Papir

Vodič za studentska umetnička dela

Mill near Sheppard, Devon

Ime Razred Datum

James Peel, Mill near Sheppard, Devon (1865), Laing Art Gallery. Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
James Peel topimpressionists.com/sr/artists/james-peel/
Datumi umetnika
1811 – 1906
Slikano
1865
Prvobitne dimenzije
36 x 56 cm
Održano na
Laing Art Gallery topimpressionists.com/sr/museums/laing-art-gallery-njukl-na-tajnu_sr/

U kontekstu

Mill near Sheppard, Devon — James Peel

Koje su dimenzije?

Originalne dimenzije su 36 × 56 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890
  10. 1900

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 95 u smrti.

Naslikano kada je umetnik imao 54 godina. Umetnik je doživeo 95. 3 od ukupno 14 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika James Peel (1811–1906) ▲ ovo delo, 1865 svaka datirana slika, deceniju po deceniju

Prva dela: do 1865 Glavne radne godine: 1865–1877 Kasna dela: od 1877

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/james-peel-mill-near-sheppard-devon-AQTS3C-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Putty #d5d6c1

    Katalogizovana paleta

    • #D5D6C1
    • #AB8D2B
    • #806319
    • #4D330D

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv primarne boje
    Putty
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Brilliant Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao James Peel tokom poslednjih dvanaest meseci — ukupno u 2 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 90,9%
    2. 2 Ujedinjeno Kraljevstvo 9,1%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    11 najposećenijih dela umetnika James Peel

    1. 1 Roke Farm, Witley, Surrey 16,7%
    2. 2 Borrowdale, Cumbria 16,7%
    3. 3 Church Field at Edmonton, 1869 8,3%
    4. 4 Landscape with a River, 1877 8,3%
    5. 5 Totteridge, near Hampstead, 1900 8,3%
    6. 6 Near Rosthwaite 8,3%
    7. 7 The Head of Loch Lomond 8,3%
    8. 8 The Reaper 8,3%
    9. 9 Cotherstone, Yorkshire 8,3%
    10. 10 Landscape with Cows 8,3%
    11. — Mill near Sheppard, Devon, 1865 ova slika 0,0%

    Zajedno, ova dela zauzimaju 99,8% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 41 dela ovog umetnika, od kojih je 10 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    Mill near Sheppard, Devon — James Peel

    The Mill near Sheppard, Devon is a captivating oil on canvas painting created by the talented artist James Peel in 1865. This beautiful piece of art is currently housed at the Laing Art Gallery in Newcastle Upon Tyne, United Kingdom. Measuring 36 x 56 cm, this painting showcases the artist's ability to capture the essence of rural living in a serene and idyllic landscape.

    A Glimpse into Rural Life

    The painting depicts a man standing in front of a barn with two cows nearby, surrounded by trees and a river that adds to the picturesque setting. The inclusion of three birds in the scene further enhances the sense of life and tranquility. This artwork is a testament to James Peel's skill in capturing the beauty of the countryside. Key Features of the painting include:

    The use of oil on canvas, which provides a rich and vibrant texture to the artwork

    The serene landscape, which invites the viewer to step into the peaceful world of rural Devon

    The attention to detail, from the man and cows to the trees and birds, which creates a sense of depth and realism

    Discovering More Artworks

    For those interested in exploring more artworks by James Peel, Mill near Sheppard, Devon is just one of several pieces available. Other notable works include Cotherstone, Yorkshire and Easby Abbey, North Yorkshire. These paintings can be found at the Laing Art Gallery, which is home to a diverse collection of artworks from various artists, including Emma Woollard.

    The Mill near Sheppard, Devon is a beautiful example of James Peel's work, and its serene landscape continues to captivate audiences today. For those looking to own a piece of art history, AllPaintingsStore.com offers handmade oil painting reproductions of this stunning artwork.

    Umetnik i muzej

    Umetnik

    James Peel

    James Peel: A Painter of Northern Light

    Born in Newcastle upon Tyne in 1811, James Peel’s life and artistic journey were inextricably linked to the rugged beauty of northern England – specifically, Northumberland, Yorkshire, and Wales. His early years, steeped in the industrial heritage of his father's woollen drapery business, provided a grounding in observation and an appreciation for the changing landscapes around him. Unlike many artists of his era who sought grand, idealized vistas, Peel’s work possessed a remarkable intimacy, capturing not just the scenery but also the subtle textures, atmospheric conditions, and quiet rhythms of rural life. His artistic development was nurtured by Alexander Dalziel, a skilled wood engraver, who recognized Peel's innate talent for drawing and encouraged his pursuit of painting.

    Peel’s formal training began at Bruce’s School in Newcastle, where he honed his skills alongside notable figures like Sir Charles Mark Palmer and John Collingwood Bruce. However, it was a move to London in 1840 that truly propelled his career forward. Initially drawn to portraiture – producing striking copies of works by Wilkie Collins, including ‘Blind Fiddler’ and ‘The Village Festival,’ both housed within the National Gallery – Peel soon gravitated towards landscape painting. This shift reflected a deeper connection with the natural world, an impulse he would consistently pursue throughout his career.

    A Palette of Northern Moods

    Peel's artistic style is characterized by a remarkable sensitivity to light and atmosphere. He wasn’t interested in dramatic sunsets or sweeping vistas; instead, he meticulously rendered the subtle shifts in color and tone that defined the northern skies – the bruised purples of impending rain, the hazy greys of misty mornings, and the golden hues of late afternoon. His brushwork was precise yet fluid, conveying a sense of immediacy and spontaneity. He frequently depicted scenes of everyday rural life: shepherds tending their flocks, farmers working in their fields, and villagers engaged in their routines. These weren’t romanticized depictions; they were honest portrayals of a hardworking people living in harmony with the land.

    A key element of Peel's technique was his masterful rendering of trees – an obsession that became almost synonymous with his name. He possessed an extraordinary ability to capture their intricate forms, the play of light and shadow on their bark, and the way they stood sentinel against the sky. Works like ‘A Lane in Berwickshire’ and ‘Cotherstone, Yorkshire,’ now residing in the Laing Art Gallery in Newcastle, exemplify this skill, showcasing a deep understanding of tree structure and an almost tactile quality to his brushstrokes.

    Royal Recognition and Artistic Circles

    Peel's dedication and talent quickly gained him recognition within the established art world. He began exhibiting at the Royal Academy in 1843 and subsequently joined the Royal Society of British Artists, a prestigious organization that championed English landscape painting. His work was consistently praised for its sincerity, technical skill, and evocative portrayal of northern landscapes. He wasn’t merely documenting scenery; he was conveying a feeling – a sense of quiet contemplation, rustic charm, and deep connection to the land.

    Peel's artistic circle extended beyond the Royal Academy. He actively participated in “free” exhibitions organized by figures like Ford Madox Brown and William Bell Scott, challenging the established norms of the art market and advocating for greater accessibility to art. These initiatives demonstrated his commitment to fostering a vibrant and inclusive artistic community.

    Legacy and Enduring Appeal

    James Peel died in Reading in 1906, leaving behind a substantial body of work that continues to resonate with viewers today. His paintings are not grand statements but intimate glimpses into the heart of northern England – a region he loved deeply and captured with remarkable honesty and skill. His influence can be seen in subsequent generations of landscape artists who sought to emulate his sensitivity to light, his meticulous technique, and his profound appreciation for the beauty of the natural world.

    Peel’s legacy extends beyond his artistic achievements. He represents a pivotal moment in British art history – a time when landscape painting moved away from idealized representations and embraced a more direct and personal approach. His work serves as a reminder that true artistry lies not just in technical skill but also in the ability to capture the essence of a place and its people.

    Muzej

    Laing Art Gallery

    Izložbeno mesto Njukl na Tajnu, Ujedinjeno Kraljevstvo

    Laing Art Gallery: Svetionik britanske umetničke baštine u Njuklu na Tajn

    Smeštena u ulici New Bridge Street West, u Njuklu na Tajn, Laing Art Gallery stoji kao svedočanstvo viktorijanske filantropije i izuzetan riznica britanske umetnosti koja obuhvata vekove. Osnovana 1904. godine od strane Aleksandra Leinga — lokalnog trgovca vinom čija je velikodušnost osigurala njeno trajno nasleđe — galerija prima posetioce besplatno (izuzev specijalnih izložbi), podstičući pristupačnost i obogaćujući kulturni pejzaž Njukla.

    Lokacija:

    Newcastle upon Tyne, Northumberland and West Lothian

    Adresa:

    Laing Art Gallery, New Bridge Street, Newcastle upon Tyne, NE1 8AG

    Veb-sajt:

    https://en.wikipedia.org/wiki/Laing_Art_Gallery

    Misija galerije je zastupanje britanske umetnosti 18. i 19. veka, uz istovremeno predstavljanje savremenih dela i slavljenje lokalnog umetničkog talenta. Njen tim kuratora pažljivo osmišljava izložbe koje osvetljavaju različite umetničke pokrete i perspektive, nudeći posetiocima stimulativno putovanje kroz vizuelnu kulturu.

    Zbirka koja dočarava emociju i viziju

    Slike:

    Temelj kolekcije Laing galerije čine remek-dela svetlih umova kao što su J.M.W. Turner — čiji dramatični pejzaži prenose uzvišeno lepstvo — Edward Burne-Jones — poznat po svojim raskošnim simbolističkim fantazijama — i John Martin — pionir romantičnog užasa čija monumentalna platna izazivaju duboke, visceralne emocije. Posebno se izdvaja Martinovo „Uništavanje Sodoma i Gomora“, koje ostaje jezivo prikaza biblijske katastrofe, dok Burne-Jonesovo „Laus Veneris“ otelotvoruje eteričnu gracioznost i mitološku veličinu.

    Akvareli i crteži:

    Slikama dopunjuju ekskvizitni akvareli i crteži Turnera i Johna Sella Cotmana — umetnika koji su vešto uspeli da uhvate atmosferske uslove i prikažu najsitnije detalje. Ova dela su primer umetničkih tehnika prevaziđenih u njihovo vreme, otkrivajući duboko razumevanje svetlosti i boje.

    Dekorativne umetnosti:

    Pored vizuelnih umetnosti, postavka galerije obuhvata dekorativne istorijske predmete koji odražavaju bogate zanatske tradicije Njukla. Admiracija se može uputiti srebru iz Njukla — simbolu građanskog ponosa — delikatno emajliranim čašama koje je izradio William Beilby — pokazujući vrhunsko viktorijansko umeće — kao i keramici Maling pottery, koja je slavljena zbog svojih živopisnih boja glazure i umetničkih dizajna.

    Arhitektonska elegancija: Barokni koreni, Art Nouveau šarm

    Dizajnirana u baroknom stilu sa suptilnim uticajima Art Nouveau stila od strane arhitekata Cackett & Burns Dick, Laing Art Gallery je zgrada klasifikovana kao spomenik kulture drugog reda — opipljiv podsetnik na viktorijanski sjaj Njukla. Njeni visoki plafoni i raskošni detalji prizivaju opulentnu estetiku evropskih palata, dok se nežni floralni motivi suptilno prepliću sa klasičnim proporcijama.

    Više od same umetnosti: Angažovanje i inspiracija

    Ono što izdvaja Laing Art Gallery je njena nepokolebljiva posvećenost negovanju umetničkog apreciiranja i povezivanju sa zajednicom. Redovne rotirajuće izložbe predstavljaju revolucionarna dela uz klasike — podstičući dijalog i šireći vidike. Štaviše, galerija organizuje besplatne događaje — uključujući informativna predavanja u galeriji, zanimljive aktivnosti za porodice — i stimulativne radionice vođene od strane umetnika — stvarajući živopisnu prostor za učenje i kreativnost.

    Istraživanje dalje

    Značajne izložbe:

    Nedavne izložbe istraživale su teme britanskog identiteta, umetničke inovacije i uloge umetnosti u oblikovanju kulturnih narativa.

    Partnerstva sa zajednicom:

    Saradnja sa lokalnim školama i organizacijama obogaćuje edukativne programe i promoviše umetnički izlaz u Njuklu na Tajn.

    Poseta Laing Art Gallery je proživljeno iskustvo — prilika da se povežete sa britanskim umetničkim nasleđem, otkrijete inspirativna dela i proslavite neprolaznu moć kreativnosti.

    Gde možete pročitati više

    • Umetnik James Peel topimpressionists.com/sr/artists/james-peel/
    • Muzej Laing Art Gallery topimpressionists.com/sr/museums/laing-art-gallery-njukl-na-tajnu_sr/
    • Slična dela Još radova za poređenje topimpressionists.com/sr/art/similar/james-peel-mill-near-sheppard-devon-AQTS3C-en/

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Mill near Sheppard, Devon

    topimpressionists.com/sr/art/download/james-peel-mill-near-sheppard-devon-AQTS3C-en/

    Citiranje ovog umetničkog dela

    MLA
    Peel, James. Mill near Sheppard, Devon. 1865, Laing Art Gallery. https://topimpressionists.com/sr/art/james-peel-mill-near-sheppard-devon-AQTS3C-en/
    APA
    Peel, James (1865). Mill near Sheppard, Devon [Painting]. Laing Art Gallery. https://topimpressionists.com/sr/art/james-peel-mill-near-sheppard-devon-AQTS3C-en/
    Chicago
    James Peel. Mill near Sheppard, Devon. 1865. Laing Art Gallery. https://topimpressionists.com/sr/art/james-peel-mill-near-sheppard-devon-AQTS3C-en/
    Harvard
    Peel, James (1865) Mill near Sheppard, Devon. Laing Art Gallery. Available at: https://topimpressionists.com/sr/art/james-peel-mill-near-sheppard-devon-AQTS3C-en/

    Pogledajte pažljivije

    Mill near Sheppard, Devon — James Peel

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Moel Siabod, North Wales (1870), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. James Peel je imao oko 54 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koja osnovna nijansa prožima „Mill near Sheppard, Devon”, autor James Peel?

    Dominantna nijansa dela „Mill near Sheppard, Devon”, autor James Peel je Ochre to Sepia. Ova nijansa predstavlja osnovni ton palete.

    Koji je koloristički identitet dela „Mill near Sheppard, Devon”, autor James Peel?

    „Mill near Sheppard, Devon”, autor James Peel koristi Earthy paletu, pri čemu je Putty (#d5d6c1) dominantna boja.

    Da li je „Mill near Sheppard, Devon”, autor James Peel svetlo ili tamno umetničko delo?

    „Mill near Sheppard, Devon“ ima ukupnu osvetljenost od brilliant, dok je luminansa Bright Balance.