Papir

Vodič za studentska umetnička dela

Peter Dollond (1731–1821)

Ime Razred Datum

Džon Hopner, Peter Dollond (1731–1821), College of Optometrists. Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Džon Hopner topimpressionists.com/sr/artists/dzon-hopner_sr/
Datumi umetnika
1758 – 1810
Prvobitne dimenzije
73 x 63 cm
Pokret
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Održano na
College of Optometrists topimpressionists.com/sr/museums/college-of-optometrists-london/

U kontekstu

Peter Dollond (1731–1821) — Džon Hopner

Koje su dimenzije?

Originalne dimenzije su 73 × 63 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo možda naslikano?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 52 u smrti.

Osenčeno: životni vek umetnika Džon Hopner (1758–1810) svaka datirana slika, deceniju po deceniju

Prva dela: do 1793 Glavne radne godine: 1793–1800 Kasna dela: od 1800

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Za ovaj zapis nema tačno navedene godine — na osnovu životnog veka umetnika i stila dela, na koju deceniju biste pretpostavili?

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Clay #a07357

    Katalogizovana paleta

    • #A07357
    • #241F18
    • #47381D
    • #CAAB8F

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv primarne boje
    Clay
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Džon Hopner tokom poslednjih dvanaest meseci — ukupno u 11 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 72,0%
    2. 2 Еквадор 5,3%
    3. 3 Хонг Конг 5,3%
    4. 4 Сједињене Америчке Државе 5,3%
    5. 5 Бразил 2,7%
    6. 6 Сингапур 2,7%
    7. 7 Аргентина 1,3%
    8. 8 Костарика 1,3%
    9. 9 Француска 1,3%
    10. 10 Ujedinjeno Kraljevstvo 1,3%
    11. · 1 ostalih zemalja 1,5%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Džon Hopner

    1. 1 Matthew Raine 13,4%
    2. 2 Girl With A Rabbit 3,7%
    3. 3 A Worshipful Master 3,7%
    4. 4 Elizabeth James Parkyns, 1794 2,4%
    5. 5 IOSEPH HAYDEN, M.D. Oxon., 1791 2,4%
    6. 6 Henry Langford (1758–1800), 1800 2,4%
    7. 7 Henry Augustus Dillon Lee (1777–1832), 13th Viscount Dillon of Costello Gallin 2,4%
    8. 8 Jacob Pleydell-bouverie 2,4%
    9. 9 General The Honourable Frederick St John 2,4%
    10. 10 Portrait Of Elizabeth Howard 2,4%
    11. 11 Admiral Adam Duncan 2,4%
    12. 12 The Frankland Sisters, 1795 2,4%
    13. 13 Untitled (D2X748), 1805 2,4%
    14. 14 The Honourable Reverend Henry Cockayne Cust 2,4%
    15. 15 Sir William Scott (1745–1836), afterwards Baron Stowell, Elder Brother of the Earl of Eldon, Fellow (1764), Judge of the High Court of the Admiralty, 1806 1,2%
    16. 16 Thomas Williams, 1800 1,2%
    17. 17 Maria Wilson (1772–1852), Lady Trevelyan, 1791 1,2%
    18. 18 The Right Honourable William Windham (1750–1810), MP for Norwich, 1804 1,2%
    19. 19 Sir Giles Rooke (1743–1808) 1,2%
    20. — Peter Dollond (1731–1821) ova slika 0,0%

    Zajedno, ova dela zauzimaju 53,2% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 260 dela ovog umetnika, od kojih je 57 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Džon Hopner

    Rođen/a u Vajtkepel, Ujedinjeno Kraljevstvo

    život ispunjen umetnošću i kraljevskim pokroviteljstvom

    john hoppner, istaknuti engleski portretista, ostavio je neizbrisiv trag u svetu umetnosti zahvaljujući svojoj živopisnoj paleti boja. Rođen 1758. godine u Whitechapelu u Londonu od nemačkih roditelja, Hoppnerov život obeležili su kraljevsko pokroviteljstvo i umetnička briljantnost.

    rani život i obuka

    u mladom uzrastu, hoppner je postao član horala u kraljevskoj kapeli, ali njegova naklonost ka umetnosti navela ga je da se 1mla 1775. godine upiše u Kraljevsku akademiju.

    godine 1778. dobio je srebrnu medalju za crtanje iz prirode, a 1782. godine zlatnu medalju za istorijsko slikarstvo za svoje delo o kralju Learu.

    uspon ka slavi i značajna dela

    Hoppnerovi portreti žena i dece smatrani su njegovim najuspešnijim delima prema mišljenju stručnih sudija. Njegov stil, prepoznatljiv po široci i slobodnim potezima, u svojim slikama je nosio blagi odsjaj šarma koji je pripadao Reynoldsu. Među najznačajnijim radovima izdvajaju se:

    mrs jordan u ulozi viole u 'tretnjaćoj noći', koja se danas čuva u English Heritage (London, Ujedinjeno Kraljevstvo), a koja svedoči o njegovom majstorstvu u portretnom slikarstvu.

    njegovi portreti princa od veles britanije, vojvode i vojvodinje od yorka, lorda rodneya i lorda nelsona, koji su bili izloženi u državnim odajama palate St. James, demonstriraju njegove visoke društvene veze.

    nasleđe i poznate godine

    Život john hoppnera obeležila je hronična bolest jetre. Preminuo je 23. januara 1810. godine. Uprkos tome, njegovo nasleđe opstaje kroz njegove vibrantne portrete koji i danas fasciniraju ljubitelje umetnosti.

    istražite više john hoppnera na https://AllPaintingsStore.com/@/johnhoppner.

    otkrijte širi kontekst britanske umetnosti na https://en.wikipedia.org/wiki/art_of_the_united_kingdom.

    dalje čitanje i istraživanje

    Za dublje uranjanje u svet britanske umetnosti, razmotrite sledeće:

    otkrivanje umetničkih dela u dyrham parku, ujedinjeno kraljevstvo

    sir edwin landseer lutyens, engleski arhitekta poznat po svojim maštovitim adaptacijama.

    Muzej

    College of Optometrists

    Izložbeno mesto London, United Kingdom

    The Legacy of Sight: Unveiling the Secrets of the Eye at London’s Oldest Optics Museum

    Nestled within a pair of meticulously preserved Georgian townhouses on Craven Street, lies a treasure trove for those fascinated by the history of vision and its meticulous study – the College of Optometrists Museum. More than just a collection of spectacles, this unique institution offers a profoundly intimate glimpse into centuries of innovation, artistry, and the very human desire to understand and correct our perception of the world. Founded in 1901, it stands as the world’s oldest museum dedicated solely to ophthalmic optics, a quiet testament to the enduring pursuit of clarity and the evolution of how we see.

    The museum's heart beats within its remarkable collection of over 28,000 historic spectacles. These aren’t merely functional objects; they are miniature works of art, each frame telling a silent story of its owner – a wealthy merchant in the 18th century, a pioneering surgeon in the Victorian era, or perhaps a discerning gentleman seeking to enhance his vision for reading and leisure. The collection isn't limited to spectacles; it encompasses an astonishing array of ophthalmic instruments, from early retinoscopes used to examine the retina to intricate surgical tools that foreshadowed modern techniques. Examining these objects is akin to tracing the lineage of medical technology itself – a tangible record of incremental advancements driven by human ingenuity and a deep-seated need to alleviate suffering.

    Beyond its technical significance, the museum reveals an unexpected connection to visual culture. A dedicated section showcases artwork, prints, and scientific illustrations that explore the very concept of sight. You’ll find detailed anatomical drawings alongside evocative depictions of the eye, reflecting both the scientific understanding and the artistic fascination with this remarkable organ. The building itself adds another layer to this narrative; originally housing a telescope and optical toy shop in the 1820s – a period marked by burgeoning interest in astronomy and optics – it embodies the museum’s roots in the broader history of visual exploration.

    A Foundation Built on Expertise: History and Heritage

    The College of Optometrists Museum's origins are inextricably linked to the British Optical Association (BOA), established in 1895. This organization, along with several other professional bodies, recognized the need for a centralized institution dedicated to advancing the science and practice of optometry. In 1980, these entities coalesced to form the College of Optometrists, solidifying its position as the leading authority in the field. The Royal Charter granted by Queen Elizabeth II in 1995 served as a formal recognition of the institution’s importance and established it as a vital resource for both practitioners and researchers.

    The museum's location at 41-42 Craven Street, London WC2, is itself a piece of history. These two Georgian townhouses, built in the 1730s, represent a significant architectural style of the period. The building’s transformation from a telescope and optical toy shop to a dedicated museum reflects a remarkable evolution – a testament to the enduring value placed on understanding and improving vision.

    Rare Books & Archives: Unearthing the Past

    Delving deeper into the museum's collection reveals a rich archive of rare books, manuscripts, and organizational records. These materials provide invaluable insights into the history of optometry, tracing its development from early practices to modern advancements. You’ll find publications detailing groundbreaking discoveries, correspondence between pioneering optometrists, and meticulous documentation of professional standards – offering a comprehensive narrative of the field's evolution.

    The archive is particularly significant for its preservation of historical records relating to the British Optical Association and the College of Optometrists. These documents illuminate the institutional development, debates within the profession, and the challenges faced by those dedicated to advancing the science of vision. It’s a window into the intellectual landscape that shaped modern optometry.

    A Hidden Gem for Curious Minds

    The College of Optometrists Museum offers a unique experience – a quiet sanctuary away from the bustling tourist routes of London, yet brimming with fascinating stories and remarkable artifacts. It's a place where history, science, and design converge, appealing to a diverse audience: eye care professionals seeking to connect with their heritage, history enthusiasts eager to explore the evolution of medical technology, and anyone captivated by the intricate workings of the human visual system.

    Guided tours are available, providing expert insights into the museum’s collection and its significance. A visit here is not merely a sightseeing excursion; it's an opportunity for contemplation, discovery, and a deeper appreciation for the remarkable journey of vision – from ancient spectacles to modern corrective lenses.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Peter Dollond (1731–1821)

    topimpressionists.com/sr/art/download/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/

    Citiranje ovog umetničkog dela

    MLA
    Hopner, Džon. Peter Dollond (1731–1821). n.d., College of Optometrists. https://topimpressionists.com/sr/art/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/
    APA
    Hopner, Džon (n.d.). Peter Dollond (1731–1821) [Painting]. College of Optometrists. https://topimpressionists.com/sr/art/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/
    Chicago
    Džon Hopner. Peter Dollond (1731–1821). n.d. College of Optometrists. https://topimpressionists.com/sr/art/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/
    Harvard
    Hopner, Džon (n.d.) Peter Dollond (1731–1821). College of Optometrists. Available at: https://topimpressionists.com/sr/art/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/

    Pogledajte pažljivije

    Peter Dollond (1731–1821) — Džon Hopner

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: portrait, neoclassicism, formal. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Richard Humphreys, the Boxer, ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom i jednu koja ih razlikuje.
    5. Neoclassicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koja je paleta boja u delu "Peter Dollond (1731–1821)"?

    „Peter Dollond (1731–1821)”, autor Džon Hopner koristi Earthy paletu boja. Ova paleta sažima opšti koloristički karakter dela.

    Mogu li da pregledam „Peter Dollond (1731–1821)”, autor Džon Hopner pre naručivanja?

    Pregled dela „Peter Dollond (1731–1821)”, autor Džon Hopner možete pogledati na stranici Pregled u prostoru.

    Da li je „Peter Dollond (1731–1821)”, autor Džon Hopner svetlo ili tamno umetničko delo?

    Za delo „Peter Dollond (1731–1821)”, autor Džon Hopner zabeležena je osvetljenost od deep_shadow, uz luminancu od Dark.