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Ploughing Time

Ime Razred Datum

John Guthrie Spence Smith, Ploughing Time (1924). Domen javnog dobra. Pogledajte ovo platno pod pokretnim svetlom: crtež, pravu boju ispod vernisa, čisti pigment

Osnovne informacije

Umetnik
John Guthrie Spence Smith topimpressionists.com/sr/artists/john-guthrie-spence-smith/
Podaci o umetniku
1880 – 1951
Slikano
1924
Originalne dimenzije
88 x 100 cm

U kontekstu

Ploughing Time — John Guthrie Spence Smith

Dimenzije

Originalne dimenzije su 88 × 100 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 71 u smrti.

Naslikano kada je umetnik imao 44 godina. Umetnik je doživeo 71. 8 od 32 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika John Guthrie Spence Smith (1880–1951) ▲ ovo delo, 1924 svaka datirana slika, deceniju po deceniju

Prva dela: do 1920 Glavne radne godine: 1920–1940 Kasna dela: od 1940

Ova tri segmenta dele dela koja u ovom katalogu imaju naveden datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Slična dela

  • Bakehouse Close, 1941 topimpressionists.com/sr/art/john-guthrie-spence-smith-bakehouse-close-AQUSHK-en/
  • Cir Mhor topimpressionists.com/sr/art/john-guthrie-spence-smith-cir-mhor-AQUSJ9-en/
  • Old Perth Buildings, 1932 topimpressionists.com/sr/art/john-guthrie-spence-smith-old-perth-buildings-AQUSHH-en/

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/john-guthrie-spence-smith-ploughing-time-AQUSHD-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Gray #75725e

    Katalogizovana paleta

    • #75725E
    • #908D76
    • #5D563D
    • #3D3724

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv glavne boje
    Gray
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Balanced Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao John Guthrie Spence Smith tokom poslednjih dvanaest meseci — ukupno u 2 zemalja. Odakle ovi podaci potiču

    Deset vodećih zemalja

    1. 1 Кина 90,0%
    2. 2 Ujedinjeno Kraljevstvo 10,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    10 najposećenijih dela umetnika John Guthrie Spence Smith

    1. 1 A Midlothian Farm, 1925 18,2%
    2. 2 John Knox's House, High Street, Edinburgh, 1929 18,2%
    3. 3 Old Perth Buildings, 1932 9,1%
    4. 4 The Croft, Anstruther, 1920 9,1%
    5. 5 Red Roofs 9,1%
    6. 6 Mowbray House, High Street, Edinburgh, 1930 9,1%
    7. 7 St Monance Kirk, 1930 9,1%
    8. 8 St Monance Kirk, 1950 9,1%
    9. 9 Standing Female Nude 9,1%
    10. Ploughing Time, 1924 ova slika 0,0%

    Zajedno, ova dela privlače 100,0% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 43 dela ovog umetnika, od kojih je 9 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za mesec po mesec

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    John Guthrie Spence Smith

    John Guthrie Spence Smith: A Visionary of Scottish Landscapes

    John Guthrie Spence Smith (1880-1951) remains a quietly significant figure in 20th-century British art, particularly within the rich tapestry of Scottish painting. Born in Perth, Scotland, into a family profoundly shaped by tragedy – his three older brothers succumbed to illness at young ages – Smith’s early life instilled a sensitivity and perhaps an unusual focus on observation. A childhood affliction robbed him of speech and hearing, a circumstance that arguably sharpened his visual perception and fostered a unique way of engaging with the world around him. This formative experience deeply influenced his artistic approach, imbuing his landscapes with a profound sense of stillness and quiet contemplation.

    Smith’s formal training began at Dundee College of Art, followed by studies at Edinburgh College of Art and the prestigious Royal Scottish Academy Life Drawing Classes under the tutelage of Robert Burns and Charles Hodge Mackie. These formative years exposed him to established artistic traditions while simultaneously nurturing his own distinctive style. He quickly distinguished himself as a talented artist, winning several prizes during his time at the RSA, demonstrating an early aptitude for capturing light, atmosphere, and the subtle nuances of the Scottish countryside. Crucially, he became involved with the Edinburgh Group, a collective of artists who challenged academic conventions and sought to forge a new path for modern art in Scotland. This association exposed him to innovative ideas and provided a platform for his work to be seen alongside other emerging talents.

    A Distinctive Style: Landscape and Streetscapes

    Smith’s artistic output is primarily characterized by meticulously rendered landscapes and evocative street scenes, predominantly depicting the familiar yet subtly transformed vistas of Perthshire, Angus, and the surrounding areas. He wasn't interested in dramatic, sweeping compositions; instead, he favored a measured approach, capturing the quiet dignity of rural life and the understated beauty of everyday settings. His palette was restrained, relying on muted earth tones – ochres, browns, greys, and blues – to create a sense of atmospheric depth and realism. He skillfully employed light and shadow to convey the changing moods of the Scottish weather, imbuing his paintings with a palpable sense of time and place. His work is often described as having a “colourist” quality, echoing the influence of artists like J.M. Whistler, though Smith’s approach was firmly rooted in his own unique vision.

    Influences and Artistic Development

    Smith's artistic journey reveals a complex interplay of influences. The traditional landscape painting of the Scottish Colourists – particularly their emphasis on capturing the essence of light and colour – undoubtedly shaped his early style. However, he also absorbed elements from Impressionism and Post-Impressionism, evident in his use of broken brushstrokes and his exploration of subjective perception. His time spent in France during World War I, though brief, provided a crucial opportunity to study the works of masters like Monet and Renoir, further expanding his artistic horizons. Following the war, he returned to Scotland, continuing to develop his distinctive style while maintaining close ties with the Edinburgh art community. His later work demonstrates an increasing confidence and maturity, reflecting a deeper understanding of both his subject matter and his own artistic voice.

    Legacy and Recognition

    Despite not achieving widespread fame during his lifetime, John Guthrie Spence Smith’s contribution to Scottish art is now increasingly recognized. His paintings are held in public collections across Scotland, including those of Glasgow, Paisley, Perth, and Greenock Museums, testament to the enduring quality of his work. His membership in the Royal Scottish Academy and his association with the Edinburgh Group cemented his place within a pivotal period of artistic innovation in Scotland. Smith’s legacy lies not only in his beautiful paintings but also in his quiet determination to pursue his artistic vision despite significant personal challenges. He represents a compelling example of an artist who found solace and expression through observation, capturing the essence of Scottish life with remarkable sensitivity and skill. His work continues to resonate with viewers today, offering a glimpse into a bygone era and a profound appreciation for the beauty of the Scottish landscape.

    Further Resources

    Art UK: https://artuk.org/discover/artists/smith-john-guthrie-spence-18801951

    Fleming Collection: https://www.flemingcollection.com/copy-of-spencer-richard-b

    Glasgow Museums Collections Online: https://collections.glasgowmuseums.com/mwebcgi/mweb?request=record;id=8890;type=701

    askART: https://www.askart.com/artist/john_guthrie_spence/11071253/john_guthrie_spence.aspx?alert=info

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Ploughing Time

    topimpressionists.com/sr/art/download/john-guthrie-spence-smith-ploughing-time-AQUSHD-en/

    Citiranje ovog umetničkog dela

    MLA
    Smith, John Guthrie Spence. Ploughing Time. 1924, https://topimpressionists.com/sr/art/john-guthrie-spence-smith-ploughing-time-AQUSHD-en/
    APA
    Smith, John Guthrie Spence (1924). Ploughing Time [Painting]. https://topimpressionists.com/sr/art/john-guthrie-spence-smith-ploughing-time-AQUSHD-en/
    Chicago
    John Guthrie Spence Smith. Ploughing Time. 1924. https://topimpressionists.com/sr/art/john-guthrie-spence-smith-ploughing-time-AQUSHD-en/
    Harvard
    Smith, John Guthrie Spence (1924) Ploughing Time. Available at: https://topimpressionists.com/sr/art/john-guthrie-spence-smith-ploughing-time-AQUSHD-en/

    Pogledajte pažljivije

    Ploughing Time — John Guthrie Spence Smith

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Bakehouse Close (1941), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. John Guthrie Spence Smith je imao oko 44 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Kako mogu da nabavim print dela „Ploughing Time”, John Guthrie Spence Smith?

    Ploughing Time“ je dostupno kao umetnička štampa na pamučnom platnu ili arhivskom kanvas papiru. Porudžbine se vrše na stranici Umetski print, u dimenziji po vašem izboru.

    Gde mogu pronaći umetnička dela slična delu „Ploughing Time”, John Guthrie Spence Smith?

    Radela slična delu „Ploughing Time”, John Guthrie Spence Smith prikupljena su na stranici Slična dela ovog umetničkog dela.

    Koji umetnik se pripisuje delu "Ploughing Time"?

    Delo "Ploughing Time" je kreirao/la John Guthrie Spence Smith. Informacije na ovoj stranici opisuju originalno delo umetnika John Guthrie Spence Smith.