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Osceola

Ime Razred Datum

John Sartain, Osceola. Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
John Sartain topimpressionists.com/sr/artists/john-sartain/
Datumi umetnika
1808 – 1897

U kontekstu

Osceola — John Sartain

Kada je ovo možda naslikano?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870
  9. 1880
  10. 1890

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 89 u smrti.

Osenčeno: životni vek umetnika John Sartain (1808–1897) svaka datirana slika, deceniju po deceniju

Za ovaj zapis nema tačno navedene godine — na osnovu životnog veka umetnika i stila dela, na koju deceniju biste pretpostavili?

Uporedi sa

  • William Still, 1872 topimpressionists.com/sr/art/john-sartain-william-still-D44TVG-en/
  • Richard Rush topimpressionists.com/sr/art/john-sartain-richard-rush-AQZDZ8-en/
  • Home on a Furlough topimpressionists.com/sr/art/john-sartain-home-on-a-furlough-AQZDZ4-en/

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/john-sartain-osceola-AQZDZ6-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Putty #cfc0b3

    Katalogizovana paleta

    • #CFC0B3
    • #2D2826
    • #988A7F
    • #6B6158

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv primarne boje
    Putty
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Balanced Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao John Sartain tokom poslednjih dvanaest meseci — ukupno u 1 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 100,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    3 najposećenijih dela umetnika John Sartain

    1. 1 Home on a Furlough 75,0%
    2. 2 Richard Rush 25,0%
    3. — Osceola ova slika 0,0%

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 7 dela ovog umetnika, od kojih je 2 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    John Sartain

    Rođen/a u London, United Kingdom

    John Sartain: A Pioneer of Mezzotint Engraving in America

    Born: London, United Kingdom (October 24, 1808)

    Died: Philadelphia, Pennsylvania (October 25, 1897)

    Nationality: British-American

    Early Life and Training

    Sartain's early life was marked by hardship; he became responsible for his family’s support at a young age.

    He began working as an assistant scene painter at the age of eleven, gaining initial artistic experience.

    From 1823 to 1830, he apprenticed under engraver John Swaine, mastering line engraving and developing skills in heraldry and letter work.

    He studied painting under John Varley and Henry James Richter, broadening his artistic foundation.

    Career and Artistic Development

    In 1830, Sartain emigrated to the United States and settled in Philadelphia, marking a pivotal shift in his career.

    Initially, he focused on portrait painting in oil and miniatures before dedicating himself primarily to engraving.

    He pioneered mezzotint engraving in America, reviving a technique that had been popular in England.

    His work for Graham's Magazine (1841-1848) significantly contributed to the publication’s success and established his reputation.

    Sartain became editor and proprietor of Campbell's Foreign Semi-Monthly Magazine (1843) and later, Sartain's Union Magazine (1849-1852), showcasing his editorial and publishing abilities alongside his artistic endeavors.

    He produced a vast quantity of plates for book illustrations throughout his career, demonstrating remarkable productivity.

    Major Achievements and Notable Relationships

    Pioneering Mezzotint: Sartain is best known for re-establishing mezzotint engraving as a significant art form in the United States.

    Friendship with Edgar Allan Poe: A notable episode involved Sartain providing refuge to a distressed Edgar Allan Poe, who sought assistance and confided in him about perceived threats. This event led to the publication of Poe’s poem “The Bells” in Sartain's Union Magazine posthumously.

    Artistic Leadership: He held various leadership roles within Philadelphia's art community, including positions with the Artists' Fund Society, School of Design for Women, and Pennsylvania Academy of Fine Arts.

    Centennial Exposition: Sartain served as director of the art department at the 1876 Centennial Exposition in Philadelphia, earning recognition from the King of Italy with the title of Cavaliere of the Order of the Crown of Italy.

    Legacy and Historical Significance

    Sartain’s dedication to art education and his contributions to various artistic institutions helped foster a vibrant cultural landscape in Philadelphia.

    His revival of mezzotint engraving ensured its continued presence in American art, providing a valuable technique for reproducing paintings and creating original prints.

    The Sartain family's legacy extended beyond John himself, with several of his children also pursuing artistic careers, further solidifying their impact on the American art scene.

    His autobiography, Reminiscences of a Very Old Man (1899), provides valuable insights into his life and career.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Osceola

    topimpressionists.com/sr/art/download/john-sartain-osceola-AQZDZ6-en/

    Citiranje ovog umetničkog dela

    MLA
    Sartain, John. Osceola. n.d., https://topimpressionists.com/sr/art/john-sartain-osceola-AQZDZ6-en/
    APA
    Sartain, John (n.d.). Osceola [Painting]. https://topimpressionists.com/sr/art/john-sartain-osceola-AQZDZ6-en/
    Chicago
    John Sartain. Osceola. n.d. https://topimpressionists.com/sr/art/john-sartain-osceola-AQZDZ6-en/
    Harvard
    Sartain, John (n.d.) Osceola. Available at: https://topimpressionists.com/sr/art/john-sartain-osceola-AQZDZ6-en/

    Pogledajte pažljivije

    Osceola — John Sartain

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na William Still (1872), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Šta je umetnik možda želeo da osetite?
    5. Da možete da postavite umetniku samo jedno pitanje o ovom delu, šta biste pitali?

    Vaš odgovor

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    Pitanja i odgovori

    Da li je dostupno preuzimanje za "Osceola"?

    „Osceola”, autor John Sartain možete preuzeti na stranici za Preuzimanje digitalnog prikaza ovog dela, kao preuzimanje digitalne slike visoke rezolucije.

    U kom je položenu (vertikalnom ili horizontalnom) prikazano delo „Osceola”, autor John Sartain?

    Format dela "Osceola" je Portrait, što vam može biti od pomoći prilikom planiranja prostora u kojem ćete postaviti reprodukciju.

    Mogu li da koristim proširenu stvarnost kako bih video/la „Osceola”, autor John Sartain u svojoj prostoriji?

    Delo „Osceola”, autor John Sartain možete isprobati na svom zidu putem stranice AR prikaz, koristeći proširenu stvarnost na kompatibilnom uređaju.