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The Siesta

Ime Razred Datum

Хенри Лебаске, The Siesta (1923). Domen javnog dobra. Pogledajte ovo platno pod pokretnim svetlom: crtež, pravu boju ispod vernisa, čisti pigment

Osnovne informacije

Umetnik
Хенри Лебаске topimpressionists.com/sr/artists/khenri-lebaske_sr/
Podaci o umetniku
1865 – 1937
Slikano
1923
Medijum
Oil On Canvas
Originalne dimenzije
50 x 61 cm
Pokret
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.

U kontekstu

The Siesta — Хенри Лебаске

Dimenzije

Originalne dimenzije su 50 × 61 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 72 u smrti.

Naslikano kada je umetnik imao 58 godina. Umetnik je doživeo 72. 211 od 243 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Хенри Лебаске (1865–1937) ▲ ovo delo, 1923 svaka datirana slika, deceniju po deceniju

Prva dela: do 1905 Glavne radne godine: 1905–1920 Kasna dela: od 1920

Ova tri segmenta dele dela koja u ovom katalogu imaju naveden datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/henri-lebasque-the-siesta-8YDUQP-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Driftwood #948a38

    Katalogizovana paleta

    • #948A38
    • #DFD2B9
    • #46532D
    • #C8B581

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv glavne boje
    Driftwood
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Balanced Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Balanced Harmony Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Clear Color Presence Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Хенри Лебаске tokom poslednjih dvanaest meseci — ukupno u 17 zemalja. Odakle ovi podaci potiču

    Deset vodećih zemalja

    1. 1 Кина 69,7%
    2. 2 Хонг Конг 5,9%
    3. 3 Сједињене Америчке Државе 5,9%
    4. 4 Холандија 4,3%
    5. 5 Француска 2,7%
    6. 6 Немачка 1,6%
    7. 7 Шпанија 1,6%
    8. 8 Малезија 1,6%
    9. 9 Бразил 1,1%
    10. 10 Ujedinjeno Kraljevstvo 1,1%
    11. · 7 ostalih zemalja 4,5%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Хенри Лебаске

    1. 1 Nude in Provence 4,3%
    2. 2 Woman in a White Dress, 1923 2,4%
    3. 3 Les Andelys Three Girls in a Garden, 1914 1,9%
    4. 4 Meal on the Terrace, 1914 1,4%
    5. 5 Women Sewing, 1922 1,4%
    6. 6 Madame Lebasque and Her Daughters, 1903 1,4%
    7. 7 A fishing expedition, 1920 1,4%
    8. 8 Hammock, 1923 1,4%
    9. 9 Three Girls in a boat 1,4%
    10. 10 On the beach, 1920 1,4%
    11. 11 The Swing 1,4%
    12. 12 Le Cannet Madame Lebasque Reading in the Garden, 1923 1,0%
    13. 13 Nono and a guitar, 1910 1,0%
    14. 14 Garden in Summer 1,0%
    15. 15 Rest on the Banks of the Yaudet, 1897 1,0%
    16. 16 Marthe at the Villa in Saint Maxime, 1914 1,0%
    17. 17 Women in the Gardens at St Cloud, 1918 1,0%
    18. 18 Madame Lebasque in a Breton landscape, 1898 1,0%
    19. 19 Landscape at Champetre, 1894 1,0%
    20. — The Siesta, 1923 ova slika 0,0%

    Zajedno, ova dela privlače 27,8% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 522 dela ovog umetnika, od kojih je 148 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za mesec po mesec

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    The Siesta — Хенри Лебаске

    A Sun-Drenched Interlude: Exploring The Siesta

    To gaze upon Henri Lebasque's The Siesta is to be instantly transported to a moment suspended in golden, languid time. This oil-on-canvas masterpiece, painted in 1923, captures the quintessential essence of leisure—that perfect pause taken under the benevolent gaze of the midday sun. The scene unfolds on a verdant lawn, an idyllic tableau where life seems to slow its hurried rhythm just enough for contemplation. At the heart of the composition rests a woman settled gracefully upon a classic lawn chair, embodying repose itself. It is more than just a depiction of rest; it is an invitation to breathe deeply and let the worries of the day drift away on the gentle breeze.

    The Artistry of Post-Impressionism in Bloom

    Lebasque’s handling of light and atmosphere places this work firmly within the rich tradition of Post-Impressionism. While the subject matter speaks to a modern, sunlit outing, the technique reveals an artist deeply attuned to color theory and emotional resonance. The way Lebasque renders the sunshine—it is not merely bright, but palpable; it seems to warm the very canvas. Observe the interplay between the deep greens of the potted plants scattered artfully around the periphery and the luminous quality of the light catching the fabric of the chair and the skin of the figures. This masterful use of color imbues the entire scene with a vibrant yet soothing harmony, characteristic of an artist who sought to capture not just what he saw, but how it felt.

    Composition and Human Connection

    The narrative depth of The Siesta is enhanced by the subtle inclusion of other figures. Beyond the central figure enjoying her repose, there are others present—one standing near the left edge, another further back on the right. These peripheral presences lend a gentle sense of community to the solitude. They suggest shared moments and unspoken companionship, while the casually placed handbag acts as a small anchor point, grounding the viewer's eye within the intimate space. The composition is balanced yet breathable; the open expanse of the lawn prevents any single element from feeling too heavy, allowing the eye to wander naturally across the peaceful gathering.

    Bringing the Mediterranean Dream Home

    For those who find solace in art that whispers tales of warm afternoons and cultivated beauty, The Siesta offers an unparalleled emotional resonance. It speaks to the universal human desire for respite—a moment stolen from the relentless march of time. Owning a high-quality reproduction of this piece is not merely decorating a wall; it is curating an atmosphere. Imagine the soft glow of the canvas mimicking the late afternoon sun filtering into your own space, transforming any room into a peaceful, sun-drenched retreat reminiscent of a perfect Italian or French summer day.

    Umetnik i muzej

    Umetnik

    Хенри Лебаске

    Mesto rođenja Champigné, Francuska

    A Painter of Joy and Light: The Life and Art of Henri Lebasque

    Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

    Early Life and Artistic Beginnings

    Lebasque’s formative years were characterized by a quiet determination to pursue artistic excellence. Born to modest parents—his father was a carpenter—he demonstrated an early aptitude for drawing and painting, nurturing this talent through self-directed study and experimentation. Recognizing the importance of formal training, he enrolled at the École régionale des beaux-arts d'Angers, where he honed his technical skills and developed a foundational understanding of artistic principles. However, it was his relocation to Paris in 1886 that irrevocably altered the trajectory of his artistic career. Drawn to the burgeoning artistic community of Montmartre, Lebasque sought guidance from luminaries like Léon Bonnat and Ferdinand Humbert, immersing himself in the atmosphere of innovation and creativity that defined the era. His involvement with decorative murals at the Panthéon—a collaborative project with Auguste Renoir—provided invaluable experience and cemented his connection to the broader artistic movement.

    Influences and Artistic Development

    Lebasque’s artistic vision was profoundly shaped by the intellectual currents of his time, particularly the burgeoning theories of Georges Seurat and Paul Signac concerning Chromoluminarism – a revolutionary approach to painting that championed the use of complementary colors to achieve luminous effects. Embracing this scientific methodology alongside the stylistic explorations of Les Nabis—a group of artists who prioritized domestic scenes and intimate moments—Lebasque cultivated a distinctive aesthetic sensibility. The influence of Édouard Vuillard and Pierre Bonnard was particularly significant, fostering in him a fascination with flattened forms, decorative patterns, and subtle color harmonies. These artists championed the depiction of everyday life with remarkable sensitivity, encouraging Lebasque to focus on capturing the quiet poetry of ordinary experiences.

    Notable Works and Artistic Style

    Lebasque’s oeuvre is distinguished by its serene atmosphere and harmonious palette—a testament to his unwavering commitment to portraying beauty in its simplest form. He excelled at depicting domestic interiors bathed in soft light, capturing tender moments between family members with remarkable grace and empathy. His paintings resonate with a palpable sense of tranquility, inviting viewers into worlds imbued with warmth and affection. Among his most celebrated creations are La Cigarette—a masterful portrayal of a woman smoking—and Una joven en el bosque—a luminous depiction of a young girl amidst the verdant foliage of a woodland landscape. Lebasque’s technique involved building up layers of thin, translucent paint, allowing the underlying colors to shimmer through and creating an ethereal quality that is characteristic of his style. He skillfully employed complementary color pairings—blues and oranges, reds and greens—to generate visual excitement while maintaining an overall sense of balance and harmony.

    Legacy and Recognition

    Throughout his prolific career, Henri Lebasque garnered considerable acclaim for his artistic achievements, participating in prestigious exhibitions such as the Salon d’Automne—which he helped establish alongside Henri Matisse—and the Salon des Indépendants. His commissions included decorative projects for theaters and liners, demonstrating his versatility and securing his place within the annals of art history. Today, Lebasque’s paintings reside in prominent museum collections across France and internationally—a testament to their enduring artistic significance and captivating beauty. He remains a beloved figure among Impressionist enthusiasts, whose serene vision continues to inspire admiration and contemplation. His legacy endures as an emblem of artistic integrity and the pursuit of aesthetic excellence—a reminder that true artistry lies in capturing the essence of human experience with sensitivity and grace.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje The Siesta

    topimpressionists.com/sr/art/download/henri-lebasque-the-siesta-8YDUQP-en/

    Citiranje ovog umetničkog dela

    MLA
    Лебаске, Хенри. The Siesta. 1923, https://topimpressionists.com/sr/art/henri-lebasque-the-siesta-8YDUQP-en/
    APA
    Лебаске, Хенри (1923). The Siesta [Painting]. https://topimpressionists.com/sr/art/henri-lebasque-the-siesta-8YDUQP-en/
    Chicago
    Хенри Лебаске. The Siesta. 1923. https://topimpressionists.com/sr/art/henri-lebasque-the-siesta-8YDUQP-en/
    Harvard
    Лебаске, Хенри (1923) The Siesta. Available at: https://topimpressionists.com/sr/art/henri-lebasque-the-siesta-8YDUQP-en/

    Pogledajte pažljivije

    The Siesta — Хенри Лебаске

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: outdoor scene, woman relaxing, lawn chair. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Портрет Баслера (1912), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Da li su boje dela „The Siesta”, Хенри Лебаске zasićene ili prigušene?

    Boje dela „The Siesta”, Хенри Лебаске imaju Clear Color Presence zasićenost. Zasićenost opisuje koliko su boje jarke ili prigušene.

    Koja je dominantna nijansa dela „The Siesta”, Хенри Лебаске?

    Dominantna nijansa dela „The Siesta”, Хенри Лебаске je Green to Violet Spectrum. Ova nijansa predstavlja osnovni ton palete.

    U koji pokret i u koje doba je smešteno delo „The Siesta”, Хенри Лебаске?

    „The Siesta”, Хенри Лебаске pripada Post-Impressionism pravcu, unutar 19. vek ere svog tvorca.