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Pattycake

Ime Razred Datum

Meri Stenفين Касат, Pattycake (1897). Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Meri Stenفين Касат topimpressionists.com/sr/artists/meri-stenfyn-kasat_sr/
Datumi umetnika
1843 – 1926
Slikano
1897
Pokret
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

U kontekstu

Pattycake — Meri Stenفين Касат

Kada je ovo naslikano?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 83 u smrti.

Naslikano kada je umetnik imao 54 godina. Umetnik je doživeo 83. 191 od ukupno 311 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Meri Stenفين Касат (1843–1926) ▲ ovo delo, 1897 svaka datirana slika, deceniju po deceniju

Prva dela: do 1881 Glavne radne godine: 1881–1901 Kasna dela: od 1901

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/mary-stevenson-cassatt-pattycake-8XYJBV-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Rosy Brown #c5a48b

    Katalogizovana paleta

    • #C5A48B
    • #3B3934
    • #74715E
    • #EDEFE7

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna grupa boja na slici.
    Naziv primarne boje
    Rosy Brown
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Bright Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Meri Stenفين Касат tokom poslednjih dvanaest meseci — ukupno u 33 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 57,0%
    2. 2 Сједињене Америчке Државе 9,5%
    3. 3 Сингапур 7,4%
    4. 4 Хонг Конг 6,8%
    5. 5 Шпанија 2,1%
    6. 6 Италија 2,1%
    7. 7 Мексико 2,1%
    8. 8 Јапан 1,7%
    9. 9 Француска 1,5%
    10. 10 Бразил 0,8%
    11. · 23 ostalih zemalja 9,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Meri Stenفين Касат

    1. 1 Деца у бању, 1893 17,4%
    2. 2 Little Girl in a Blue Armchair, 1878 3,5%
    3. 3 Једна од највећих препрека у живопису је то што се гледа из висине и појединачно гледање. 2,1%
    4. 4 Лежишће на броду, 1894 2,1%
    5. 5 У ложу 2,1%
    6. 6 Ледица на чашњици, 1883 1,9%
    7. 7 Sara Holding a Cat 1,6%
    8. 8 Ложа, 1880 1,5%
    9. 9 Mother and Child (also known as The Oval Mirror), 1898 1,3%
    10. 10 Woman on a Striped with a Dog (also known as Young Woman on a Striped Sofa with Her Dog), 1875 1,0%
    11. 11 Lilacs in a Window, 1880 1,0%
    12. 12 Summertime, 1894 0,9%
    13. 13 Young Mother Sewing, 1902 0,7%
    14. 14 Lydia Seated at an Embroidery Frame, 1880 0,7%
    15. 15 Young Woman Sewing in a Garden, 1886 0,7%
    16. 16 Mother Holding a Child in Her Arms, 1890 0,6%
    17. 17 The Mandolin Player, 1872 0,6%
    18. 18 Ellen Mary Cassatt in a White Coat, 1896 0,6%
    19. 19 Woman Reading in a Garden, 1880 0,6%
    20. — Pattycake, 1897 ova slika 0,0%

    Zajedno, ova dela zauzimaju 40,9% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 614 dela ovog umetnika, od kojih je 278 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Meri Stenفين Касат

    Rođen/a u Алачеги Сити, САД

    A Life Dedicated to Impressionism and Domesticity

    Mary Stevenson Cassatt, a name forever linked with intimate portrayals of women and children within the radiant world of late 19th-century Impressionism, forged an exceptional path as an American artist who discovered her artistic sanctuary in France. Born on May 22, 1844, in Allegheny City, Pennsylvania – now part of Pittsburgh – Cassatt’s upbringing was steeped in privilege and a cultivated awareness of culture. Her family, with roots tracing back to French Huguenots, placed high value on education and travel, instilling within young Mary a cosmopolitan perspective that would profoundly shape her artistic vision. While societal norms often confined women to domestic spheres, Cassatt's mother, Katherine Kelso Johnston, actively encouraged her daughter’s burgeoning interest in art, recognizing and nurturing a talent that defied convention. This early support proved invaluable as Cassatt navigated the challenges of pursuing a professional career within a male-dominated field.

    From Philadelphia to Parisian Immersion

    Cassatt's formal artistic training commenced at the Pennsylvania Academy of Fine Arts in Philadelphia at the age of fifteen, a bold step for a young woman during the Civil War era. Despite encountering skepticism and subtle discouragement from some instructors and fellow students, she persevered through years of diligent study. However, feeling constrained by the academy’s deliberate pace and traditional methods, Cassatt sought broader horizons. A pivotal moment arrived in 1866 when she relocated to Paris, accompanied by her mother and family friends as chaperones. This move marked a turning point in her artistic development. She studied privately with established artists affiliated with the École des Beaux-Arts, including Jean-Léon Gérôme, absorbing technical skills while simultaneously immersing herself in the burgeoning Parisian art scene. It was during this period that Cassatt began to gravitate toward the innovative ideas of the Impressionists, a group challenging academic conventions and striving to capture the fleeting moments of modern life. A particularly significant relationship blossomed with Edgar Degas, who recognized her exceptional talent and invited her to exhibit alongside the Impressionist circle. Their connection extended beyond exhibition; Degas became a mentor, encouraging Cassatt’s exploration of printmaking techniques, especially color aquatint, which would become an integral part of her artistic repertoire. He profoundly influenced her compositional choices, particularly in his emphasis on asymmetrical arrangements and cropped figures – elements that would come to define her unique style.

    Capturing Modern Womanhood: Style and Themes

    Cassatt’s artistic style evolved to embrace the hallmarks of Impressionism – visible brushstrokes, a focus on light and color, and a commitment to depicting contemporary life. Yet, she infused her work with a distinct clarity and precision that set it apart from some of her contemporaries. Unlike many male Impressionists who favored landscapes or Parisian nightlife, Cassatt centered her art around the social and private worlds of women, particularly mothers and children. She portrayed scenes of domesticity – bathing rituals, tea parties, quiet moments of connection – with remarkable intimacy and psychological depth. Her paintings are not merely depictions of everyday life; they are sensitive explorations of maternal bonds, female relationships, and the complexities of modern womanhood. Key works like The Boating Party (1894), The Child’s Bath (in various versions), and Little Girl in a Blue Armchair exemplify her ability to capture fleeting moments with both technical skill and emotional resonance. Furthermore, Cassatt was deeply influenced by Japanese ukiyo-e woodblock prints, evident in her compositions' flattened perspective, bold color choices, and elegant simplicity. This Japonisme influence added another layer of sophistication to her already distinctive style, influencing her use of pattern and the arrangement of forms within a space.

    Notable Achievements & Legacy

    Mary Cassatt’s contribution to Impressionism is undeniable. Her unwavering dedication to portraying women's lives with honesty and compassion challenged prevailing societal norms and elevated the status of female artists during her time. She became one of the “three great ladies” of Impressionism, alongside Berthe Morisot and Marie Bracquemond, demonstrating that artistic excellence transcended gender boundaries. Cassatt’s influence extended beyond her own paintings; she championed the collection of old masters and encouraged the embrace of Impressionist ideals within American art circles. Her legacy continues to inspire artists today, reminding us of the importance of portraying human experience with sensitivity and nuance. She remains a powerful symbol of artistic independence and a testament to the enduring power of art to illuminate the human condition.

    Further Exploration

    Online Resources: Explore Mary Cassatt’s life and work further through resources like Wikipedia (https://en.wikipedia.org/wiki/Mary_Cassatt) and AllPaintingsStore.

    Museum Collections: Discover her masterpieces in renowned museums worldwide, including the Art Institute of Chicago and the National Portrait Gallery in London.

    Related Artists: Delve into the works of Edgar Degas, Berthe Morisot, and Marie Bracquemond to understand the broader context of Impressionism and the contributions of women artists during this period.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Pattycake

    topimpressionists.com/sr/art/download/mary-stevenson-cassatt-pattycake-8XYJBV-en/

    Citiranje ovog umetničkog dela

    MLA
    Касат, Meri Stenفين. Pattycake. 1897, https://topimpressionists.com/sr/art/mary-stevenson-cassatt-pattycake-8XYJBV-en/
    APA
    Касат, Meri Stenفين (1897). Pattycake [Painting]. https://topimpressionists.com/sr/art/mary-stevenson-cassatt-pattycake-8XYJBV-en/
    Chicago
    Meri Stenفين Касат. Pattycake. 1897. https://topimpressionists.com/sr/art/mary-stevenson-cassatt-pattycake-8XYJBV-en/
    Harvard
    Касат, Meri Stenفين (1897) Pattycake. Available at: https://topimpressionists.com/sr/art/mary-stevenson-cassatt-pattycake-8XYJBV-en/

    Pogledajte pažljivije

    Pattycake — Meri Stenفين Касат

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: mothers. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Деца у бању (1893), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koji umetnički pravac obuhvata „Pattycake”, autor Meri Stenفين Касат?

    Umetnički pravac koji se povezuje sa delom „Pattycake”, autor Meri Stenفين Касат je Impressionism. Ova klasifikacija smešta rad među srodne umetnike i umetnička dela.

    Pod kojim drugim imenima je Meri Stenفين Касат poznat/a?

    Meri Stenفين Касат se pojavljuje i pod drugim imenima: Мари Стивенсон Касат, Стевенсон Касат.

    Da li je „Pattycake”, autor Meri Stenفين Касат svetlo ili tamno umetničko delo?

    U pogledu percepcije osvetljenosti, „Pattycake”, autor Meri Stenفين Касат je bright.