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Roses

Ime Razred Datum

George Cochran Lambdin, Roses (1878). Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
George Cochran Lambdin topimpressionists.com/sr/artists/george-cochran-lambdin/
Datumi umetnika
1830 – 1896
Slikano
1878

U kontekstu

Roses — George Cochran Lambdin

Kada je ovo naslikano?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 66 u smrti.

Naslikano kada je umetnik imao 48 godina. Umetnik je doživeo 66. 17 od ukupno 26 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika George Cochran Lambdin (1830–1896) ▲ ovo delo, 1878 svaka datirana slika, deceniju po deceniju

Prva dela: do 1870 Glavne radne godine: 1870–1878 Kasna dela: od 1878

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

  • Roses, 1878 topimpressionists.com/sr/art/george-cochran-lambdin-roses-D2ZVKQ-en/
  • Roses and Azaleas, 1880 topimpressionists.com/sr/art/george-cochran-lambdin-roses-and-azaleas-8YDS92-en/
  • Vase of Flowers, 1875 topimpressionists.com/sr/art/george-cochran-lambdin-vase-of-flowers-D38MWF-en/

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/george-cochran-lambdin-roses-8YDS8Z-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Espresso #5a5041

    Katalogizovana paleta

    • #5A5041
    • #DED29E
    • #AB925E
    • #111D24

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Espresso
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Bold Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao George Cochran Lambdin tokom poslednjih dvanaest meseci — ukupno u 1 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 100,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    12 najposećenijih dela umetnika George Cochran Lambdin

    1. 1 Side of a Greenhouse, 1870 9,1%
    2. 2 Drawing the Elephant, 1859 9,1%
    3. 3 Roses on a Wall, 1877 9,1%
    4. 4 Winter Quarters in Virginia - Army of the Potomac, 1866 9,1%
    5. 5 The Last Sleep, 1858 9,1%
    6. 6 The Little White Heifer, 1876 9,1%
    7. 7 The Courtship, 1864 9,1%
    8. 8 Roses in a Vase, 1872 9,1%
    9. 9 Climbing Roses, 1882 9,1%
    10. 10 Floral Still Life, 1878 9,1%
    11. 11 Still LIfe with Roses and Fuchsia, 1873 9,1%
    12. — Roses, 1878 ova slika 0,0%

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 28 dela ovog umetnika, od kojih je 11 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    George Cochran Lambdin

    Rođen/a u Pittsburgh, United States of America

    A Florist's Vision of Victorian America

    George Cochran Lambdin (1830-1896) stands as a singular figure in American art history—a painter who dedicated his artistic life to capturing the exquisite beauty of flowers, specifically roses, during the Victorian era. Born in Pittsburgh, Pennsylvania, Lambdin’s artistic journey began under the tutelage of his father, James Reid Lambdin, a celebrated portraitist whose influence undoubtedly shaped George's early sensibilities towards meticulous observation and skillful representation. Studying at the Pennsylvania Academy of Fine Arts in Philadelphia solidified his technical foundation, allowing him to hone his craft amidst a burgeoning artistic community. His early years were marked by a transition from the shadows of his father's prestigious legacy into a distinct voice that would eventually find its most profound expression in the delicate petals of botanical subjects.

    Lambdin’s career unfolded against the backdrop of the American Civil War, a period that introduced a more somber and humanistic dimension to his repertoire. Recognizing the need for morale-boosting imagery amongst Union soldiers, he volunteered with the United Sentary Commission and skillfully documented camp life—scenes rendered with remarkable detail and sensitivity—often featuring depictions of soldiers interacting with their surroundings. These works weren't merely aesthetically pleasing; they served as tangible reminders of home and offered solace to those serving on the front lines. His artistic output during this era reflected a profound empathy for the human condition, mirroring the broader Victorian preoccupation with moral responsibility and social reform, as he moved between capturing grander genre scenes of women and children and the gritty realities of wartime domesticity.

    The Mastery of Botanical Elegance

    Despite facing health challenges in his later years, Lambdin persevered in his passion for floral painting, establishing himself in Germantown, Philadelphia. This period witnessed an astonishing transformation—Lambdin transitioned from capturing grand portraits and genre scenes to immersing himself in the subtle nuances of botanical art. He meticulously studied flower specimens, employing techniques honed by generations of artists before him, yet injecting them with a distinctly Victorian aesthetic. The resulting paintings are characterized by luminous color palettes and textured surfaces that breathe life into every bloom.

    His later works, particularly his celebrated studies of roses, represent the pinnacle of his technical achievement. In these compositions, Lambdin achieved a sense of trompe l'oeil realism, where the velvety texture of a petal or the dewdrop clinging to a stem feels almost tactile. This dedication to the botanical world was likely inspired by Philadelphia itself, which at the time was affectionately known as the "City of Flowers." Through his brush, the ephemeral beauty of nature was granted a sense of permanence, turning simple floral arrangements into profound meditations on life, fragility, and the enduring grace of the natural world.

    Legacy and Artistic Significance

    The historical significance of George Cochran Lambdin lies in his ability to bridge the gap between the formal traditions of 19th-century portraiture and the intimate, decorative beauty of botanical still life. His work was not only celebrated in prestigious institutions like the National Academy of Design but also reached a much wider audience through reproduction. His paintings were widely reproduced as chromolithographs, allowing his vibrant floral visions to enter the homes of many, becoming part of the very fabric of Victorian domestic decor.

    Today, Lambdin is remembered not just as a skilled technician, but as an artist who captured the soul of an era. His contributions can be summarized through several key artistic milestones:

    Technical Foundation: Mastery of light and texture developed through early training under his father and studies in Europe, including Munich.

    Versatility of Subject: A unique progression from Civil War genre scenes and portraiture to highly specialized botanical excellence.

    Cultural Impact: The widespread dissemination of his floral imagery via chromolithography, influencing American aesthetic tastes.

    Historical Documentation: His sensitive portrayal of camp life and domesticity during the American Civil War.

    In the annals of American art, Lambdin remains a master of the delicate and the profound, leaving behind a legacy of luminous color and a timeless appreciation for the quiet splendor of the natural world.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Roses

    topimpressionists.com/sr/art/download/george-cochran-lambdin-roses-8YDS8Z-en/

    Citiranje ovog umetničkog dela

    MLA
    Lambdin, George Cochran. Roses. 1878, https://topimpressionists.com/sr/art/george-cochran-lambdin-roses-8YDS8Z-en/
    APA
    Lambdin, George Cochran (1878). Roses [Painting]. https://topimpressionists.com/sr/art/george-cochran-lambdin-roses-8YDS8Z-en/
    Chicago
    George Cochran Lambdin. Roses. 1878. https://topimpressionists.com/sr/art/george-cochran-lambdin-roses-8YDS8Z-en/
    Harvard
    Lambdin, George Cochran (1878) Roses. Available at: https://topimpressionists.com/sr/art/george-cochran-lambdin-roses-8YDS8Z-en/

    Pogledajte pažljivije

    Roses — George Cochran Lambdin

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: flowers. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Roses (1878), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. George Cochran Lambdin je imao oko 48 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koliko su harmonične boje dela „Roses”, autor George Cochran Lambdin?

    „Roses”, autor George Cochran Lambdin prikazuje Discordant Palette kolorističku harmoniju.

    Gde mogu da preuzmem „Roses”, autor George Cochran Lambdin?

    Preuzimanje je dostupno za "Roses": na stranici Preuzimanje digitalnog prikaza ovog umetničkog dela možete preuzimanje digitalne slike visoke rezolucije.

    Pod kojim drugim imenima je George Cochran Lambdin poznat/a?

    Ostala imena zabeležena za George Cochran Lambdin, autora dela "Roses", uključuju George Lambdin.