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Taking tea

Ime Razred Datum

Joaquin Sorolla, Taking tea (1918). Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Joaquin Sorolla topimpressionists.com/sr/artists/joaquin-sorolla_sr/
Datumi umetnika
1863 – 1923
Slikano
1918
Medijum
Acrylic
Artistic style
Realistic Impressionism
Influences
French Impressionists
Notable elements or techniques
Light and color
Subject or theme
Social gathering

U kontekstu

Taking tea — Joaquin Sorolla

Kada je ovo naslikano?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 60 u smrti.

Naslikano kada je umetnik imao 55 godina. Umetnik je doživeo 60. 515 od ukupno 558 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Joaquin Sorolla (1863–1923) ▲ ovo delo, 1918 svaka datirana slika, deceniju po deceniju

Prva dela: do 1901 Glavne radne godine: 1901–1911 Kasna dela: od 1911

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/joaquin-sorolla-y-bastida-taking-tea-8YE4M9-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Gray #917c73

    Katalogizovana paleta

    • #917C73
    • #2D2D2A
    • #69584B
    • #B4B4AB

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv primarne boje
    Gray
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Bold Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Balanced Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Joaquin Sorolla tokom poslednjih dvanaest meseci — ukupno u 50 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 40,4%41.900 poseta
    2. 2 Сједињене Америчке Државе 8,1%8.400 poseta
    3. 3 Шпанија 6,4%6.600 poseta
    4. 4 Француска 6,3%6.500 poseta
    5. 5 Јужна Кореја 4,6%4.800 poseta
    6. 6 Сингапур 4,6%4.800 poseta
    7. 7 Хонг Конг 4,2%4.400 poseta
    8. 8 Румунија 4,1%4.200 poseta
    9. 9 Италија 3,1%3.200 poseta
    10. 10 Ujedinjeno Kraljevstvo 2,2%2.300 poseta
    11. · 40 ostalih zemalja 16,0%16.500 poseta

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Joaquin Sorolla

    1. 1 Devojka sa cvecem, 1886 6,5%9.200 poseta
    2. 2 Šetnja pored obale, 1909 2,1%2.900 poseta
    3. 3 Running along the beach, 1908 1,6%2.300 poseta
    4. 4 Valencia beach in the morning light, 1908 1,6%2.200 poseta
    5. 5 Seville, the Dance, 1915 1,4%2.000 poseta
    6. 6 Sewing the Sail, 1896 1,1%1.600 poseta
    7. 7 La Siesta, 1911 1,1%1.500 poseta
    8. 8 Coast at Santa Cristina, 1914 1,0%1.400 poseta
    9. 9 bacante, 1886 1,0%1.400 poseta
    10. 10 Midday at Valencia beach, 1904 0,9%1.300 poseta
    11. 11 Робећи мрежи, 1893 0,8%1.100 poseta
    12. 12 On the Rocks at Javea, 1905 0,8%1.100 poseta
    13. 13 Nude with Ball, 1887 0,8%1.100 poseta
    14. 14 The Little Sailing Boat, 1909 0,8%1.100 poseta
    15. 15 Swimmers, Jávea, 1905 0,7%1.000 poseta
    16. 16 Clotilde on the Beach, 1904 0,7%1.000 poseta
    17. 17 Рибас из Валенсије, 1916 0,6%900 poseta
    18. 18 Sea Idyll, 1908 0,6%900 poseta
    19. 19 Types of Lagartera or Lagarterana bride, 1912 0,6%900 poseta
    20. — Taking tea, 1918 ova slika 0,0%0 poseta

    Zajedno, ova dela zauzimaju 24,7% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 850 dela ovog umetnika, od kojih je 466 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    Taking tea — Joaquin Sorolla

    A Moment Captured in Valencia’s Golden Light

    Joaquín Sorolla's "Taking Tea" isn’t merely a depiction of two women enjoying afternoon refreshments; it’s an exquisite distillation of Valencian life and artistic sensibility at the cusp of the roaring twenties. Painted in 1918, this portrait transcends its subject matter to become a testament to Sorolla’s masterful command of light – a hallmark that defines his entire oeuvre and cemented his reputation as one of Spain's foremost Impressionists.

    The Painter’s Technique: Embracing Luminosity

    Sorolla’s technique is instantly recognizable. He eschewed the meticulous detail favored by many of his contemporaries, opting instead for loose brushstrokes that capture the ephemeral quality of sunlight filtering through a Valencian window. Layers upon layers of thin washes of pigment create an illusion of depth and vibrancy, mimicking the way light dances across surfaces. Notice how he skillfully renders the translucence of the vase’s glass – not with hard edges but with soft gradations that convey its luminous interior. This deliberate disregard for precise representation prioritizes feeling over factual accuracy, aligning perfectly with Sorolla's artistic philosophy.

    Historical Context: Valencia and Modernity

    Valencia in 1918 was experiencing a period of significant cultural renewal. The city’s burgeoning bourgeoisie embraced the ideals of modernity, fostering an environment conducive to artistic experimentation. Sorolla himself benefited from patronage – notably from wealthy Valencian families – allowing him to dedicate himself fully to his craft. “Taking Tea” reflects this spirit of optimism and engagement with contemporary life, portraying women engaged in conversation amidst a scene of domestic comfort. It’s a snapshot of a society striving for beauty and refinement, mirroring Sorolla's own belief that art should illuminate the human experience.

    Symbolism Within Light

    The pervasive use of light isn’t accidental; it carries profound symbolic weight. Sorolla was deeply influenced by Japanese Impressionism, particularly Hiroshige’s landscapes, which emphasized atmospheric perspective and a focus on capturing fleeting moments. Just as Hiroshige sought to convey the essence of Japan's natural beauty, Sorolla aimed to encapsulate the warmth and vitality of Valencian culture. The light itself symbolizes joy, serenity, and connection – qualities that permeate the painting’s composition and contribute to its emotional resonance.

    Emotional Impact: A Gentle Radiance

    Ultimately, “Taking Tea” succeeds in conveying a palpable sense of tranquility and intimacy. The figures are rendered with understated grace, their expressions subtly hinting at shared companionship. Sorolla's masterful manipulation of light imbues the scene with an ethereal glow, transporting the viewer to a sunlit Valencian terrace. It’s a painting that invites contemplation – prompting us to savor the simple pleasures of life and appreciate the beauty found in everyday moments. This reproduction captures not just an image but an atmosphere—a feeling of warmth, connection, and timeless elegance.

    Umetnik i muzej

    Umetnik

    Joaquin Sorolla

    Rođen/a u Валенсия, Испанија

    Joaquín Sorolla y Bastida – A Life Bathed in Light

    Joaquín Sorolla y Bastida, a name synonymous with the radiant light and vibrant energy of Spain, was more than just a painter; he was a chronicler of his nation’s soul. Born in Valencia in 1863, Sorolla's early life was marked by tragedy. Orphaned at the tender age of two following a cholera epidemic that claimed both parents, young Joaquín and his sister were raised by their maternal aunt and uncle. This early experience with loss perhaps instilled within him a profound appreciation for the fleeting beauty of life – a sentiment that would permeate his art. Though hardship shadowed his beginnings, it did not dim the spark of artistic talent that quickly became apparent. He received initial instruction in Valencia, demonstrating an aptitude that led to studies under established artists like Cayetano Capuz and José Benlliure, eventually culminating in a four-year grant to study in Rome. It was there, amidst the classical grandeur of Italy, that Sorolla began to forge his unique artistic path, absorbing influences while simultaneously developing a style distinctly his own.

    Early Life and Influences

    Joaquín Sorolla’s formative years instilled within him a deep sensitivity to loss – an experience profoundly shaping his artistic vision. Born on February 27, 1863, in Valencia, Spain, he was the eldest child of Joaquín Sorolla Bastida, a tradesman, and Concepción Bastida. Tragically, both parents succumbed to cholera just two years later, leaving him and his sister under the care of their maternal aunt and uncle. This early exposure to sorrow undoubtedly fueled his desire to capture moments of beauty before they vanished—a preoccupation that would become central to his oeuvre. Recognizing his exceptional talent at a young age, Sorolla pursued formal artistic training in Valencia, studying under prominent figures like Cayetano Capuz and José Benlliure. His dedication to mastering technique was further solidified by a scholarship enabling him to embark on a four-year journey of artistic exploration in Rome, Italy—a pivotal moment that exposed him to the stylistic innovations of Impressionism and Luminism. The influence of artists such as Francisco Pradilla Ortiz and Jules Bastien-Lepage proved particularly formative, shaping Sorolla’s approach to composition and color palettes.

    Rome and Artistic Development

    Sorolla's time in Rome marked a decisive turning point in his artistic evolution. He enrolled at the Spanish Academy, immersing himself in the study of classical sculpture and painting—a deliberate effort to absorb the stylistic heritage of antiquity while simultaneously experimenting with new techniques. The atmosphere of the Italian capital fostered an openness to experimentation that would characterize his subsequent work. Sorolla’s fascination with Impressionism was palpable; he meticulously observed the effects of sunlight on surfaces, striving to reproduce its shimmering brilliance and transient nuances. This pursuit of luminosity—a hallmark of Luminism—became a defining element of his artistic style. He diligently copied works by masters like Velázquez and Rembrandt, honing his observational skills and refining his understanding of tonal gradation. Furthermore, Sorolla’s engagement with Parisian art circles exposed him to the avant-garde currents circulating at the time, broadening his artistic horizons and enriching his stylistic repertoire.

    The Valencian Coast: A Celebration of Light

    Sorolla's artistic sensibilities found their most compelling expression in his depictions of the Valencian coast—a landscape he regarded as a source of endless inspiration. Unlike many artists of his era who favored studio settings, Sorolla championed plein air painting—working outdoors directly confronted with the challenges and rewards of capturing fleeting light conditions. This commitment to observation resulted in canvases brimming with vitality and immediacy—images infused with the warmth of Mediterranean sunshine and the dynamism of coastal life. His iconic beach scenes—such as Children on the Seashore and Sewing the Sail—are not merely picturesque representations; they are profound meditations on beauty, joy, and the ephemeral nature of existence. Sorolla’s technique—characterized by loose, energetic brushstrokes—was revolutionary for its time. He employed a bold palette dominated by yellows, oranges, and blues—colors he skillfully manipulated to convey the illusion of shimmering light and atmospheric haze. The resulting canvases possess an unparalleled sense of spontaneity and emotional depth—a testament to Sorolla’s mastery of Luminism and his unwavering devotion to capturing the essence of his beloved homeland.

    Legacy and Recognition

    Joaquín Sorolla y Bastida achieved international renown during his lifetime, becoming one of Spain's most celebrated artists. His prolific output encompassed portraits, landscapes, historical narratives, and monumental murals—each infused with a distinctive stylistic signature. He exhibited extensively throughout Europe and the United States, garnering critical acclaim and securing commissions from prominent patrons. Sorolla’s magnum opus, Vision of Spain—a series of fourteen canvases commissioned by Archer Milton Huntington—stands as an enduring monument to his artistic vision and technical prowess. Completed posthumously, these murals captured the spirit of Spain's diverse regional cultures—celebrating its traditions, costumes, and landscapes with breathtaking grandeur. Sorolla’s influence extended far beyond his own era, inspiring generations of artists who embraced Luminism and sought to emulate his masterful technique. Today, Sorolla’s paintings reside in major museums worldwide—including the Museo Sorolla in Madrid—where they continue to captivate audiences with their luminous beauty and emotional resonance—affirming his place as one of Spain's greatest artistic treasures.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Taking tea

    topimpressionists.com/sr/art/download/joaquin-sorolla-y-bastida-taking-tea-8YE4M9-en/

    Citiranje ovog umetničkog dela

    MLA
    Sorolla, Joaquin. Taking tea. 1918, https://topimpressionists.com/sr/art/joaquin-sorolla-y-bastida-taking-tea-8YE4M9-en/
    APA
    Sorolla, Joaquin (1918). Taking tea [Painting]. https://topimpressionists.com/sr/art/joaquin-sorolla-y-bastida-taking-tea-8YE4M9-en/
    Chicago
    Joaquin Sorolla. Taking tea. 1918. https://topimpressionists.com/sr/art/joaquin-sorolla-y-bastida-taking-tea-8YE4M9-en/
    Harvard
    Sorolla, Joaquin (1918) Taking tea. Available at: https://topimpressionists.com/sr/art/joaquin-sorolla-y-bastida-taking-tea-8YE4M9-en/

    Pogledajte pažljivije

    Taking tea — Joaquin Sorolla

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: valencia light, tea ceremony, female companionship. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Valencia beach in the morning light (1908), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Joaquin Sorolla je imao oko 55 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koliki je intenzitet boja kod dela „Taking tea”, autor Joaquin Sorolla?

    Intenzitet boja dela "Taking tea" je Monochromatic. Intenzitet opisuje koliko boje deluju snažno.

    Kako je izgrađena koloristička kompozicija dela „Taking tea”, autor Joaquin Sorolla?

    Analiza boja dela „Taking tea”, autor Joaquin Sorolla beleži Bold kontrast i Discordant Palette harmoniju.

    Koji umetnički pravac obuhvata „Taking tea”, autor Joaquin Sorolla?

    Umetnički pravac koji se povezuje sa delom „Taking tea”, autor Joaquin Sorolla je Impressionistic Luminosity. Ova klasifikacija smešta rad među srodne umetnike i umetnička dela.