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Passing Shadows

Ime Razred Datum

Granville Redmond, Passing Shadows (1907). Domen javnog dobra. Pogledajte ovo platno pod pokretnim svetlom: crtež, pravu boju ispod vernisa, čisti pigment

Osnovne informacije

Umetnik
Granville Redmond topimpressionists.com/sr/artists/granville-redmond/
Podaci o umetniku
1871 – 1935
Slikano
1907

U kontekstu

Passing Shadows — Granville Redmond

Godina nastanka

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930

Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 64 u smrti.

Naslikano kada je umetnik imao 36 godina. Umetnik je doživeo 64. 2 od 11 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Granville Redmond (1871–1935) ▲ ovo delo, 1907 svaka datirana slika, deceniju po deceniju

Prva dela: do 1907 Glavne radne godine: 1907–1918 Kasna dela: od 1918

Ova tri segmenta dele dela koja u ovom katalogu imaju naveden datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/granville-redmond-passing-shadows-8YDLL3-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Putty #cec9c1

    Katalogizovana paleta

    • #CEC9C1
    • #381D0F
    • #D09E36
    • #7B4518

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv glavne boje
    Putty
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Bright Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Granville Redmond tokom poslednjih dvanaest meseci — ukupno u 3 zemalja. Odakle ovi podaci potiču

    Deset vodećih zemalja

    1. 1 Кина 57,1%
    2. 2 Норвешка 28,6%
    3. 3 Сједињене Америчке Државе 14,3%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    6 najposećenijih dela umetnika Granville Redmond

    1. 1 Poppy Field with Oaks and Lupines (also known as A Foothill Trail), 1919 37,5%
    2. 2 Shepherd and Flock, 1900 25,0%
    3. 3 Seascape Study, 1915 12,5%
    4. 4 Corinthian Island 12,5%
    5. 5 Poppies and Lupine, 1913 12,5%
    6. — Passing Shadows, 1907 ova slika 0,0%

    Zajedno, ova dela privlače 100,0% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 15 dela ovog umetnika, od kojih je 5 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za mesec po mesec

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Granville Redmond

    Mesto rođenja Philadelphia, United States of America

    The Painter of Light and Silence

    Granville Redmond (1871–1935) stands as a singular figure in American art history—a landscape painter who simultaneously embraced the muted, atmospheric depths of Tonalism and the vibrant, sun-drenched luminosity of California Impressionism. His life was defined by a profound sensory experience; born in Philadelphia to hearing parents, Redmond’s world became one of silence following a bout of scarlet fever in his early childhood. This transformative loss of hearing did not diminish his connection to the world but rather redirected it, sharpening his visual perception and fostering a deep, contemplative relationship with the natural environment. His journey from the East Coast to San Jose, California, was driven by the need for specialized education at the Berkeley School for the Deaf, a move that would ultimately place him in the heart of the landscapes that would become his lifelong muse.

    The foundations of Redmond’s mastery were laid during his formative years at the Berkeley School for the Deaf, where the guidance of Theo D’Estrella proved pivotal. D’Estrella recognized a burgeoning brilliance within the young artist, nurturing his technical skills and encouraging him to translate the silent rhythms of nature onto canvas. This early training provided more than just brushwork proficiency; it instilled an appreciation for visual expression as a primary language. As he matured, Redmond sought further refinement at the California School of Design in San and Francisco, studying under influential figures such as Arthur Frank Mathews and Amédée Joullin. His dedication to the craft was rewarded with the prestigious W. E. Brown Medal of Excellence, signaling his arrival as a significant voice in the American West.

    A Symphony of Color and Atmosphere

    Redmond’s oeuvre is characterized by a breathtaking duality, where the somber, evocative moods of Tonalism meet the exuberant energy of Impressionism. His landscapes often feature the iconic California scenery—rolling poppy fields, rugged coastal vistas, and sun-dappled woodlands—rendered with a sophisticated understanding of light. In works such as Poppy Field with Oaks and Lupines, one can witness his ability to use bold colors and thick, textured brushstrokes to evoke the tactile essence of the earth. Yet, even in his most vibrant compositions, there remains an underlying sense of serenity and stillness, a reflection of the quietude that permeated his daily existence. He possessed a rare ability to capture the fleeting transitions of the day, from the warm, golden hues of a sunset through the trees to the cool, misty atmosphere of an evening in Laguna.

    Beyond the canvas, Redmond’s life was woven into the cultural fabric of early Hollywood and the burgeoning California art scene. He maintained deep connections with fellow artists, such as Gottardo Piazzoni, sharing a mutual passion for the landscape and a unique bond forged through sign language. His versatility even extended to the silver screen; as an occasional actor, he shared a friendship and professional connection with the legendary Charlie Chaplin. This intersection of fine art and silent film mirrors the themes of his painting—a world where visual storytelling transcends the need for spoken word, and where light and shadow communicate the profound beauty of a world experienced through sight and soul.

    Legacy of the California Landscape

    The historical significance of Granville Redmond lies in his ability to synthesize disparate artistic movements into a cohesive, uniquely Californian aesthetic. He did not merely document the landscape; he interpreted its spirit. His work serves as a vital record of the natural splendor of the American West during a period of profound transition. Through his eyes, we see the California landscape not just as scenery, but as a living, breathing entity capable of expressing both the melancholy of shadow and the triumph of light.

    Today, Redmond is remembered as a master of atmosphere whose contributions to American Impressionism remain indispensable. His legacy continues to inspire those who find beauty in the quiet details of the natural world, reminding us that true vision often requires a stillness of the senses. His paintings stand as enduring monuments to a life lived with extraordinary perception, proving that even in silence, one can create a visual symphony that resonates across generations.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Passing Shadows

    topimpressionists.com/sr/art/download/granville-redmond-passing-shadows-8YDLL3-en/

    Citiranje ovog umetničkog dela

    MLA
    Redmond, Granville. Passing Shadows. 1907, https://topimpressionists.com/sr/art/granville-redmond-passing-shadows-8YDLL3-en/
    APA
    Redmond, Granville (1907). Passing Shadows [Painting]. https://topimpressionists.com/sr/art/granville-redmond-passing-shadows-8YDLL3-en/
    Chicago
    Granville Redmond. Passing Shadows. 1907. https://topimpressionists.com/sr/art/granville-redmond-passing-shadows-8YDLL3-en/
    Harvard
    Redmond, Granville (1907) Passing Shadows. Available at: https://topimpressionists.com/sr/art/granville-redmond-passing-shadows-8YDLL3-en/

    Pogledajte pažljivije

    Passing Shadows — Granville Redmond

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Poppy Field with Oaks and Lupines (also known as A Foothill Trail) (1919), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Granville Redmond je imao oko 36 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Mogu li da pregledam „Passing Shadows”, Granville Redmond pre naručivanja?

    Stranica Pregled za delo "Passing Shadows" omogućava vam da pregledate umetničko delo pre naručivanja.

    Kako se kontrast i harmonija spajaju u delu "Passing Shadows"?

    Analiza boja dela „Passing Shadows”, Granville Redmond beleži Statement kontrast i Strong Color Unity harmoniju.

    Odakle dolaze posetioci dela „Passing Shadows”, Granville Redmond?

    Stranica Statistika za delo „Passing Shadows”, Granville Redmond prikazuje statistiku javnih poseta: mesečne posete ovom umetničkom delu, poređenje sa najgledanijim radovima ovog umetnika i poreklom posetilaca.