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Landscape with isbas

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Исаак Ильич Левитан, Landscape with isbas (1885). Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Исаак Ильич Левитан topimpressionists.com/sr/artists/isaak-ilich-levitan_sr/
Datumi umetnika
1860 – 1900
Slikano
1885
Pokret
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

U kontekstu

Landscape with isbas — Исаак Ильич Левитан

Kada je ovo naslikano?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 40 u smrti.

Naslikano kada je umetnik imao 25 godina. Umetnik je doživeo 40. 58 od ukupno 455 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Исаак Ильич Левитан (1860–1900) ▲ ovo delo, 1885 svaka datirana slika, deceniju po deceniju

Prva dela: do 1885 Glavne radne godine: 1885–1896 Kasna dela: od 1896

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

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Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/isaak-ilyich-levitan-landscape-with-isbas-8XY8Y2-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Yellow Green #aab447

    Katalogizovana paleta

    • #AAB447
    • #718835
    • #2B2E26
    • #B7C8B6

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Nature Dominantna grupa boja na slici.
    Naziv primarne boje
    Yellow Green
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Balanced Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Clear Color Presence Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Исаак Ильич Левитан tokom poslednjih dvanaest meseci — ukupno u 17 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 68,8%20.500 poseta
    2. 2 Сједињене Америчке Државе 12,1%3.600 poseta
    3. 3 Сингапур 6,4%1.900 poseta
    4. 4 Хонг Конг 4,4%1.300 poseta
    5. 5 Румунија 2,3%700 poseta
    6. 6 Немачка 1,3%400 poseta
    7. 7 Израел 0,7%200 poseta
    8. 8 Јапан 0,7%200 poseta
    9. 9 Русија 0,7%200 poseta
    10. 10 Канада 0,3%100 poseta
    11. · 7 ostalih zemalja 2,3%700 poseta

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Исаак Ильич Левитан

    1. 1 Lake. Rus., 1900 3,3%1.100 poseta
    2. 2 Lake. Spring., 1898 2,4%800 poseta
    3. 3 A river, 1888 2,1%700 poseta
    4. 4 Stormy day, 1897 1,8%600 poseta
    5. 5 Silent cloister, 1890 1,5%500 poseta
    6. 6 Cloudy Day, 1895 1,5%500 poseta
    7. 7 The Last Rays of the Sun, 1899 1,2%400 poseta
    8. 8 Range of mountains, Mont Blanc, 1897 1,2%400 poseta
    9. 9 Corniche, Southern France. Sketch 1,2%400 poseta
    10. 10 Spring Flood, 1897 0,9%300 poseta
    11. 11 Spring. High waters., 1897 0,9%300 poseta
    12. 12 Footbridge. Savvinskaya village., 1884 0,9%300 poseta
    13. 13 Entrance to the village, 1898 0,9%300 poseta
    14. 14 In the Vicinity of Bordiguera, in the North of Italy, 1890 0,9%300 poseta
    15. 15 The First Green. May. Study, 1883 0,9%300 poseta
    16. 16 Evening on the Volga, 1887 0,9%300 poseta
    17. 17 Autumn forest, 1899 0,9%300 poseta
    18. 18 Lilacs, 1893 0,9%300 poseta
    19. 19 Springtime in Italy, 1890 0,9%300 poseta
    20. — Landscape with isbas, 1885 ova slika 0,0%0 poseta

    Zajedno, ova dela zauzimaju 25,2% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 556 dela ovog umetnika, od kojih je 202 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Исаак Ильич Левитан

    Rođen/a u Киев, Русија

    A Symphony of the Russian Soul: The Life and Art of Isaak Ilyich Levitan

    Isaak Ilyich Levitan, a name synonymous with the evocative power of Russian landscape painting, was more than just a chronicler of nature; he was a poet of the land, a translator of its moods into visual form. Born in 1860 in Kibarty (present-day Lithuania) to a Jewish family who later settled in Moscow, Levitan’s life was marked by both profound hardship and an unwavering dedication to his art. The early loss of his mother and father instilled within him a sensitivity that would permeate his canvases with a melancholic beauty. This sense of longing, coupled with the restrictions imposed upon Jewish communities in Tsarist Russia, fueled a desire to find solace and expression in the natural world. He entered the Moscow School of Painting, Sculpture and Architecture in 1873, where he came under the tutelage of Alexei Savrasov, whose influence would prove pivotal in shaping Levitan’s artistic vision. It was Savrasov who nurtured his student's innate ability to capture not merely the appearance of nature, but its very essence—its atmosphere, its emotional resonance.

    The Birth of a ‘Mood Landscape’

    Levitan quickly distinguished himself as an artist capable of conveying profound emotion through landscape. He wasn’t interested in topographical accuracy for its own sake; rather, he sought to imbue his paintings with a sense of mood, a feeling that resonated deep within the viewer's soul. This approach earned him the title of pioneer of the “mood landscape,” a genre that moved beyond simple representation to explore the spiritual connection between humanity and nature. His palette was often subdued, favoring naturalistic colors and poetic elements over vibrant displays. He masterfully employed light and shadow, creating atmospheric effects that evoked feelings of tranquility, solitude, or even quiet despair. Works like Autumn Day. Sokolniki (1879), painted when he was just nineteen years old, already demonstrated this remarkable ability to capture the subtle nuances of the Russian countryside. The painting’s muted tones and delicate rendering of light create a sense of wistful nostalgia, hinting at the transience of beauty and the inevitability of change. Later masterpieces such as The Vladimirka Road (1892) and Eternal Rest (1894), prominently displayed in the Tretyakov Gallery, further solidified his reputation as a master of emotional landscape painting.

    Influences and Artistic Kinships

    While deeply indebted to Savrasov’s influence, Levitan was also receptive to other artistic currents. He collaborated with fellow artists like Konstantin Korovin, Mikhail Nesterov, and Nikolai Chekhov—the brother of the renowned playwright Anton Chekhov, who became a lifelong friend. This circle fostered an environment of creative exchange and mutual support. Though he briefly experimented with Impressionistic techniques, Levitan never fully embraced the movement, maintaining a uniquely Russian sensibility in his work. He found inspiration not only in the visual world but also in music and literature, seeking to translate their emotional power into his paintings. His designs for scenery for Savva Mamontov’s private Russian Opera demonstrate his versatility and willingness to explore different artistic mediums. The influence of these collaborations and experiences can be seen in works like Spring Flood, Stormy Day, Vesper Chimes and Silent Cloister, each a testament to his evolving style and deepening understanding of the emotional landscape.

    Major Achievements and Legacy

    Levitan’s ascension to prominence within the Russian art world was marked by several significant milestones. Elected to the Imperial Academy of Arts in 1897, he recognized as one of Russia's foremost landscape painters. This honor underscored his artistic merit and cemented his position as a leading figure in the Peredvizhniki movement—a group of artists committed to depicting Russian life and nature with uncompromising realism and emotional honesty. He continued to teach at Moscow School of Painting, Sculpture and Architecture, nurturing the talent of aspiring artists and shaping the future direction of landscape painting. His enduring legacy resides not merely in his artistic output but also in his profound contribution to Russian cultural heritage—a testament to the transformative power of art to capture the spirit of an era and inspire generations to come. He passed away peacefully in 1900, leaving behind a body of work that continues to captivate audiences worldwide. His paintings remain a poignant reminder of Russia’s melancholic beauty and the enduring resonance of human emotion within the natural world.

    Final Resting Place

    Levitan's remains were interred in Novodevichy Cemetery in Moscow alongside Anton Chekhov—a symbolic union reflecting their shared artistic kinship and devotion to portraying the soul of Russia. His canvases stand as timeless expressions of melancholy, solitude, and profound contemplation—a legacy that secures his place among the greatest landscape painters of all time.

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    Citiranje ovog umetničkog dela

    MLA
    Левитан, Исаак Ильич. Landscape with isbas. 1885, https://topimpressionists.com/sr/art/isaak-ilyich-levitan-landscape-with-isbas-8XY8Y2-en/
    APA
    Левитан, Исаак Ильич (1885). Landscape with isbas [Painting]. https://topimpressionists.com/sr/art/isaak-ilyich-levitan-landscape-with-isbas-8XY8Y2-en/
    Chicago
    Исаак Ильич Левитан. Landscape with isbas. 1885. https://topimpressionists.com/sr/art/isaak-ilyich-levitan-landscape-with-isbas-8XY8Y2-en/
    Harvard
    Левитан, Исаак Ильич (1885) Landscape with isbas. Available at: https://topimpressionists.com/sr/art/isaak-ilyich-levitan-landscape-with-isbas-8XY8Y2-en/

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    Landscape with isbas — Исаак Ильич Левитан

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    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: rural landscape, russian countryside, wooden houses. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Evening on the Volga (1887), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Gde se to može uočiti u ovom delu?

    Vaš odgovor

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    Pitanja i odgovori

    Koliko ljudi posmatra "Landscape with isbas"?

    Stranica Statistika za delo „Landscape with isbas”, autor Исаак Ильич Левитан prikazuje statistiku javnih poseta: mesečni broj poseta ovom umetničkom delu, poređenje sa najgledanijim radovima ovog umetnika i poreklom posetilaca.

    Koji umetnički pravac obuhvata „Landscape with isbas”, autor Исаак Ильич Левитан?

    „Landscape with isbas”, autor Исаак Ильич Левитан pripada pravcu Impressionism. Ovaj pravac pruža stilski kontekst dela.

    Gde se mogu kupiti ručno oslikane kopije dela „Landscape with isbas”, autor Исаак Ильич Левитан?

    Ručno oslikane kopije dela „Landscape with isbas”, autor Исаак Ильич Левитан mogu se kupiti na stranici ovaj sajt: ručno oslikana uljana reprodukcija na lanenom platnu, putem njihove stranice za naručivanje reprodukcija Ručno oslikana reprodukcija ulja na platnu.