the rhythms of seasonal change. The dappled sunlight filtering through the foliage reinforces this sense of organic beauty, mirroring the natural world’s ephemeral qualities. Furthermore, Hassam's meticulous attention to detail—particularly in rendering the textures of skin and water—demonstrates his commitment to portraying reality as perceived by the senses.

    Similar Works: Hassam’s “Shoveling Snow,” also executed in 1905, exemplifies his versatility and ability to convey emotion through landscape painting. Both pieces showcase his profound understanding of how light interacts with color and form, cementing his legacy as one of America's foremost Impressionist painters. You can admire Hassam’s artistic vision at the Huntington Museum of Art.

    Ultimately, “June” transcends its visual representation; it evokes a feeling of peaceful contemplation—a reminder to appreciate the simple pleasures of life and to embrace the beauty that surrounds us. Its enduring appeal lies in Hassam's ability to distill complex emotions into a single frame, creating an artwork that continues to inspire awe and wonder. Explore high-quality reproductions at AllPaintingsStore.com for a glimpse into this timeless masterpiece.

    Umetnik i muzej

    Umetnik

    Фредерик Хассам

    Rođen/a u Бостон, САД

    A Pioneer of American Impressionism: The Life and Art of Frederick Childe Hassam

    Frederick Childe Hassam was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, he championed artistic independence and helped to establish Impressionism as a legitimate movement within the United States. His unwavering commitment to capturing light and color—traits that would define his entire oeuvre—secured his place among the most influential figures in American art history.

    Born in Boston on October 17, 1859, Hassam’s early life was marked by an innate fascination with drawing and painting. Unlike many aspiring artists of his time who pursued formal training abroad, Hassam honed his skills primarily through self-study and practical experience, initially honing his craft as an illustrator for publications like Harper's Weekly and Scribner’s Monthly. This formative period instilled in him a keen observational eye—a characteristic that would become central to his distinctive artistic style. He possessed a remarkable ability to distill complex visual information into simplified forms, prioritizing clarity of composition and tonal harmony above elaborate ornamentation.

    Early Career and Influences: From Illustration to Landscape Painting

    Hassam’s initial professional endeavors focused on illustration work for periodicals, providing him with invaluable experience in capturing fleeting moments and conveying narrative through visual imagery. This early exposure to printmaking techniques—particularly etching—influenced his later artistic explorations and contributed to the development of his signature tonalist style. He drew inspiration from European Impressionists like Claude Monet and Edgar Degas, absorbing their innovative approaches to color and brushwork while simultaneously forging a path toward artistic expression that was uniquely American. Monet’s exploration of atmospheric effects—particularly the interplay of light and shadow—served as a guiding principle for Hassam's landscapes, encouraging him to prioritize tonal gradations over precise delineation. Similarly, Degas’s depictions of dancers—characterized by dynamic poses and subtle gestures—inspired Hassam’s interest in capturing movement and conveying emotion through visual form.

    The Urban Landscape: Capturing the Spirit of Modern New York

    Hassam's artistic vision centered on portraying the vibrant energy of urban life, particularly New York City. He recognized that Impressionism could transcend mere topographical representation, transforming ordinary scenes into evocative expressions of mood and atmosphere. His paintings—such as The Soaring Staircase (1895) and Fifth Avenue at Dusk (1897)—capture the bustling activity of city streets with remarkable precision and sensitivity. Hassam skillfully employed color palettes that mirrored the changing light conditions, creating luminous compositions that conveyed a palpable sense of immediacy. He wasn’t merely documenting architectural structures; he was conveying the psychological impact of urban environments—the exhilaration of movement, the quiet contemplation of domestic interiors, and the social interactions that shaped daily life.

    Notable Achievements: Artistic Independence and Recognition

    Hassam's unwavering dedication to artistic independence culminated in his involvement with “The Ten American Painters,” a collective founded in 1897 as a defiant assertion against the conservative biases of the Society of American Artists. This group—which included luminaries like John Henry Twachtman, Willard Leroy Metcalf, and Edmund Tarbell—challenged prevailing academic conventions and championed a more progressive aesthetic sensibility. Hassam served as the inaugural president of The Ten, solidifying his leadership role within the burgeoning American art scene. His commitment to portraying American subjects—particularly landscapes and urban vistas—earned him widespread acclaim and cemented his reputation as one of the foremost Impressionist painters of his era.

    Legacy: An Enduring Influence on Subsequent Artists

    Frederick Childe Hassam passed away in East Hampton, New York, on August 27, 1935, leaving behind a prodigious artistic legacy that continues to inspire artists today. His pioneering exploration of tonalism—characterized by subtle gradations of color and meticulous attention to detail—established a distinctive stylistic tradition within American Impressionism. Hassam’s unwavering belief in capturing the essence of his time—the dynamism of urban life and the beauty of the natural world—remains profoundly relevant, reminding us that art can serve as both a reflection of history and a catalyst for creative innovation. His paintings—particularly those depicting American flags—stand as enduring symbols of patriotism and civic pride, securing his place among the most revered figures in American artistic heritage.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje June

    topimpressionists.com/sr/art/download/frederick-childe-hassam-june-8DP6QF-en/

    Citiranje ovog umetničkog dela

    MLA
    Хассам, Фредерик. June. 1905, https://topimpressionists.com/sr/art/frederick-childe-hassam-june-8DP6QF-en/
    APA
    Хассам, Фредерик (1905). June [Painting]. https://topimpressionists.com/sr/art/frederick-childe-hassam-june-8DP6QF-en/
    Chicago
    Фредерик Хассам. June. 1905. https://topimpressionists.com/sr/art/frederick-childe-hassam-june-8DP6QF-en/
    Harvard
    Хассам, Фредерик (1905) June. Available at: https://topimpressionists.com/sr/art/frederick-childe-hassam-june-8DP6QF-en/

    Pogledajte pažljivije

    June — Фредерик Хассам

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: nude figures, landscape painting, outdoor scene. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Sunset at Sea (1911), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. American Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koju emociju prenosi „June”, autor Фредерик Хассам?

    „June“ je povezano sa Calm osećajem. Emocionalni ton opisuje utisak koji delo ostavlja.

    Kakvu atmosferu odiše "June"?

    „June”, autor Фредерик Хассам se opisuje kao delo Serene raspoloženja. Ovakva klasifikacija može pomoći u uklapanju dela u određeni ambijent.

    Koju paletu boja i kakav osećaj spaja "June"?

    Neutrals paleta dela „June”, autor Фредерик Хассам skladno se uklapa sa njegovim Calm emocionalnim tonom. Boja je jedan od načina na koji umetničko delo prenosi osećaj.