Format papira

Vodič za studentske radove

Harmagh

Ime Razred Datum

James Brooks, Harmagh (1967). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava.

Osnovne informacije

Umetnik
James Brooks topimpressionists.com/sr/artists/james-brooks/
Podaci o umetniku
1906 – 1992
Slikano
1967
Originalne dimenzije
121 x 153 cm

U kontekstu

Harmagh — James Brooks

Koliko je veliko?

Originalne dimenzije su 121 × 153 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Osenčeno: životni vek umetnika James Brooks (1906–1992) ▲ ovo delo, 1967

Slična dela

  • Number 13, 1965 topimpressionists.com/sr/art/james-brooks-number-13-D3FJ7Z-en/
  • Untitled, 1952 topimpressionists.com/sr/art/james-brooks-untitled-D7RA89-en/
  • B 1955 topimpressionists.com/sr/art/james-brooks-b-1955-AQRGVR-en/

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/james-brooks-harmagh-AQRGVX-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Putty #d9d1ba

    Katalogizovana paleta

    • #D9D1BA
    • #616A64
    • #98A198
    • #1B1618
    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
    Putty
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Umetnik i muzej

    Umetnik

    James Brooks

    Rođen/a u St. Louis, United States of America

    Early Life and Education

    Born: October 18, 1906, St. Louis, Missouri

    Family moved to Dallas, Texas in 1916

    Studied art at Southern Methodist University (1922-1924)

    Private lessons with James A. Waddell and Martha Simkins in Dallas

    Moved to New York City in 1926

    Studied at the Art Students League under Boardman Robinson and Kimon Nicolaides

    Worked as a commercial artist to support himself

    The WPA Years and Early Murals

    Active in the Works Progress Administration (WPA) Federal Art Project from 1936-1942

    Painted three murals for the WPA, demonstrating social realist style.

    Flight (1940-1942): A significant mural at La Guardia Airport's Marine Air Terminal, depicting the history of aviation. It was the largest WPA mural and later restored after being painted over.

    Friendships with Jackson Pollock and Philip Guston during this period

    Abstract Expressionist Period: Style and Development

    Served as a combat artist in the U.S. Army (1942-1945)

    Returned to New York City in 1946, reconnected with Pollock and Krasner

    Shifted towards Abstract Expressionism, influenced by Surrealist principles

    Developed a unique staining technique: Experimenting with the bleed of paste through canvas.

    Early works showed influences of Synthetic Cubism.

    Palette initially featured browns, grays, blacks and vivid colors.

    Later work incorporated larger forms, broader strokes, and simpler compositions using acrylics.

    Often used numbers and letters to identify paintings, incorporating nonsense syllables as titles (e.g., Pask, Burwak, Jondol).

    Major Exhibitions and Recognition

    First solo exhibition at the Peridot Gallery in New York City (1949)

    Participated in the historic Ninth Street Exhibition (1951) – a key event in Abstract Expressionism.

    Featured in exhibitions such as Twelve Americans and New American Painting at the Museum of Modern Art.

    Documenta, Kassel, West Germany (1959).

    John Simon Guggenheim Memorial Foundation Fellowship (1969)

    Legacy and Historical Significance

    Considered a first-generation Abstract Expressionist painter.

    Known for his innovative staining techniques and lyrical abstraction.

    His work is held in prominent collections including the Art Institute of Chicago, The Museum of Modern Art, Tate Gallery, and National Gallery of Art.

    Brooks's artistic journey reflects the evolution of Abstract Expressionism and his willingness to experiment with new approaches to painting.

    Died on March 9, 1992, in East Hampton, New York.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Harmagh

    topimpressionists.com/sr/art/download/james-brooks-harmagh-AQRGVX-en/

    Citiranje ovog umetničkog dela

    MLA
    Brooks, James. Harmagh. 1967, https://topimpressionists.com/sr/art/james-brooks-harmagh-AQRGVX-en/
    APA
    Brooks, James (1967). Harmagh [Painting]. https://topimpressionists.com/sr/art/james-brooks-harmagh-AQRGVX-en/
    Chicago
    James Brooks. Harmagh. 1967. https://topimpressionists.com/sr/art/james-brooks-harmagh-AQRGVX-en/
    Harvard
    Brooks, James (1967) Harmagh. Available at: https://topimpressionists.com/sr/art/james-brooks-harmagh-AQRGVX-en/

    Pogledajte pažljivije

    Harmagh — James Brooks

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Pogledajte ponovo Number 13 (1965), ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom, i jednu koja je drugačija.
    4. James Brooks je imao oko 61 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

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