Vodič za studentska umetnička dela
Autorska prava Ovo delo je u javnom vlasništvu. Marie Bracquemond je preminuo/la 1916. godine; autorska prava traju 70 godina nakon smrti umetnika, pa su prestala 1986.
U kontekstu
Landscape Garden Path — Marie Bracquemond
Originalne dimenzije su 27 × 46 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.
Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 76 u smrti.
Osenčeno: životni vek umetnika Marie Bracquemond (1840–1916) svaka datirana slika, deceniju po deceniju
Prva dela: do 1880 Glavne radne godine: 1880–1886 Kasna dela: od 1886
Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika
Za ovaj zapis nema tačno navedene godine — na osnovu životnog veka umetnika i stila dela, na koju deceniju biste pretpostavili?
Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.
Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/marie-bracquemond-landscape-garden-path-AQRBN2-en/
Izmereno na osnovu slike
Glavna boja
Espresso #33341e
Katalogizovana paleta
Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji
Deset vodećih zemalja
Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.
Zajedno, ova dela zauzimaju 99,9% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 13 dela ovog umetnika, od kojih je 6 pregledano barem jednom. Ova slika zauzima 3 mesto na listi, sa 11,1% te pažnje (100 poseta). Isto važi i za pojedinačne mesece
Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.
Umetnik i muzej
Rođen/a u Argenton-en-Landunvez, France
Born: Marie Anne Caroline Quivoron, December 1, 1840, Argenton-en-Landunvez, Brittany, France
Died: January 17, 1916
Early life marked by instability due to her father's death and subsequent remarriage of her mother.
Received initial art lessons from M. Auguste Vassort, an old painter who restored paintings.
Studied under Jean-Auguste-Dominique Ingres, a prominent Neoclassical painter, gaining valuable technical skills but also experiencing his doubts about women's artistic capabilities.
Initially painted in an academic style influenced by Ingres.
Married Félix Bracquemond, a printmaker who introduced her to Japanese art (Japonisme) and encouraged her exploration of new techniques.
Around 1887, significantly shifted towards Impressionism under the influence of Monet, Degas, and particularly Paul Gauguin.
Embraced en plein air painting, capturing fleeting moments and light effects in her garden at Sèvres.
Developed a vibrant palette, influenced by Gauguin's advice to intensify colors.
Notable Paintings: "Felix Bracquemond in His Studio" (1886), "Child Pierre" (undated), "On the Terrace at Sèvres" (1880), "The Lady in White" (1880), "Afternoon Tea" (1887).
Style: Characterized by loose brushstrokes, vibrant colors, and a focus on domestic scenes and garden views.
Her paintings often depict intimate moments of family life and the beauty of nature.
Demonstrated a meticulous approach to composition despite her Impressionistic style, planning pieces through sketches and drawings.
Participated in three Impressionist exhibitions (1879, 1880, 1886).
Her work was initially overshadowed by her husband's efforts to downplay her artistic achievements.
Rediscovered as a significant figure in the Impressionist movement in the 20th century, particularly through Henri Focillon’s recognition of her as one of "les trois grandes dames" alongside Cassatt and Morisot.
Represents an important contribution to female representation within the male-dominated art world of the 19th century.
Continued painting until her death in 1916, despite declining health.
Her son, Pierre Bracquemond, wrote a biography of his parents that provides valuable insights into their lives and artistic collaboration.
Although fewer than 35 of her works are currently located and catalogued, her legacy as a talented Impressionist painter is increasingly recognized and celebrated.
Marie Bracquemond's story highlights the challenges faced by women artists in gaining recognition and underscores the importance of rediscovering overlooked figures in art history.
topimpressionists.com/sr/art/download/marie-bracquemond-landscape-garden-path-AQRBN2-en/
Pogledajte pažljivije
Landscape Garden Path — Marie Bracquemond
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Analiza boja dela „Landscape Garden Path”, autor Marie Bracquemond beleži Bold kontrast i Strong Color Unity harmoniju.
Dimenzije originalnog dela „Landscape Garden Path”, autor Marie Bracquemond su 27 x 46 cm.
„Landscape Garden Path“ karakteriše Dark paleta u kojoj dominira Espresso (#33341e).