Format papira

Vodič za studentske radove

Daffodils

Ime Razred Datum

Michele Elizabeth Field, Daffodils (2006). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod pokretnim svetlom: crtež, pravu boju ispod vernisa, čisti pigment

Osnovne informacije

Umetnik
Michele Elizabeth Field topimpressionists.com/sr/artists/michele-elizabeth-field/
Podaci o umetniku
1953 – 2014
Slikano
2006
Originalne dimenzije
31 x 101 cm
Pokret
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

U kontekstu

Daffodils — Michele Elizabeth Field

Dimenzije

Originalne dimenzije su 31 × 101 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 61 u smrti.

Naslikano kada je umetnik imao 53 godina. Umetnik je doživeo 61. 20 od 34 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Michele Elizabeth Field (1953–2014) ▲ ovo delo, 2006 svaka datirana slika, deceniju po deceniju

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/michele-elizabeth-field-daffodils-AQUPXT-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Black #131315

    Katalogizovana paleta

    • #131315
    • #E0C74F
    • #D3B62A
    • #3F4C33

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Dark Dominantna grupa boja na slici.
    Naziv glavne boje
    Black
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Clear Color Presence Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Michele Elizabeth Field tokom poslednjih dvanaest meseci — ukupno u 2 zemalja. Odakle ovi podaci potiču

    Deset vodećih zemalja

    1. 1 Кина 70,0%
    2. 2 Сједињене Америчке Државе 30,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    9 najposećenijih dela umetnika Michele Elizabeth Field

    1. 1 Purple and Gold Abstract, 2005 20,0%
    2. 2 Robin, 2007 10,0%
    3. 3 Yellow Poppies, 2006 10,0%
    4. 4 Anemones, 2006 10,0%
    5. 5 Hibiscus, 2005 10,0%
    6. 6 Purple Poppies, 2006 10,0%
    7. 7 Irises, 2004 10,0%
    8. 8 Daffodils, 2006 ova slika 10,0%
    9. 9 Pink Tulips, 2004 10,0%

    Zajedno, ova dela privlače 100,0% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 34 dela ovog umetnika, od kojih je 9 pregledano barem jednom. Ova slika zauzima 8 mesto među njima, sa 10,0% te pažnje. Isto važi i za mesec po mesec

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Michele Elizabeth Field

    A Life Painted in Light and Water

    Michele Elizabeth Field, born Michele Wright, was an artist whose soul seemed inextricably linked to the tranquil rhythms of the English landscape. Born on June 10, 1953, in Solihull, West Midlands, her early years were shaped by a profound fascination with the natural world. This innate curiosity found its most potent expression through the serene waterways and rolling vistas of Oxford—a region that would become the heartbeat of her creative vision. Her palette was often a direct reflection of this environment, mirroring the soft, luminous hues of the Thames and the verdant, undulating textures of the Chiltern Hills. Through her work, one does not merely see a landscape; one feels the atmospheric weight of a misty morning or the warmth of sunlight filtering through a summer canopy.

    Her formal journey into the mastery of medium began at the Plymouth College of Art, where she meticulously honed her skills in both watercolor and oil painting. While her technical foundation was rigorous, it was her relocation to Oxford in 1980 that truly catalyzed her artistic evolution. Immersed in the city’s rich artistic heritage, Field established herself as a freelance artist with an unwavering commitment to emotional resonance. She possessed a rare ability to capture the essence of a scene, moving beyond mere representation to achieve a sense of profound stillness and accuracy that captivated both casual observers and seasoned collectors alike.

    The Language of Flowers and Form

    As her career progressed into the early 2000s, Field’s expressive range underwent a beautiful transformation. While she remained a master of the delicate, translucent washes characteristic of watercolor, she began to embrace the bold, tactile possibilities of acrylics and oils. This experimentation allowed her to explore deeper textures and more vibrant, saturated colors, adding a new dimension of physical presence to her canvases. Her botanical works, in particular, emerged as some of her most celebrated achievements. In paintings such as White Lilies and Yellow Lilies, she rendered floral subjects with a precision that bordered on the meditative.

    Her floral compositions—frequently featuring anemones, poppies, and daisies—were far more than simple botanical studies. They served as poignant meditations on the ephemeral nature of beauty and the cyclical rhythms of life. In works like Daisies and Orange Flowers, she utilized a stylized, almost folk-art charm to evoke joy and rustic serenity, whereas her more abstract endeavors, such as Purple and Gold Abstract, showcased her ability to manipulate impasto textures and swirling forms to convey pure emotion. This versatility ensured that her work could speak to the viewer through both the literal beauty of nature and the abstract language of color.

    Legacy of Empathy and Observation

    Beyond the landscapes and botanicals, Field’s artistry was defined by a deep-seated empathy, a quality most evident in her highly sought-after pet portraits. Tasked with capturing the likenesses of beloved dogs, she approached each commission with an exceptional level of observation, seeking to translate the unique character and spirit of each animal onto the canvas. This ability to capture the "essence" of a subject became a hallmark of her professional reputation, making her work deeply personal to those who owned it.

    A dedicated member of the Guild of Waterway Artists, Field was not only a creator but also a vital part of the artistic community. She was known for her professionalism and her skill as a promoter, often organizing exhibitions at venues such as the John Radcliffe Hospital and participating in major events like the Braunston Boat Show. Her presence was so impactful that her paintings were frequently featured on official Christmas cards, weaving her vision into the seasonal traditions of the region. Though her life was tragically cut short in 2014, her legacy endures through a body of work that remains vibrantly alive—a testament to a life lived with an open heart and an eye for the extraordinary beauty found in the everyday.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Daffodils

    topimpressionists.com/sr/art/download/michele-elizabeth-field-daffodils-AQUPXT-en/

    Citiranje ovog umetničkog dela

    MLA
    Field, Michele Elizabeth. Daffodils. 2006, https://topimpressionists.com/sr/art/michele-elizabeth-field-daffodils-AQUPXT-en/
    APA
    Field, Michele Elizabeth (2006). Daffodils [Painting]. https://topimpressionists.com/sr/art/michele-elizabeth-field-daffodils-AQUPXT-en/
    Chicago
    Michele Elizabeth Field. Daffodils. 2006. https://topimpressionists.com/sr/art/michele-elizabeth-field-daffodils-AQUPXT-en/
    Harvard
    Field, Michele Elizabeth (2006) Daffodils. Available at: https://topimpressionists.com/sr/art/michele-elizabeth-field-daffodils-AQUPXT-en/

    Pogledajte pažljivije

    Daffodils — Michele Elizabeth Field

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: floral art, daffodils, yellow blooms. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Poppies, Buttercups and Daisies (2007), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Kako se kontrast i harmonija spajaju u delu "Daffodils"?

    U delu "Daffodils", Statement kontrast je uparen sa Unified Palette harmonijom.

    Kako se umetnički pravac i epoha susreću u delu „Daffodils”, Michele Elizabeth Field?

    U delu „Daffodils”, Michele Elizabeth Field, umetnički pravac Contemporary Realism susreće eru Contemporary.

    Koliko ljudi posmatra "Daffodils"?

    Postoji Statistika stranica za „Daffodils“. Ona prikazuje mesečne posete ovom umetničkom delu i drugim delima ovog umetnika, uz detaljnu analizu po državama i jezicima.